Dayna Hanson – Seattle Dances

TIME CAPSULE

RE/33: The Uninvited shows a glimpse into 90s Seattle and the local tradition of nonconformity.

Borrowing a huge sum of money—the equivalent of one private jet—from the bank is a big decision for anyone. For

Off an old industrial alleyway in Georgetown something new is just beginning. Seattle dance fixtures Dayna Hanson and Peggy Piacenza,

“Ten tiny dancers on a platform” is how my companion referred to the show in a slip of the tongue.

If “art is limitation, and the essence of every picture is the frame,” as the writer G.K. Chesterton once said,

The sister art forms of dance and film have much in common. At its core, cinema is about movement, light,

Peggy Piacenza’s new solo work, Touch Me Here, opens this Thursday, November 20, under the crumbling balconies of Seattle’s Washington

Velocity’s annual Fall Kick-Off ushered in a promising new season of dance with three different nightly performance showcases, September 5-7,

The premise of Dayna Hanson’s The Clay Duke is a 2010 shooting at a Florida school board meeting subsequently made

Film is not a new medium. The nexus of dance and film is not particularly new either, but this week’s