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DTSTART;TZID=America/Los_Angeles:20260402T193000
DTEND;TZID=America/Los_Angeles:20260402T203000
DTSTAMP:20260107T053816Z
CREATED:20260107T053816Z
LAST-MODIFIED:20260107T053816Z
UID:10014967-1775158200-1775161800@seattledances.com
SUMMARY:Heather Kravas: RoCoCoCoCo
DESCRIPTION:RoCoCoCoCo — A Situation for Dancing\, in Four Movements\n\nI. March 26\, 7:30 PM · one hour | First Movement: Allegro Symone Sanz & Julia Sloane\nII. March 27\, 7:30 PM · one hour | Second Movement: Adagio Carlin Kramer & Amanda Morgan\nIII. March 28\, 7:30 PM · one hour | Third Movement: Andante Allie Hankins & Sylvia Schatz-Allison\nIV. April 2\, 7:30 PM · one hour | Finale & Coda | The Cast\nV. April 3\, 7:30 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast\nVI. April 4\, 2 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast \nSince 1995\, Heather Kravas has investigated choreographic\, somatic\, and collaborative practices in contemporary dance to explore the edges of performance. For Made in Seattle\, she offers RoCoCoCoCo—an evolving cycle of four dances\, shared across four evenings and culminating in two full-length presentations of the complete work. \nImagined as a DIY folk dance that turns into a snowflake\, fractals into a vortex\, veers into a grocery list\, emanates like an aura\, aligns like a pinball machine\, and collaborates like an ant colony\, RoCoCoCoCo slips beyond classification. \nInstead\, it proposes a new structure for performance—one that holds dancers and audiences alike in states of heightened attention\, curiosity\, and desire. Guided by the somatic dramaturgy of longtime collaborator Rebecca Brooks\, RoCoCoCoCo is created for Allie Hankins\, Carlin Kramer\, Amanda Morgan\, Symone Sanz\, Sylvia Schatz-Allison\, and Julia Sloane. The work traces the layered effort of dancing together—energetic\, rhythmic\, precise\, and tender. It invites us to sense how intimacy scales\, how perception expands\, and how dancing itself becomes a site for both clarity and complexity—a space of shared and essential presence. \nRoCoCoCoCo takes place in the black box of 12th Avenue Arts\, with spectators seated on three sides of the stage. The dancers share the space with two pianists performing Terry Riley’s Keyboard Study No. 1 on upright pianos bound back-to-back. The live sounds of the theater—breath\, footsteps\, resonance—are at times amplified\, at times overtaken by electric music. Lighting\, designed by longtime collaborator Madeline Best\, shifts\, echoing the slow transformations of daylight in nature. \nAudiences are invited to experience RoCoCoCoCo in many ways: as singular performances that stand on their own; as a sequence unfolding across several days; or as the complete work\, gathered in the final two evenings.
URL:https://seattledances.com/event/heather-kravas-rococococo/2026-04-02/
LOCATION:12th Avenue Arts\, 1620 12th Ave\, Seattle\, WA\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/heather_featuredimages-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260402T193000
DTEND;TZID=America/Los_Angeles:20260402T210000
DTSTAMP:20260331T044008Z
CREATED:20260331T044008Z
LAST-MODIFIED:20260331T044008Z
UID:10015107-1775158200-1775163600@seattledances.com
SUMMARY:Springshot: Bloom Week 1
DESCRIPTION:Celebrating a diverse garden of artists\, Springshot is a micro-festival of bold\, short performance over three weekends. From theater to movement\, burlesque to comedy\, solo storytelling to hybrid genre chaos\, one thing is for sure – you can expect the intimate\, the absurd\, and the audacious. Each weekend\, a new bouquet of performers bloom through pieces lasting 18 minutes or less. \nPRESENTING: \nBeatrix Bones\nLavender Liqueur\nNiche Cliché\nNightfall\nThe Curious Courtesan \nPlease note: this event is 18+. Remember to bring your $$$ and make it rain!
URL:https://seattledances.com/event/springshot-bloom-week-1/2026-04-02/
LOCATION:Seattle Open Arts Place (Formerly 18th & Union)\, 1406 18th Ave\, Seattle\, 98122
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/bloom.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260402T200000
DTEND;TZID=America/Los_Angeles:20260402T220000
DTSTAMP:20260110T010719Z
CREATED:20260110T010719Z
LAST-MODIFIED:20260110T010719Z
UID:10014971-1775160000-1775167200@seattledances.com
SUMMARY:Circa: Duck Pond
DESCRIPTION:Created by Yaron Lifschitz and the Circa Ensemble. \nFeathers will fly in this exuberant take on Swan Lake by the Australian contemporary circus group Circa. The world’s most romantic ballet is re-imagined as a circus spectacular\, full of Circa’s signature physicality and shot through with cheeky humor and a thoroughly contemporary energy. Be swept away by this tale of swans and hapless princes sparkling with quirky touches like the sequined flipper-wearing duck army and a burlesque black swan. There are sumptuous aerials\, jaw-dropping acrobatics and of course…feathers! Touching\, funny and utterly entertaining\, Duck Pond is a tale of identity and finding your true self.
URL:https://seattledances.com/event/circa-duck-pond-2/2026-04-02/
LOCATION:Meany Hall\, 4040 George Washington Lane Northeast\, Seattle\, WA\, 98195
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/fy26-circa-hero-updated.jpg
ORGANIZER;CN="Meany Center for the Performing Arts":MAILTO:ticket@uw.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260403T193000
DTEND;TZID=America/Los_Angeles:20260403T210000
DTSTAMP:20260331T044008Z
CREATED:20260331T044008Z
LAST-MODIFIED:20260331T044008Z
UID:10015108-1775244600-1775250000@seattledances.com
SUMMARY:Springshot: Bloom Week 1
DESCRIPTION:Celebrating a diverse garden of artists\, Springshot is a micro-festival of bold\, short performance over three weekends. From theater to movement\, burlesque to comedy\, solo storytelling to hybrid genre chaos\, one thing is for sure – you can expect the intimate\, the absurd\, and the audacious. Each weekend\, a new bouquet of performers bloom through pieces lasting 18 minutes or less. \nPRESENTING: \nBeatrix Bones\nLavender Liqueur\nNiche Cliché\nNightfall\nThe Curious Courtesan \nPlease note: this event is 18+. Remember to bring your $$$ and make it rain!
