Group Dynamics in Whim’s Sensation
It was January 20, 2017. While the mood on the streets may have been somber, inside the packed Cornish Playhouse, there was an air of… Read More »Group Dynamics in Whim’s Sensation
Philippa is a freelance contemporary dance artist trained in ballet, modern, and jazz from the age of four. Myler currently dances with Karin Stevens Dance and is Associate Director with Ktisk Contemporary dance in Seattle, WA, choreographing and performing with the company. Myler has danced for Anna O’Conner in Velocity’s Bridge Project, Sarah Kathryn-Olds’s Serendipity Dance Brigade, Xaviera Vandermay’s 3rd Shift Dance, Coleman Pester (Tectonic Marrow Society), Connie Villines (re:flexion) and Erin Boyt’s Version Excursion. Myler has had the privilege of dancing for choreographers Barbara Bourget and Jay Hirabayashi of Vancouver’s Kokoro Dance, Kim Robards in Denver, CO, and Seattle’s Pat Graney. In 2013, she spent an inspirational two months in as Artist in Residence with Fiji’s VOU Dance, performing, teaching, and choreographing on the company. After graduating with a BA in dance and a BFA in English from Simon Fraser University in Vancouver, Canada, Myler co-founded the collective Triadic Dance Works, which has performed original works in Canada, the US, and Germany. In addition to showing short works at festivals in the Vancouver area, Myler has been twice commissioned to choreograph a full evening of work for Port Moody’s Wearable Art Awards Show. Myler avidly pursues knowledge of many different ways of moving, including African dance, the traditional dance forms of the Pacific Islands, capoeira, and aerial silks and loves to share her lifelong passion for dance with the next generation by teaching creative movement, contemporary modern, jazz, hip hop, and ballet to students of all ages.
It was January 20, 2017. While the mood on the streets may have been somber, inside the packed Cornish Playhouse, there was an air of… Read More »Group Dynamics in Whim’s Sensation
City Opera Ballet has restored its 2007 rendition of The Snowman, based on the cherished children’s book by Raymond Briggs. Many audience members will likely… Read More »The Snowman Stirs Memories of Beloved Children’s Holiday Classic
Gangly men perching on undersized chairs. A hooded figure suffocating his victim. Shooting stars streaking through the night sky. These images remained indelible within an… Read More »Male Muses and Musings: Men in Dance Weekend II
Maximum Velocity, presented by Velocity Dance Center, kicked off with the final showcase for their three week dance intensive, Strictly Seattle. This production highlights up… Read More »Conflict and Cohesion at Strictly Seattle
“Dance is a form of human expression that we can all share and understand,” Whim W’him’s Artistic Director Olivier Wevers said in his pre-performance address… Read More »Emotions Manifest in Whim’s OUT-spoken
Elia Mrak and Nancy López Luna performed the full-length production Seattle, an ode to the city’s grunge period, on April 30 at the Erickson Theater.… Read More »Seattle Remembers the Grunge Days
Now in its tenth year, Full Tilt, presented at Velocity Dance Center April 8–9, boasted a mélange of high-profile and emerging Seattle choreographers. In the… Read More »Celebrating a Decade of Dance at Full Tilt
“I was so caught up with ‘Why can’t I just be happy and normal?’ We’re trying to hide who we actually are, trying to project… Read More »Learning to Be Human: Being.
The key to fusing contemporary and Afro-Latin forms lies in the way musicians and dancers train to be at the top of their craft, according… Read More »Havana by Day: Malpaso Dance Company
Donald Byrd’s Spectrum Dance Theater, the self-billed “foremost contemporary modern dance organization in the Pacific Northwest,” presented DANCE, DANCE, DANCE at The Moore Theatre on… Read More »Spectrum and the Africanist Aesthetic