SeattleDances is an advocacy organization dedicated to supporting Seattle-area dance performance through in-depth journalism and free resources to dance artists and audiences. We are the publication most consistently covering local dance, and have been for over a decade.
Our site acts as a centralized space for information, including city-wide dance calendar, audition notices, class listings, and historical archives. All our resources are available free of charge and ad-free to all. If able, please consider helping us continue these services through a tax-deductible donation.
Journalistic Mission
We sustain a platform centered on a culture of dialogue and critical thought. We believe quality arts journalism is essential to a healthy arts ecology–previews that help artists reach audiences, interviews that amplify artist voices, and reviews that are able to contextualize works of art within the current moment, adding to scholarship around the form.
Seattle is one of the country’s major hubs of dance innovation, but dance is persistently underrepresented in major publications. We believe dance deserves to be covered with respect, by authors knowledgeable in the field. An informed press is a key element in representing Seattle dance within the broader arts scene and the world at large.
Additionally, dance writing plays a fundamental role in recording and framing this ephemeral art form for posterity. Our complete archive is available to browse free of charge, spanning 2009 to now.
Organizational History
Established in 2009 by writer Rosie Gaynor, SeattleDances initially focused on the Pacific Northwest Ballet. Later, SeattleDances expanded its coverage to include a wide range of dance performances under the management of Kristen Legg in 2010, and subsequently Mariko Nagashima and Anna Waller from 2011 to 2016. In July 2016, management passed to Megan Stevenson and Kaitlin McCarthy, who increased focus on local and independently-produced dance, as well as growing SeattleDances from a volunteer site to one that paid its staff and writers. From 2016 to 2020, SeattleDances presented the DanceCrush awards, an annual platform for recognizing the accomplishments of dance artists in Seattle.
During the pandemic, SeattleDances was forced to operate at a reduced capacity and subsequently refocused in 2022 to prioritize its role as a centralized information hub for the Seattle dance community. Kaitlin McCarthy is the current Editor and director of operations.
SeattleDances is a 501c3 tax-exempt organization. Donors can deduct contributions under IRC Section 170.
Board of Directors: Megan Stevenson, Sandra Kurtz, Kaitlin McCarthy
Staff & Writer Bios
KAITLIN McCARTHY
Kaitlin McCarthy (she/they) is a Seattle-based dance artist, writer, and teacher. She has choreographed and performed across the city, as well as toured nationally and internationally as a dancer with MALACARNE Dance Company under the direction of Alice Gosti. As a freelance writer she has regularly contributed to City Arts Magazine, Dance International Magazine, and SeattleDances. Kaitlin began writing for SeattleDances in 2012, and became the site’s editor in 2016. She holds a degree in dance from Mt Holyoke College and teaches at Velocity Dance Center.
STEFANIE FATOOH
A Los Angeles native, Stefanie Fatooh (she/her) relocated to Seattle in 2019. She has since received her MFA in Arts Leadership from Seattle University and is an arts administrator and researcher. Stefanie also directs the Seattle Qabila Project, which is dedicated to sharing folkdances from across the Arab world; produces cultural dance and music events; and regularly performs raqs sharqi (“bellydance”) at venues around the Seattle area.
ADDY ELKETAMI
Addy Elketami (she/her) is a longtime Seattle-based, happily undefinable, lifelong student, researcher, and designer. She holds an MS in Information Science from UW, so she has allegedly mastered the subject of “information” and unfortunately thinks a lot about the promises and pitfalls of technology. She is not a dancer unless it’s at a party or in the kitchen, but, having married a dancer, she now sees several shows a month and enjoys all of it. Her artistic endeavors include ceramics, digital art, perfumes, and scent pieces that lean into dry humor, flippant sincerity, and a love of what is everyday, simple, and sensual. She is a steady collaborator and supporter of the Seattle arts community.
FOX WHITNEY
Fox Whitney (he/him) is a multi-disciplinary artist working at the intersection of dance, film, music, writing, and visual art. He is obsessed with the surreal nature of transformation. His projects center his mixed Black, queer, and transgender point-of-view. In 2012, he founded Gender Tender, an ongoing QT interdisciplinary performance project. Light Aloud, a trans-futurist psych band he started in 2023 is named after a GT performance score that begins by meditating on a photo of police pushing a protester to the ground during the 1969 Stonewall Riots. His process is informed by his experience as a gigging drummer, experimental dancer, actor, and past life as a drag king.