URL:https://seattledances.com/event/springshot-bloom-week-1/2026-04-03/
LOCATION:Seattle Open Arts Place (Formerly 18th & Union)\, 1406 18th Ave\, Seattle\, 98122
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/bloom.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260403T193000
DTEND;TZID=America/Los_Angeles:20260404T000000
DTSTAMP:20260107T053816Z
CREATED:20260107T053816Z
LAST-MODIFIED:20260107T053816Z
UID:10014968-1775244600-1775260800@seattledances.com
SUMMARY:Heather Kravas: RoCoCoCoCo
DESCRIPTION:RoCoCoCoCo — A Situation for Dancing\, in Four Movements\n\nI. March 26\, 7:30 PM · one hour | First Movement: Allegro Symone Sanz & Julia Sloane\nII. March 27\, 7:30 PM · one hour | Second Movement: Adagio Carlin Kramer & Amanda Morgan\nIII. March 28\, 7:30 PM · one hour | Third Movement: Andante Allie Hankins & Sylvia Schatz-Allison\nIV. April 2\, 7:30 PM · one hour | Finale & Coda | The Cast\nV. April 3\, 7:30 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast\nVI. April 4\, 2 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast \nSince 1995\, Heather Kravas has investigated choreographic\, somatic\, and collaborative practices in contemporary dance to explore the edges of performance. For Made in Seattle\, she offers RoCoCoCoCo—an evolving cycle of four dances\, shared across four evenings and culminating in two full-length presentations of the complete work. \nImagined as a DIY folk dance that turns into a snowflake\, fractals into a vortex\, veers into a grocery list\, emanates like an aura\, aligns like a pinball machine\, and collaborates like an ant colony\, RoCoCoCoCo slips beyond classification. \nInstead\, it proposes a new structure for performance—one that holds dancers and audiences alike in states of heightened attention\, curiosity\, and desire. Guided by the somatic dramaturgy of longtime collaborator Rebecca Brooks\, RoCoCoCoCo is created for Allie Hankins\, Carlin Kramer\, Amanda Morgan\, Symone Sanz\, Sylvia Schatz-Allison\, and Julia Sloane. The work traces the layered effort of dancing together—energetic\, rhythmic\, precise\, and tender. It invites us to sense how intimacy scales\, how perception expands\, and how dancing itself becomes a site for both clarity and complexity—a space of shared and essential presence. \nRoCoCoCoCo takes place in the black box of 12th Avenue Arts\, with spectators seated on three sides of the stage. The dancers share the space with two pianists performing Terry Riley’s Keyboard Study No. 1 on upright pianos bound back-to-back. The live sounds of the theater—breath\, footsteps\, resonance—are at times amplified\, at times overtaken by electric music. Lighting\, designed by longtime collaborator Madeline Best\, shifts\, echoing the slow transformations of daylight in nature. \nAudiences are invited to experience RoCoCoCoCo in many ways: as singular performances that stand on their own; as a sequence unfolding across several days; or as the complete work\, gathered in the final two evenings.
URL:https://seattledances.com/event/heather-kravas-rococococo/2026-04-03/
LOCATION:12th Avenue Arts\, 1620 12th Ave\, Seattle\, WA\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/heather_featuredimages-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260403T200000
DTEND;TZID=America/Los_Angeles:20260403T220000
DTSTAMP:20260110T010719Z
CREATED:20260110T010719Z
LAST-MODIFIED:20260110T010719Z
UID:10014972-1775246400-1775253600@seattledances.com
SUMMARY:Circa: Duck Pond
DESCRIPTION:Created by Yaron Lifschitz and the Circa Ensemble. \nFeathers will fly in this exuberant take on Swan Lake by the Australian contemporary circus group Circa. The world’s most romantic ballet is re-imagined as a circus spectacular\, full of Circa’s signature physicality and shot through with cheeky humor and a thoroughly contemporary energy. Be swept away by this tale of swans and hapless princes sparkling with quirky touches like the sequined flipper-wearing duck army and a burlesque black swan. There are sumptuous aerials\, jaw-dropping acrobatics and of course…feathers! Touching\, funny and utterly entertaining\, Duck Pond is a tale of identity and finding your true self.
URL:https://seattledances.com/event/circa-duck-pond-2/2026-04-03/
LOCATION:Meany Hall\, 4040 George Washington Lane Northeast\, Seattle\, WA\, 98195
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/fy26-circa-hero-updated.jpg
ORGANIZER;CN="Meany Center for the Performing Arts":MAILTO:ticket@uw.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260404T140000
DTEND;TZID=America/Los_Angeles:20260404T183000
DTSTAMP:20260107T053816Z
CREATED:20260107T053816Z
LAST-MODIFIED:20260107T053816Z
UID:10014969-1775311200-1775327400@seattledances.com
SUMMARY:Heather Kravas: RoCoCoCoCo
DESCRIPTION:RoCoCoCoCo — A Situation for Dancing\, in Four Movements\n\nI. March 26\, 7:30 PM · one hour | First Movement: Allegro Symone Sanz & Julia Sloane\nII. March 27\, 7:30 PM · one hour | Second Movement: Adagio Carlin Kramer & Amanda Morgan\nIII. March 28\, 7:30 PM · one hour | Third Movement: Andante Allie Hankins & Sylvia Schatz-Allison\nIV. April 2\, 7:30 PM · one hour | Finale & Coda | The Cast\nV. April 3\, 7:30 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast\nVI. April 4\, 2 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast \nSince 1995\, Heather Kravas has investigated choreographic\, somatic\, and collaborative practices in contemporary dance to explore the edges of performance. For Made in Seattle\, she offers RoCoCoCoCo—an evolving cycle of four dances\, shared across four evenings and culminating in two full-length presentations of the complete work. \nImagined as a DIY folk dance that turns into a snowflake\, fractals into a vortex\, veers into a grocery list\, emanates like an aura\, aligns like a pinball machine\, and collaborates like an ant colony\, RoCoCoCoCo slips beyond classification. \nInstead\, it proposes a new structure for performance—one that holds dancers and audiences alike in states of heightened attention\, curiosity\, and desire. Guided by the somatic dramaturgy of longtime collaborator Rebecca Brooks\, RoCoCoCoCo is created for Allie Hankins\, Carlin Kramer\, Amanda Morgan\, Symone Sanz\, Sylvia Schatz-Allison\, and Julia Sloane. The work traces the layered effort of dancing together—energetic\, rhythmic\, precise\, and tender. It invites us to sense how intimacy scales\, how perception expands\, and how dancing itself becomes a site for both clarity and complexity—a space of shared and essential presence. \nRoCoCoCoCo takes place in the black box of 12th Avenue Arts\, with spectators seated on three sides of the stage. The dancers share the space with two pianists performing Terry Riley’s Keyboard Study No. 1 on upright pianos bound back-to-back. The live sounds of the theater—breath\, footsteps\, resonance—are at times amplified\, at times overtaken by electric music. Lighting\, designed by longtime collaborator Madeline Best\, shifts\, echoing the slow transformations of daylight in nature. \nAudiences are invited to experience RoCoCoCoCo in many ways: as singular performances that stand on their own; as a sequence unfolding across several days; or as the complete work\, gathered in the final two evenings.
URL:https://seattledances.com/event/heather-kravas-rococococo/2026-04-04/
LOCATION:12th Avenue Arts\, 1620 12th Ave\, Seattle\, WA\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/heather_featuredimages-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260404T193000
DTEND;TZID=America/Los_Angeles:20260404T210000
DTSTAMP:20260331T044008Z
CREATED:20260331T044008Z
LAST-MODIFIED:20260331T044008Z
UID:10015109-1775331000-1775336400@seattledances.com
SUMMARY:Springshot: Bloom Week 1
DESCRIPTION:Celebrating a diverse garden of artists\, Springshot is a micro-festival of bold\, short performance over three weekends. From theater to movement\, burlesque to comedy\, solo storytelling to hybrid genre chaos\, one thing is for sure – you can expect the intimate\, the absurd\, and the audacious. Each weekend\, a new bouquet of performers bloom through pieces lasting 18 minutes or less. \nPRESENTING: \nBeatrix Bones\nLavender Liqueur\nNiche Cliché\nNightfall\nThe Curious Courtesan \nPlease note: this event is 18+. Remember to bring your $$$ and make it rain!
