FOR NOW BUT NOT FOR LONG
Alyza DelPan-Monley muses on BRKFST Dance’s recent work at Olympic Sculpture Park, and how environment and footprint can be traced throughout.
Alyza DelPan-Monley muses on BRKFST Dance’s recent work at Olympic Sculpture Park, and how environment and footprint can be traced throughout.
Alyza DelPan-Monley takes a roadtrip to Portland to see the annual Risk/Reward Festival, which includes work by Seattle artists KG Galbreath and Vlada Kremenović.
Alyza DelPan-Monley analyzes the dance works at this year’s Northwest New Works, by Nia-Amina Minor, Tariq Mitri, and Undercurrent, as a “tryptic of interrelated worlds”… Read More »SIGNS OF THE TIMES
In Heather Kravas’ RoCoCoCoCo, “each section is carefully crafted to constantly be tinkering with our expectations in ways that gratified, challenged, and stimulated the viewer.”
“Each choreographer brought a level of composition to their work that was coherent, rich, and multilayered. The pieces went so well together, in fact, that… Read More »FULL TILT TURNS 20
“Still/Here persists as a work of art because it has never tried to say a singular thing about death, life, dying or living, other than… Read More »STILL HERE
This year’s UW Majors Concert featured student choreography discovering the different ways dance can tell a story, evoke a feeling, showcase techniques, or play with… Read More »UW MAJORS CONCERT
An assortment of superstars from across Seattle’s dance, burlesque, and drag scenes take the stage at The Cuff.
Dancers Alia Swersky and Hannah Rice, music by Till the Teeth, and visual art by Rachel Dorsey come together for a subterranean evening around care… Read More »FALLING TOGETHER WHEN THINGS FALL APART
“Here in the vast primordial and ancient plains, time has not yet awoken, words have yet to be needed. We are witnessing the first spark… Read More »A Body (Un)Becoming