Fox’s work has been commissioned and produced by the Henry Art Gallery, On the Boards, Velocity Dance Center, Seattle International Dance Festival, Yellow Fish Epic Durational Performance Festival and Seattle’s Gay City Arts. His visual art and short films have been exhibited nationally. Light Aloud has performed at Trans Pride Seattle, Capitol Hill Block Party, and Seattle Art Fair. He holds an MFA in Studio Art from the School of the Art Institute of Chicago. Fox is also a yoga + meditation + movement teacher and an arts journalist. His work has been published with Variable West and SeattleDances and he recently did an interview project featuring performing artists at the 2025 Northwest New Works Festival at On the Boards. His new work in development LOOK/OUT will be presented by Velocity’s Made in Seattle program in March 2027.
KARI TAI
Kari (she/her) is a dancer and writer who grew up in Montana. She has danced with
Wade Madson, Lucia Neare, Carla Baragan, Semilla Flamenca and as a member of the Spokane Ballet Company. She is the creator of Home Ground an exhibit experience that is a collaboration of local artists interpreting her poetry through visual art and dance. She has also choreographed to and performed her poetry in Hugo House, Second Story Rep, and in Redmond’s Downtown Park. She is a board member of Redmond Association of Spokenword (RASP). She has served as a Redmond Arts Commissioner and worked in museums. She holds undergraduate degrees in journalism and anthropology and a master’s in medical anthropology. Her thesis examines how dance helps people with Parkinson’s express themselves more freely. Connect with her on IG @kari.tai.
SANDRA KURTZ
Sandra Kurtz (she/her) teaches and writes about dance in Seattle and elsewhere.
DAVIANNA GRIFFIN
Davianna Griffin (she/her) is a choreographer, performer, and educator whose
work focuses on 21st-century Black womanhood and embodied storytelling
through Africanist aesthetics. Her choreography draws on autoethnographic and
ancestral memory practices, exploring identity, resistance, and liberation.
Davianna has presented work nationally and internationally, including in Brazil
and El Salvador, and has collaborated with organizations such as the Wexner
Center for the Arts, Hybrid Arts Lab, and Virginia Arts Festival Rhythm Project.
Her work has been featured in the Baltimore Black Choreographers Festival, Neon
Festival, and Emerging Black Choreographers Incubator. She has taught and
created choreography at institutions including Old Dominion University, East
Carolina University, and Slippery Rock University. A co-founder of Thick Like Me
(TLM), a non-profit organization championing body liberation and holistic
health, particularly for thick Black women in dance and beyond. Davianna
earned her MFA in Dance from The Ohio State University and continues to create
movement that challenges monolithic narratives and amplifies Black voices.
ALYZA DELPAN-MONLEY
Alyza DelPan-Monley (they/them) Since 2011, Alyza has been deeply immersed in Seattle’s performance art scene: serving as Velocity Dance Center’s Curating Artist in Residence in 2022 (That’s a HANDFUL!), performing site-specific durational performance with MALACARNE (How to Become a Partisan), collaborating with JRAT’s Zero Waste fashion design (CHANNEL CHANGER), devising choreographing and directing with Washington Ensemble (Teh Internet, Straight White Men, Dance Nation), ArtsWest (miku, and the gods., Last World Octopus Wrestling Champion, Office Hour), and Noveltease (The Odyssey).
LOU CHOW
Lou holds a BA in Dance and Gender, Women, and Sexuality Studies from the University of Washington. Tracing transnational translations of culture, they untangle histories of coloniality to bring embodied knowledge to the surface of artistic practice. Researching the intersections of dance, community, care, and health, they cultivate community amongst Queer BIPOC populations. Working in mediums like dance, textiles, painting, photography, and writing, they endlessly seek new ways to expand their artistic practice. Aiming to pour knowledge back into their local communities to make the arts accessible to all. In 2025, they received the Husky 100 and Herring Phelps Scholarly Activism Award.
LEAH CROSBY
Leah Crosby (they/them) is an interdisciplinary artist interested in the ways that money and power dynamics affect the ways we care for one another. They have an MFA in Art from the University of Michigan and studied Performance and Choreography at Ohio University.
Past Contributors
MEGAN STEVENSON
Megan (she/her) is a Northern California-raised Seattle dance artist. She attended San Diego State University and graduated cum laude with a BFA in dance. During her time in San Diego, Megan choreographed works and made dance films, as well as performing in works by Leslie Seiters, Sara Shelton Mann, Joe Alter, and Patricia Sandback. In Seattle, she has had the opportunity to perform with Antonia Price, Anna Conner, and Corina Dalzell. In Spring 2015, Megan joined SeattleDances as Callboard and Calendar Intern, transitioned to Social Media Manager as well as a Staff Writer, served as Executive Director from 2016-2021, and now is a member of the board.