URL:https://seattledances.com/event/springshot-bloom-week-1/2026-04-04/
LOCATION:Seattle Open Arts Place (Formerly 18th & Union)\, 1406 18th Ave\, Seattle\, 98122
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/bloom.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260404T200000
DTEND;TZID=America/Los_Angeles:20260404T220000
DTSTAMP:20260110T010719Z
CREATED:20260110T010719Z
LAST-MODIFIED:20260110T010719Z
UID:10014973-1775332800-1775340000@seattledances.com
SUMMARY:Circa: Duck Pond
DESCRIPTION:Created by Yaron Lifschitz and the Circa Ensemble. \nFeathers will fly in this exuberant take on Swan Lake by the Australian contemporary circus group Circa. The world’s most romantic ballet is re-imagined as a circus spectacular\, full of Circa’s signature physicality and shot through with cheeky humor and a thoroughly contemporary energy. Be swept away by this tale of swans and hapless princes sparkling with quirky touches like the sequined flipper-wearing duck army and a burlesque black swan. There are sumptuous aerials\, jaw-dropping acrobatics and of course…feathers! Touching\, funny and utterly entertaining\, Duck Pond is a tale of identity and finding your true self.
URL:https://seattledances.com/event/circa-duck-pond-2/2026-04-04/
LOCATION:Meany Hall\, 4040 George Washington Lane Northeast\, Seattle\, WA\, 98195
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/fy26-circa-hero-updated.jpg
ORGANIZER;CN="Meany Center for the Performing Arts":MAILTO:ticket@uw.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260405T190000
DTEND;TZID=America/Los_Angeles:20260405T210000
DTSTAMP:20260320T233226Z
CREATED:20260320T233226Z
LAST-MODIFIED:20260320T233226Z
UID:10015091-1775415600-1775422800@seattledances.com
SUMMARY:Rhythm & Rhyme: The Romantics
DESCRIPTION:Rhythm & Rhyme is Noveltease Theatre’s cabaret series pairing burlesque\, poetry\, and live music. Each salon focuses on a different poetic movement or theme\, with a rotating cast of burlesque performers\, bands\, and featured poets to bring salacious sonnets\, ribald rhymes\, and comely cantos to life in an atmosphere of frivolity and intellectual curiosity. \nIn April\, we celebrate National Poetry Month by looking back at the Romantic era\, where poets were treated like rockstars.
URL:https://seattledances.com/event/rhythm-rhyme-the-romantics/
LOCATION:Theatre Off Jackson\, 409 7th Ave S\, Seattle\, WA 98104\, Seattle\, WA\, 98104\, United States
ORGANIZER;CN="Noveltease Theatre":MAILTO:novelteasetheatre@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260409T193000
DTEND;TZID=America/Los_Angeles:20260409T210000
DTSTAMP:20260331T043441Z
CREATED:20260331T043441Z
LAST-MODIFIED:20260331T043441Z
UID:10015098-1775763000-1775768400@seattledances.com
SUMMARY:Springshot: Bloom Week 2
DESCRIPTION:Celebrating a diverse garden of artists\, Springshot is a micro-festival of bold\, short performances over three weekends. From theater to movement\, burlesque to comedy\, solo storytelling to hybrid genre chaos\, one thing is for sure – you can expect the intimate\, the absurd\, and the audacious. Each weekend\, a new bouquet of performers bloom through pieces lasting 18 minutes or less. Tickets are “Choose your own price”. Note performances are 18+. \nPRESENTING:\nErin Popelka\nFruits and Guts\nRang Rasiya (Dance)\nRisqué and Rye\nSeattle Irish Dance Company (Dance)
URL:https://seattledances.com/event/springshot-bloom-week-2/2026-04-09/
LOCATION:Seattle Open Arts Place (Formerly 18th & Union)\, 1406 18th Ave\, Seattle\, 98122
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/bloom.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260410
DTEND;VALUE=DATE:20260413
DTSTAMP:20260118T213717Z
CREATED:20260118T213717Z
LAST-MODIFIED:20260118T213717Z
UID:10014980-1775779200-1776038399@seattledances.com
SUMMARY:NW Víla Fest
DESCRIPTION:Welcome to NW Víla Fest!\nNW Víla Fest aims to continue growing the Bellydance community in Seattle and Worldwide!\n FREE ENTRY! \n FREE Entry Includes:\nDaytime Hafla performances\nVendors in the theater lobby & Courtyard\nFood trucks outside\n FREE Closing Show on Sunday with special 2026 Instructor guest: Khadijah!\n Register for Workshops\n Purchase Friday &/or Saturday Showcase Tickets\n Eat\, shop\, connect\, and most importantly DANCE!!
URL:https://seattledances.com/event/nw-vila-fest-2/
LOCATION:Shoreline Community College Theater\, 16101 Greenwood Ave N Main Auditorium\, Shoreline\, WA\, 98133\, United States
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2026/01/BigCheese2026.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260410T193000
DTEND;TZID=America/Los_Angeles:20260410T210000
DTSTAMP:20260320T233331Z
CREATED:20260320T233331Z
LAST-MODIFIED:20260320T233331Z
UID:10015088-1775849400-1775854800@seattledances.com
SUMMARY:BASE + RADAR: Featuring Alex Tatarsky
DESCRIPTION:Base partners with Under the Radar Festival to create a new residency that brings Alex Tatarsky to Seattle. Three showings April 10 + 11! \nBase\, in partnership with Under the Radar Festival\, is pleased to announce BASE + RADAR! This new residency initiative brings renowned artist Alex Tatarsky to Seattle for an immersive two-week development process in April 2026\, advancing Alex’s latest project and culminating in public showings at Base on April 10–11. \nAbout Alex Tatarsky\nCalled “a hilarious\, finely tuned absurdist” (Theatre Jones) and “one of the most exciting and hilarious performance artists around\,” (Artspace) Alex Tatarsky makes performances in the unfortunate in-between zone of comedy\, performance art\, dance\, theater\, and deluded rant – sometimes with songs. Sad Boys in Harpy Land\, their spiraling clown play about wanting to die\, enjoyed a sold-out double extended run Off-Broadway at Playwrights Horizons and was named “Best of 2023” by the New York Times\, New Yorker and ArtForum. They are currently touring Dirt Trip (MoMA PS1)\, a decomposing lecture-performance on fear of clowns and fear of compost\, to community composting sites around the country\, and were a featured artist in the 2024 Whitney Biennial. Along with artist Ming Lin\, Tatarsky is one half of the roving poetic research unit Shanzhai Lyric and its fictional office Canal Street Research Association. \nAbout BASE + RADAR\nThis new\, collaborative residency model is designed to give artists an opportunity to develop work in an immersive\, supportive environment while engaging a new community in the work’s evolution. In this inaugural edition\, Tatarsky will experiment with a new piece\, working with long-time collaborators Shane Riley (sound)\, Andreea Mincic (scenic\, costumes) and Iris McCloughan (co-direction\, dramaturgy) as well as a rotating cast of local Seattle-based outside eyes. Tatarsky and collaborators will have 24/7 access to Base and the chance to share their work in two public showings. The residency allows Tatarsky to experiment and refine this work-in-progress in real time prior to its premiere at Under the Radar. \nAbout Base’s 25-26 Pilot Programs\nMade possible through the community support of our Flourish campaign\, our 2025-26 pilot programs\, BASE + RADAR\, Jump / Cut: The Moving Body On Screen\, and Pairings: Collaborations in Movement and Music\, aim to create more space for the making and experiencing of experimental\, multidisciplinary art. Arising organically from conversations with members of the creative community in Seattle and nationally\, Base hopes these programmatic experiments provide compelling opportunities while filling a gap in the local arts landscape. Learn more about our pilot programs here. \nAbout Base\nBase is dedicated to elevating risk and invention in dance\, performance and multidisciplinary art. A space for developing and publicly sharing original work\, Base is committed to addressing experimental artists’ needs for time\, space\, creative freedom and critical discourse. Founded in 2015 by longtime Seattle artists and collaborators Dayna Hanson\, Peggy Piacenza and Dave Proscia\, Base aims to add vibrancy to 21st century art in Seattle and nationally by encouraging artists of all levels to take creative chances\, deepen their practices and share an ongoing flow of fresh\, original work and ideas. Learn more at thisisbase.org. \nSupport for Base\nNow in its second year\, Flourish is our first major fundraising campaign that leverages community support in order to grow and expand in response to local\, regional\, and national demand. Flourish is generating $300\,000 over three years to support three areas of growth: increased artist residencies\, a more robust staff\, and new\, community-facing programs. Learn more about Flourish here.
