RE/33: The Uninvited shows a glimpse into 90s Seattle and the local tradition of nonconformity.
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RE/33: The Uninvited shows a glimpse into 90s Seattle and the local tradition of nonconformity.
Continue readingBorrowing a huge sum of money—the equivalent of one private jet—from the bank is a big decision for anyone. For
Continue readingOff an old industrial alleyway in Georgetown something new is just beginning. Seattle dance fixtures Dayna Hanson and Peggy Piacenza,
Continue reading“Ten tiny dancers on a platform” is how my companion referred to the show in a slip of the tongue.
Continue readingIf “art is limitation, and the essence of every picture is the frame,” as the writer G.K. Chesterton once said,
Continue readingThe sister art forms of dance and film have much in common. At its core, cinema is about movement, light,
Continue readingPeggy Piacenza’s new solo work, Touch Me Here, opens this Thursday, November 20, under the crumbling balconies of Seattle’s Washington
Continue readingVelocity’s annual Fall Kick-Off ushered in a promising new season of dance with three different nightly performance showcases, September 5-7,
Continue readingThe premise of Dayna Hanson’s The Clay Duke is a 2010 shooting at a Florida school board meeting subsequently made
Continue readingFilm is not a new medium. The nexus of dance and film is not particularly new either, but this week’s
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