RISA NAGEL
Risa Nagel (she/her) has been dancing since the age of 4, when a pediatrician recommended ballet as way to fix her pigeon-toed walk. She grew up dancing with Glen Dance Company in New York for 15 years. Risa uses writing as a medium to express her values and perspectives, she currently works as a grant writer for a statewide civil rights organization, whose mission is to revolutionize public education so that a child’s race does not predict their success. Her writing has been published in the Seattle Times and Huffington Post, and her activism has been featured in the New York Times. In 2017, a year after moving to Seattle, Risa joined 3rd Shift Dance Company, and continues to blend her passions for dancing and writing as a critic with SeattleDances.
JO BERLINER
Jo Berliner (they/he) is a dance artist from North Carolina and a University of Washington graduate student in Museology. They began choreographing at Mount Holyoke College, where they graduated in 2016, and received a choreographer’s Workshop Grant from Tobacco Road Dance Productions (Durham, NC) for their 2017-18 season. They have performed at Mount Holyoke, Tobacco Road, Richmond Dance Festival, and eXit SPACE. Johanna co-runs Enbodyment, an Instagram project featuring nonbinary dancers (@enbodyment_proj) with Chris Strauss, & writes about dance and museums at johannaberliner.com.
RICHAEL BEST
Richael Best (she/her) grew up studying ballet at San Francisco’s City Ballet School under Damara Bennett and Galina Alexandrova. She has also trained in jazz, contemporary, hip hop, swing, ballroom dance, and musical theatre. A graduate of Whitman College with a degree in English, Richael is thrilled to combine her passion for dance with her love of words while writing for Seattle Dances. When she’s not attending dance shows, Richael works for Sasquatch Books, an independent publisher in Seattle.
LYNN TOFIL
Lynn (she/her) entered the Seattle dance community following her graduation from Wayne State University in her home state, Michigan, where she received a B.S. degree in Dance. Lynn has written creatively and academically for most of her life, and is excited to process the ever-interesting dance community Seattle has to offer through her words and reflections. Since moving to Seattle, Lynn has had the privilege of working with artists Pat Graney, Wade Madsen, Rainbow Fletcher, Nathan Blackwell, as well as many of her talented and daring peers. When not writing or dancing, Lynn teaches Pilates and experiments in dance film. Lynn is honored to contribute her voice in a city where inspiration and dialogue is abundant.
WEST LIBERTY
West Liberty (they/them) is a multi-disciplinary artist, graduate of the Cornish College of the Arts Dance program and founder of the Body as Teacher, a movement workshop for people of varying ages and abilities who are looking to have a healing conversation with their bodies through dance.
West has also danced professionally, most recently in ‘How to Become a Partisan’ (choreographed by Alice Gosti) which premiered at St. Mark’s Cathedral in Seattle in 2015. They have also presented choreographic works for and performed in numerous shows and festivals including Velocity Dance Center’s ‘The Bridge Project’ & Next Fest NW and On the Boards’ Northwest New Works Festival.
West premiered their second short film, Milo & Onyx in June 2019 at the Northwest Film Forum. Milo & Onyx was produced as part of the Blanket Fort Films Motion Picture Program and features an all trans and gender non-conforming cast and crew.
West is deeply invested in teaching and learning with others how to source wisdom from the body as a resource in humanity’s efforts toward liberation for all beings.
MEREDITH PELLON
Meredith Pellon (she/her) is the Artistic Director of SLOWBURN Dance Company. She is a graduate of the BFA dance program at The University of the Arts, and her work has been featured in Pennsylvania Ballet II: En Avant and Koresh Artist Showcase in Pennsylvania, as well as in Ballet Inc.’s The Series, and Jennifer Muller/The Works HATCH Presenting Series in New York City. Since relocating to Seattle, Meredith has presented work at Performance Lab at On The Boards, Converge Dance Festival, Monomyth I (produced by Tuya Vale Artist Collective), Seattle International Dance Festival, Drove VII (produced by Chlo & Co. Dance), and 12 Minutes Max. Meredith also curates and produces a site-specific performance series entitled Soft Concrete. She began writing for SeattleDances in 2018, and before that she wrote for Phindie in Philadelphia.
MIRANDA CHANTELOIS
Miranda is a writer for SeattleDances.
IMANA GUNAWAN
Imana Gunawan (she/her), a Texas-born Indonesian, is a storyteller, multimedia journalist, dance artist and creative director. Through her journalism and art work, Imana believes in realizing a more just world for those historically pushed aside. As manager and senior analyst, most days she leads breaking news coverage of Asia-Pacific for Dataminr. Imana’s works have been published on NBC News, The Jordan Times, ColorBloc Magazine, SeattleDances, and Humanosphere. In her art, she creates scenic, surreal dance-based worlds that center the stories of marginalized peoples, their ancestry, and their futures. Her dance works have been presented by Au Collective, On The Boards, American Dance Guild, Seattle Theater Group, and more. imana.co