URL:https://seattledances.com/event/base-radar-featuring-alex-tatarsky/2026-04-10/
LOCATION:Base Art Space\, 6520 5th Ave S #122\, Seattle\, WA\, 98108
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/Alex_Tatarsky_NOTHING_DOING_Baranova-190-SMALL.jpg
ORGANIZER;CN="Base":MAILTO:akoiya@thisisbase.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260410T193000
DTEND;TZID=America/Los_Angeles:20260410T210000
DTSTAMP:20260331T043441Z
CREATED:20260331T043441Z
LAST-MODIFIED:20260331T043441Z
UID:10015099-1775849400-1775854800@seattledances.com
SUMMARY:Springshot: Bloom Week 2
DESCRIPTION:Celebrating a diverse garden of artists\, Springshot is a micro-festival of bold\, short performances over three weekends. From theater to movement\, burlesque to comedy\, solo storytelling to hybrid genre chaos\, one thing is for sure – you can expect the intimate\, the absurd\, and the audacious. Each weekend\, a new bouquet of performers bloom through pieces lasting 18 minutes or less. Tickets are “Choose your own price”. Note performances are 18+. \nPRESENTING:\nErin Popelka\nFruits and Guts\nRang Rasiya (Dance)\nRisqué and Rye\nSeattle Irish Dance Company (Dance)
URL:https://seattledances.com/event/springshot-bloom-week-2/2026-04-10/
LOCATION:Seattle Open Arts Place (Formerly 18th & Union)\, 1406 18th Ave\, Seattle\, 98122
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/bloom.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260410T200000
DTEND;TZID=America/Los_Angeles:20260410T213000
DTSTAMP:20260219T050702Z
CREATED:20260212T054152Z
LAST-MODIFIED:20260219T050702Z
UID:10015020-1775851200-1775856600@seattledances.com
SUMMARY:for posterity: proof of free will
DESCRIPTION:created by Skye Hughes \nfor posterity: proof of free will is a speculative oral history—a performance staged as a panel discussion reflecting on the end of humanity. Panelists look back at a civilization and environment in collapse\, tracing the chain of events that began when humanity chose to stop reproducing and instead prepare for the last person’s death. \nThis is an exploration of peace in the face of existential crisis. As runaway climate change spiraled uncontrollably and humanity reached the brink of cataclysmic war\, undeniable questions arose: Do we continue? What if we just… stopped? \nThe project asks what happens if we stop resisting mortality—not just individually\, but on a global scale. Under this condition\, the discussion is forced to consider alternative meanings for sex\, existence\, and community\, opening space for new\, subversive questions. If not survival\, then what? If we were to turn off the engines of exploitation\, how would the trauma we carry and the damaged planet transform? How could we practice inter-species care\, care for the planet\, recognition of harm and attempt reparation on the largest possible scale? \nIn this world\, what did humanity ultimately achieve through designing its own end? \nFeaturing Serena Chopra\, Alyza DelPan-Monley\, HATLO\, Lío Sainz-Jones\, and Fox Whitney. \nMusic by scott farkas and Paulina Michels
URL:https://seattledances.com/event/for-posterity-proof-of-free-will/2026-04-10/
LOCATION:Town Hall – The Wyncote NW Forum\, 1119 8th Ave (Entrance off Seneca St.)\, Seattle\, 98101
ORGANIZER;CN="Skye Hughes":MAILTO:skyehug@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260410T200000
DTEND;TZID=America/Los_Angeles:20260410T213000
DTSTAMP:20260303T044426Z
CREATED:20260303T043855Z
LAST-MODIFIED:20260303T044426Z
UID:10015055-1775851200-1775856600@seattledances.com
SUMMARY:Cornish Dance Theater
DESCRIPTION:Cornish College of the Arts at Seattle University’s Dance Department is proud to the present the Spring 2026 Cornish Dance Theater\, on April 10 – 11 at the Lee Center for the Arts at Seattle University. \nCornish Dance Theater is a bi-annual production where guest choreographers are invited to devise pieces in collaboration with Cornish student dancers. This Spring\, we are pleased to announce that our two guest choreographers are Cornish Faculty members\, Nia-Amina Minor and Cameo Lethem. \nNia-Amina Minor is a movement artist\, choreographer\, curator\, and educator originally from Los Angeles. Her work focuses on the body and what it carries using physical and archival research to converse with memory. She approaches her practice as an imaginative space grounded in rhythm where improvisation and choreography meet. Nia-Amina has received regional and national commissions for her choreographic and film work and has a working background as a performer and dramaturg. She is co-founder of Black Collectivity\, a collaborative project that curates and creates movement-based experiences that celebrate memory and culture. \nAs a performer\, Nia-Amina has worked with artists such as dani tirrell\, Zoe Juniper\, Will Rawls\, Alice Gosti\, Keyes Wiley\, and Amy O’Neal. From 2016-2021 she was a Company Artist at Spectrum Dance Theater under the direction of Donald Byrd. Nia-Amina has also provided dramaturgical assistance to choreographers Jade Solomon-Curtis and Donald Byrd. In her work as a curator\, she has developed programming at On the Boards\, Wa Na Wari\, Velocity\, and Base\, and Friends of the Waterfront Park. From 2014-2016\, she was a co-founder and curator of Los Angeles based collective\, No)one Art House. As an educator\, she has taught\, guest lectured\, and been a visiting artist at Cornish College\, University of Minnesota\, CalArts\, University of Washington\, Western Washington University\, Saddleback College\, Cypress College\, and UC Irvine. Nia-Amina received her MFA in Dance from UC Irvine and a BA from Stanford University. She was Dance Magazine’s 25 Artists to Watch in 2021\, and one of Seattle Magazine’s Most Influential People in 2025. Nia-Amina is currently on faculty at Cornish College of the Arts at Seattle University and is the Curating Artist in Residence at Velocity Dance Theater. \nCameo Lethem is a choreographer and performer based in Seattle. Her work has been shown at On the Boards\, Velocity Dance Center\, Erickson Theater\, 12th Ave Arts\, Kirkland Performance Center\, Base: Experimental Arts + Space\, Yaw Theater\, Electric Lodge\, and more. She has performed works by Alice Gosti\, Annie Franklin\, Bebe Miller\, Beth Twigs\, Chartreuse Coleman\, Doug Varone\, Kate Wallich\, Robert Moses\, and others. Her mentors from Ellenore Scott’s The Breaking Glass Project were Nia-Amina Minor and Sidra Bell. Cameo is a recipient of SeattleDances’ 2017 DanceCrush award. She received her MFA from the University of Washington.
