House of Verlaine’s take on Giselle is a tangle of emotions, the erotic, and ghostly bodies.
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House of Verlaine’s take on Giselle is a tangle of emotions, the erotic, and ghostly bodies.
Continue readingAttention readers: To all those tired of the Nutcracker—whether that’s performing the Nutcracker, watching the Nutcracker, or feeling weary from
Continue readingOur society proclaims to be a progressive one, one that rises above stereotypes and prejudice. It’s not always true, of
Continue readingDonald Byrd’s work is often a conversation about race, but Spectrum Dance Theater’s A Rap On Race makes the notion
Continue readingThis year’s Black History Month has been a busy one nationwide, with conversations on the value of black lives happening
Continue readingHow many elements of the performance have to change before ballet becomes burlesque? And when you’re Lily Verlaine, are those
Continue readingCarmina Burana is a work that demands spectacle: big score, big voices, and big dancing. Composer Carl Orff intended his
Continue readingUnder the artistic direction of Donald Byrd, Spectrum Dance Theater’s performances are always guaranteed to meld the talents of the
Continue readingBring up the topic of race anywhere in the country, and most people react with telling responses: clammy expressions, uncomfortable
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