URL:https://seattledances.com/event/cornish-dance-theater/2026-04-10/
LOCATION:Cornish Playhouse\, 201 Mercer St\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/Screenshot-2026-03-02-at-8.38.23-PM.png
ORGANIZER;CN="Cornish College of the Arts Dance Department":MAILTO:dance@cornish.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260411T140000
DTEND;TZID=America/Los_Angeles:20260411T153000
DTSTAMP:20260303T044426Z
CREATED:20260303T043855Z
LAST-MODIFIED:20260303T044426Z
UID:10015056-1775916000-1775921400@seattledances.com
SUMMARY:Cornish Dance Theater
DESCRIPTION:Cornish College of the Arts at Seattle University’s Dance Department is proud to the present the Spring 2026 Cornish Dance Theater\, on April 10 – 11 at the Lee Center for the Arts at Seattle University. \nCornish Dance Theater is a bi-annual production where guest choreographers are invited to devise pieces in collaboration with Cornish student dancers. This Spring\, we are pleased to announce that our two guest choreographers are Cornish Faculty members\, Nia-Amina Minor and Cameo Lethem. \nNia-Amina Minor is a movement artist\, choreographer\, curator\, and educator originally from Los Angeles. Her work focuses on the body and what it carries using physical and archival research to converse with memory. She approaches her practice as an imaginative space grounded in rhythm where improvisation and choreography meet. Nia-Amina has received regional and national commissions for her choreographic and film work and has a working background as a performer and dramaturg. She is co-founder of Black Collectivity\, a collaborative project that curates and creates movement-based experiences that celebrate memory and culture. \nAs a performer\, Nia-Amina has worked with artists such as dani tirrell\, Zoe Juniper\, Will Rawls\, Alice Gosti\, Keyes Wiley\, and Amy O’Neal. From 2016-2021 she was a Company Artist at Spectrum Dance Theater under the direction of Donald Byrd. Nia-Amina has also provided dramaturgical assistance to choreographers Jade Solomon-Curtis and Donald Byrd. In her work as a curator\, she has developed programming at On the Boards\, Wa Na Wari\, Velocity\, and Base\, and Friends of the Waterfront Park. From 2014-2016\, she was a co-founder and curator of Los Angeles based collective\, No)one Art House. As an educator\, she has taught\, guest lectured\, and been a visiting artist at Cornish College\, University of Minnesota\, CalArts\, University of Washington\, Western Washington University\, Saddleback College\, Cypress College\, and UC Irvine. Nia-Amina received her MFA in Dance from UC Irvine and a BA from Stanford University. She was Dance Magazine’s 25 Artists to Watch in 2021\, and one of Seattle Magazine’s Most Influential People in 2025. Nia-Amina is currently on faculty at Cornish College of the Arts at Seattle University and is the Curating Artist in Residence at Velocity Dance Theater. \nCameo Lethem is a choreographer and performer based in Seattle. Her work has been shown at On the Boards\, Velocity Dance Center\, Erickson Theater\, 12th Ave Arts\, Kirkland Performance Center\, Base: Experimental Arts + Space\, Yaw Theater\, Electric Lodge\, and more. She has performed works by Alice Gosti\, Annie Franklin\, Bebe Miller\, Beth Twigs\, Chartreuse Coleman\, Doug Varone\, Kate Wallich\, Robert Moses\, and others. Her mentors from Ellenore Scott’s The Breaking Glass Project were Nia-Amina Minor and Sidra Bell. Cameo is a recipient of SeattleDances’ 2017 DanceCrush award. She received her MFA from the University of Washington.
URL:https://seattledances.com/event/cornish-dance-theater/2026-04-11/1/
LOCATION:Cornish Playhouse\, 201 Mercer St\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/Screenshot-2026-03-02-at-8.38.23-PM.png
ORGANIZER;CN="Cornish College of the Arts Dance Department":MAILTO:dance@cornish.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260411T140000
DTEND;TZID=America/Los_Angeles:20260411T153000
DTSTAMP:20260320T233331Z
CREATED:20260320T233331Z
LAST-MODIFIED:20260320T233331Z
UID:10015089-1775916000-1775921400@seattledances.com
SUMMARY:BASE + RADAR: Featuring Alex Tatarsky
DESCRIPTION:Base partners with Under the Radar Festival to create a new residency that brings Alex Tatarsky to Seattle. Three showings April 10 + 11! \nBase\, in partnership with Under the Radar Festival\, is pleased to announce BASE + RADAR! This new residency initiative brings renowned artist Alex Tatarsky to Seattle for an immersive two-week development process in April 2026\, advancing Alex’s latest project and culminating in public showings at Base on April 10–11. \nAbout Alex Tatarsky\nCalled “a hilarious\, finely tuned absurdist” (Theatre Jones) and “one of the most exciting and hilarious performance artists around\,” (Artspace) Alex Tatarsky makes performances in the unfortunate in-between zone of comedy\, performance art\, dance\, theater\, and deluded rant – sometimes with songs. Sad Boys in Harpy Land\, their spiraling clown play about wanting to die\, enjoyed a sold-out double extended run Off-Broadway at Playwrights Horizons and was named “Best of 2023” by the New York Times\, New Yorker and ArtForum. They are currently touring Dirt Trip (MoMA PS1)\, a decomposing lecture-performance on fear of clowns and fear of compost\, to community composting sites around the country\, and were a featured artist in the 2024 Whitney Biennial. Along with artist Ming Lin\, Tatarsky is one half of the roving poetic research unit Shanzhai Lyric and its fictional office Canal Street Research Association. \nAbout BASE + RADAR\nThis new\, collaborative residency model is designed to give artists an opportunity to develop work in an immersive\, supportive environment while engaging a new community in the work’s evolution. In this inaugural edition\, Tatarsky will experiment with a new piece\, working with long-time collaborators Shane Riley (sound)\, Andreea Mincic (scenic\, costumes) and Iris McCloughan (co-direction\, dramaturgy) as well as a rotating cast of local Seattle-based outside eyes. Tatarsky and collaborators will have 24/7 access to Base and the chance to share their work in two public showings. The residency allows Tatarsky to experiment and refine this work-in-progress in real time prior to its premiere at Under the Radar. \nAbout Base’s 25-26 Pilot Programs\nMade possible through the community support of our Flourish campaign\, our 2025-26 pilot programs\, BASE + RADAR\, Jump / Cut: The Moving Body On Screen\, and Pairings: Collaborations in Movement and Music\, aim to create more space for the making and experiencing of experimental\, multidisciplinary art. Arising organically from conversations with members of the creative community in Seattle and nationally\, Base hopes these programmatic experiments provide compelling opportunities while filling a gap in the local arts landscape. Learn more about our pilot programs here. \nAbout Base\nBase is dedicated to elevating risk and invention in dance\, performance and multidisciplinary art. A space for developing and publicly sharing original work\, Base is committed to addressing experimental artists’ needs for time\, space\, creative freedom and critical discourse. Founded in 2015 by longtime Seattle artists and collaborators Dayna Hanson\, Peggy Piacenza and Dave Proscia\, Base aims to add vibrancy to 21st century art in Seattle and nationally by encouraging artists of all levels to take creative chances\, deepen their practices and share an ongoing flow of fresh\, original work and ideas. Learn more at thisisbase.org. \nSupport for Base\nNow in its second year\, Flourish is our first major fundraising campaign that leverages community support in order to grow and expand in response to local\, regional\, and national demand. Flourish is generating $300\,000 over three years to support three areas of growth: increased artist residencies\, a more robust staff\, and new\, community-facing programs. Learn more about Flourish here.
URL:https://seattledances.com/event/base-radar-featuring-alex-tatarsky/2026-04-11/1/
LOCATION:Base Art Space\, 6520 5th Ave S #122\, Seattle\, WA\, 98108
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/Alex_Tatarsky_NOTHING_DOING_Baranova-190-SMALL.jpg
ORGANIZER;CN="Base":MAILTO:akoiya@thisisbase.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260411T193000
DTEND;TZID=America/Los_Angeles:20260411T210000
DTSTAMP:20260320T233331Z
CREATED:20260320T233331Z
LAST-MODIFIED:20260320T233331Z
UID:10015090-1775935800-1775941200@seattledances.com
SUMMARY:BASE + RADAR: Featuring Alex Tatarsky
DESCRIPTION:Base partners with Under the Radar Festival to create a new residency that brings Alex Tatarsky to Seattle. Three showings April 10 + 11! \nBase\, in partnership with Under the Radar Festival\, is pleased to announce BASE + RADAR! This new residency initiative brings renowned artist Alex Tatarsky to Seattle for an immersive two-week development process in April 2026\, advancing Alex’s latest project and culminating in public showings at Base on April 10–11. \nAbout Alex Tatarsky\nCalled “a hilarious\, finely tuned absurdist” (Theatre Jones) and “one of the most exciting and hilarious performance artists around\,” (Artspace) Alex Tatarsky makes performances in the unfortunate in-between zone of comedy\, performance art\, dance\, theater\, and deluded rant – sometimes with songs. Sad Boys in Harpy Land\, their spiraling clown play about wanting to die\, enjoyed a sold-out double extended run Off-Broadway at Playwrights Horizons and was named “Best of 2023” by the New York Times\, New Yorker and ArtForum. They are currently touring Dirt Trip (MoMA PS1)\, a decomposing lecture-performance on fear of clowns and fear of compost\, to community composting sites around the country\, and were a featured artist in the 2024 Whitney Biennial. Along with artist Ming Lin\, Tatarsky is one half of the roving poetic research unit Shanzhai Lyric and its fictional office Canal Street Research Association. \nAbout BASE + RADAR\nThis new\, collaborative residency model is designed to give artists an opportunity to develop work in an immersive\, supportive environment while engaging a new community in the work’s evolution. In this inaugural edition\, Tatarsky will experiment with a new piece\, working with long-time collaborators Shane Riley (sound)\, Andreea Mincic (scenic\, costumes) and Iris McCloughan (co-direction\, dramaturgy) as well as a rotating cast of local Seattle-based outside eyes. Tatarsky and collaborators will have 24/7 access to Base and the chance to share their work in two public showings. The residency allows Tatarsky to experiment and refine this work-in-progress in real time prior to its premiere at Under the Radar. \nAbout Base’s 25-26 Pilot Programs\nMade possible through the community support of our Flourish campaign\, our 2025-26 pilot programs\, BASE + RADAR\, Jump / Cut: The Moving Body On Screen\, and Pairings: Collaborations in Movement and Music\, aim to create more space for the making and experiencing of experimental\, multidisciplinary art. Arising organically from conversations with members of the creative community in Seattle and nationally\, Base hopes these programmatic experiments provide compelling opportunities while filling a gap in the local arts landscape. Learn more about our pilot programs here. \nAbout Base\nBase is dedicated to elevating risk and invention in dance\, performance and multidisciplinary art. A space for developing and publicly sharing original work\, Base is committed to addressing experimental artists’ needs for time\, space\, creative freedom and critical discourse. Founded in 2015 by longtime Seattle artists and collaborators Dayna Hanson\, Peggy Piacenza and Dave Proscia\, Base aims to add vibrancy to 21st century art in Seattle and nationally by encouraging artists of all levels to take creative chances\, deepen their practices and share an ongoing flow of fresh\, original work and ideas. Learn more at thisisbase.org. \nSupport for Base\nNow in its second year\, Flourish is our first major fundraising campaign that leverages community support in order to grow and expand in response to local\, regional\, and national demand. Flourish is generating $300\,000 over three years to support three areas of growth: increased artist residencies\, a more robust staff\, and new\, community-facing programs. Learn more about Flourish here.
URL:https://seattledances.com/event/base-radar-featuring-alex-tatarsky/2026-04-11/2/
LOCATION:Base Art Space\, 6520 5th Ave S #122\, Seattle\, WA\, 98108
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/Alex_Tatarsky_NOTHING_DOING_Baranova-190-SMALL.jpg
ORGANIZER;CN="Base":MAILTO:akoiya@thisisbase.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260411T193000
DTEND;TZID=America/Los_Angeles:20260411T210000
DTSTAMP:20260331T043441Z
CREATED:20260331T043441Z
LAST-MODIFIED:20260331T043441Z
UID:10015100-1775935800-1775941200@seattledances.com
SUMMARY:Springshot: Bloom Week 2
DESCRIPTION:Celebrating a diverse garden of artists\, Springshot is a micro-festival of bold\, short performances over three weekends. From theater to movement\, burlesque to comedy\, solo storytelling to hybrid genre chaos\, one thing is for sure – you can expect the intimate\, the absurd\, and the audacious. Each weekend\, a new bouquet of performers bloom through pieces lasting 18 minutes or less. Tickets are “Choose your own price”. Note performances are 18+. \nPRESENTING:\nErin Popelka\nFruits and Guts\nRang Rasiya (Dance)\nRisqué and Rye\nSeattle Irish Dance Company (Dance)
URL:https://seattledances.com/event/springshot-bloom-week-2/2026-04-11/
LOCATION:Seattle Open Arts Place (Formerly 18th & Union)\, 1406 18th Ave\, Seattle\, 98122
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/bloom.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260411T193000
DTEND;TZID=America/Los_Angeles:20260411T213000
DTSTAMP:20260316T195610Z
CREATED:20260316T192642Z
LAST-MODIFIED:20260316T195610Z
UID:10015074-1775935800-1775943000@seattledances.com
SUMMARY:Full Tilt 2026
DESCRIPTION:Join Evoke Productions for their nineteenth annual production of Full Tilt\, an evening of\nnew independent dance works. Evoke Productions produces new works from five local\nchoreographers; Olivia Evans\, Diana Kim\, Marlo Martin\, Heather Smith & Samantha\nWeissbach\, and dani tirrell. This year we are pleased to produce Washington DC based\nchoreographer Madeline Maxine Roman. Dancers were selected from an open casting\naudition. There will be three performances at Seattle’s NOD Theater. \n“It’s clear that this well-oiled machine is a vital part of the Seattle dance performance\ncalendar; it not only successfully identifies choreographers on-the-rise but provides an\noutlet for more established dance-makers\, as well.  Evoke Productions has created an\ninvaluable opportunity for Seattle dance artists that’s worth getting involved with in any\ncapacity—as a performer\, choreographer\, or audience member.” – SeattleDances \nAdvance Tickets: $30 general / $25 seniors\, students\, and working artists\,\nAt the Door Tickets:  $35 general/ $30 seniors and students\nMore information:  www.evokeproductions.org\nTickets: http://universe.com/FullTilt2026 \nHeather Smith & Samantha Weissbach (Equipoise Dance) create a new work\ncentered on the concept of a human tapestry. Each dancer’s life experiences inform the\nmovement\, shaping unique textures and patterns within the choreography. Using\nguided meditation as a starting point\, the dancers generate material rooted in personal\nhistory\, which is then reshaped and reimagined to explore change\, resilience\, and\ncollective storytelling. \nMadeline Maxine Roman’s Blink of an Eye blends inspiration from time travel\, stop-\nmotion animation\, and paper textures to confront how life only moves forward.\nFeaturing an original live score by her wife and artistic collaborator\, Valentina Roman\,\nthe dancers move through moments that stretch endlessly\, collapse instantly\, and blur\ninto one another\, with time slipping through their bodies as it does our own. \nDiana Kim’s latest work asks if we are able to ever truly break free from the cycles of\nour trauma. Inspired by the phrase “I am not a violent dog\, I don't know why I bite” the\npiece flows through a journey of introspection becoming more nightmarish as layers are\nstripped away. The 10 dancer ensemble explores repetition\, time\, uniformity\, and\ncontrol to show that even in the act of attempting to break free from our past we may\nstill bring others down with us. “I bite because it is all I have ever known.” \nAs always\, Marlo Martin\, is most interested in the artists in the room and molds the\nwork around the specific individuals in the cast. She spends time witnessing and is\ngenuinely interested in each dancer’s energy\, their preferences as a mover\, and their\nwillingness to dive into work with vulnerability. Based on the human experience as she\nhas experienced Marlo weaves a wild tapestry of patterns\, highly physical movement\,\nand brave hearts. Martin’s “lingering” playfully and poetically examines patterns of\ninterpersonal and social dynamics within humankind. More specifically it is based on\nperception and the practices of assumption\, form identification\, and desensitization. \nOlivia Evans‘ latest work embodies the feeling of anticipation. This urge to imagine\nsomething over and over again\, trying to play out every possible scenario of how it\nmight go. And then\, when this imagined thing occurs\, it often turns out that feeling the\npre-emptive anticipation was far more effortful than the experience it built up to. What\nwas thought to be the climax ends up being anti-climactic. Repetition is a largely used\ntool in this piece\, and Olivia has challenged herself to devise a plethora of unique ways\nin which to utilize it. The piece will ebb and flow\, building up towards potential climaxes\nand then faltering short. Still in development\, an original score by local musician Paul\nStovall will enhance the movement ideas generated collaboratively between Olivia and\nher cast. \ndani tirrell’s work creates a world grounded in spiritual practice and draws from Black\nAmerican life and Black American movement practice\, using a sound and movement\nscore that includes gospel\, house\, and instrumental music. \nEvoke Productions is an Associated Program of Shunpike.
URL:https://seattledances.com/event/full-tilt-2026/2026-04-11/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/Screenshot-2026-03-16-at-12.23.25-PM.jpg
ORGANIZER;CN="Evoke Productions":MAILTO:evokeproductions@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260411T200000
DTEND;TZID=America/Los_Angeles:20260411T213000
DTSTAMP:20260219T050702Z
CREATED:20260212T054152Z
LAST-MODIFIED:20260219T050702Z
UID:10015021-1775937600-1775943000@seattledances.com
SUMMARY:for posterity: proof of free will
DESCRIPTION:created by Skye Hughes \nfor posterity: proof of free will is a speculative oral history—a performance staged as a panel discussion reflecting on the end of humanity. Panelists look back at a civilization and environment in collapse\, tracing the chain of events that began when humanity chose to stop reproducing and instead prepare for the last person’s death. \nThis is an exploration of peace in the face of existential crisis. As runaway climate change spiraled uncontrollably and humanity reached the brink of cataclysmic war\, undeniable questions arose: Do we continue? What if we just… stopped? \nThe project asks what happens if we stop resisting mortality—not just individually\, but on a global scale. Under this condition\, the discussion is forced to consider alternative meanings for sex\, existence\, and community\, opening space for new\, subversive questions. If not survival\, then what? If we were to turn off the engines of exploitation\, how would the trauma we carry and the damaged planet transform? How could we practice inter-species care\, care for the planet\, recognition of harm and attempt reparation on the largest possible scale? \nIn this world\, what did humanity ultimately achieve through designing its own end? \nFeaturing Serena Chopra\, Alyza DelPan-Monley\, HATLO\, Lío Sainz-Jones\, and Fox Whitney. \nMusic by scott farkas and Paulina Michels
URL:https://seattledances.com/event/for-posterity-proof-of-free-will/2026-04-11/
LOCATION:Town Hall – The Wyncote NW Forum\, 1119 8th Ave (Entrance off Seneca St.)\, Seattle\, 98101
ORGANIZER;CN="Skye Hughes":MAILTO:skyehug@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260411T200000
DTEND;TZID=America/Los_Angeles:20260411T213000
DTSTAMP:20260303T044426Z
CREATED:20260303T043855Z
LAST-MODIFIED:20260303T044426Z
UID:10015057-1775937600-1775943000@seattledances.com
SUMMARY:Cornish Dance Theater
DESCRIPTION:Cornish College of the Arts at Seattle University’s Dance Department is proud to the present the Spring 2026 Cornish Dance Theater\, on April 10 – 11 at the Lee Center for the Arts at Seattle University. \nCornish Dance Theater is a bi-annual production where guest choreographers are invited to devise pieces in collaboration with Cornish student dancers. This Spring\, we are pleased to announce that our two guest choreographers are Cornish Faculty members\, Nia-Amina Minor and Cameo Lethem. \nNia-Amina Minor is a movement artist\, choreographer\, curator\, and educator originally from Los Angeles. Her work focuses on the body and what it carries using physical and archival research to converse with memory. She approaches her practice as an imaginative space grounded in rhythm where improvisation and choreography meet. Nia-Amina has received regional and national commissions for her choreographic and film work and has a working background as a performer and dramaturg. She is co-founder of Black Collectivity\, a collaborative project that curates and creates movement-based experiences that celebrate memory and culture. \nAs a performer\, Nia-Amina has worked with artists such as dani tirrell\, Zoe Juniper\, Will Rawls\, Alice Gosti\, Keyes Wiley\, and Amy O’Neal. From 2016-2021 she was a Company Artist at Spectrum Dance Theater under the direction of Donald Byrd. Nia-Amina has also provided dramaturgical assistance to choreographers Jade Solomon-Curtis and Donald Byrd. In her work as a curator\, she has developed programming at On the Boards\, Wa Na Wari\, Velocity\, and Base\, and Friends of the Waterfront Park. From 2014-2016\, she was a co-founder and curator of Los Angeles based collective\, No)one Art House. As an educator\, she has taught\, guest lectured\, and been a visiting artist at Cornish College\, University of Minnesota\, CalArts\, University of Washington\, Western Washington University\, Saddleback College\, Cypress College\, and UC Irvine. Nia-Amina received her MFA in Dance from UC Irvine and a BA from Stanford University. She was Dance Magazine’s 25 Artists to Watch in 2021\, and one of Seattle Magazine’s Most Influential People in 2025. Nia-Amina is currently on faculty at Cornish College of the Arts at Seattle University and is the Curating Artist in Residence at Velocity Dance Theater. \nCameo Lethem is a choreographer and performer based in Seattle. Her work has been shown at On the Boards\, Velocity Dance Center\, Erickson Theater\, 12th Ave Arts\, Kirkland Performance Center\, Base: Experimental Arts + Space\, Yaw Theater\, Electric Lodge\, and more. She has performed works by Alice Gosti\, Annie Franklin\, Bebe Miller\, Beth Twigs\, Chartreuse Coleman\, Doug Varone\, Kate Wallich\, Robert Moses\, and others. Her mentors from Ellenore Scott’s The Breaking Glass Project were Nia-Amina Minor and Sidra Bell. Cameo is a recipient of SeattleDances’ 2017 DanceCrush award. She received her MFA from the University of Washington.
URL:https://seattledances.com/event/cornish-dance-theater/2026-04-11/2/
LOCATION:Cornish Playhouse\, 201 Mercer St\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/Screenshot-2026-03-02-at-8.38.23-PM.png
ORGANIZER;CN="Cornish College of the Arts Dance Department":MAILTO:dance@cornish.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260412T143000
DTEND;TZID=America/Los_Angeles:20260412T163000
DTSTAMP:20260316T195610Z
CREATED:20260316T192642Z
LAST-MODIFIED:20260316T195610Z
UID:10015075-1776004200-1776011400@seattledances.com
SUMMARY:Full Tilt 2026
DESCRIPTION:Join Evoke Productions for their nineteenth annual production of Full Tilt\, an evening of\nnew independent dance works. Evoke Productions produces new works from five local\nchoreographers; Olivia Evans\, Diana Kim\, Marlo Martin\, Heather Smith & Samantha\nWeissbach\, and dani tirrell. This year we are pleased to produce Washington DC based\nchoreographer Madeline Maxine Roman. Dancers were selected from an open casting\naudition. There will be three performances at Seattle’s NOD Theater. \n“It’s clear that this well-oiled machine is a vital part of the Seattle dance performance\ncalendar; it not only successfully identifies choreographers on-the-rise but provides an\noutlet for more established dance-makers\, as well.  Evoke Productions has created an\ninvaluable opportunity for Seattle dance artists that’s worth getting involved with in any\ncapacity—as a performer\, choreographer\, or audience member.” – SeattleDances \nAdvance Tickets: $30 general / $25 seniors\, students\, and working artists\,\nAt the Door Tickets:  $35 general/ $30 seniors and students\nMore information:  www.evokeproductions.org\nTickets: http://universe.com/FullTilt2026 \nHeather Smith & Samantha Weissbach (Equipoise Dance) create a new work\ncentered on the concept of a human tapestry. Each dancer’s life experiences inform the\nmovement\, shaping unique textures and patterns within the choreography. Using\nguided meditation as a starting point\, the dancers generate material rooted in personal\nhistory\, which is then reshaped and reimagined to explore change\, resilience\, and\ncollective storytelling. \nMadeline Maxine Roman’s Blink of an Eye blends inspiration from time travel\, stop-\nmotion animation\, and paper textures to confront how life only moves forward.\nFeaturing an original live score by her wife and artistic collaborator\, Valentina Roman\,\nthe dancers move through moments that stretch endlessly\, collapse instantly\, and blur\ninto one another\, with time slipping through their bodies as it does our own. \nDiana Kim’s latest work asks if we are able to ever truly break free from the cycles of\nour trauma. Inspired by the phrase “I am not a violent dog\, I don't know why I bite” the\npiece flows through a journey of introspection becoming more nightmarish as layers are\nstripped away. The 10 dancer ensemble explores repetition\, time\, uniformity\, and\ncontrol to show that even in the act of attempting to break free from our past we may\nstill bring others down with us. “I bite because it is all I have ever known.” \nAs always\, Marlo Martin\, is most interested in the artists in the room and molds the\nwork around the specific individuals in the cast. She spends time witnessing and is\ngenuinely interested in each dancer’s energy\, their preferences as a mover\, and their\nwillingness to dive into work with vulnerability. Based on the human experience as she\nhas experienced Marlo weaves a wild tapestry of patterns\, highly physical movement\,\nand brave hearts. Martin’s “lingering” playfully and poetically examines patterns of\ninterpersonal and social dynamics within humankind. More specifically it is based on\nperception and the practices of assumption\, form identification\, and desensitization. \nOlivia Evans‘ latest work embodies the feeling of anticipation. This urge to imagine\nsomething over and over again\, trying to play out every possible scenario of how it\nmight go. And then\, when this imagined thing occurs\, it often turns out that feeling the\npre-emptive anticipation was far more effortful than the experience it built up to. What\nwas thought to be the climax ends up being anti-climactic. Repetition is a largely used\ntool in this piece\, and Olivia has challenged herself to devise a plethora of unique ways\nin which to utilize it. The piece will ebb and flow\, building up towards potential climaxes\nand then faltering short. Still in development\, an original score by local musician Paul\nStovall will enhance the movement ideas generated collaboratively between Olivia and\nher cast. \ndani tirrell’s work creates a world grounded in spiritual practice and draws from Black\nAmerican life and Black American movement practice\, using a sound and movement\nscore that includes gospel\, house\, and instrumental music. \nEvoke Productions is an Associated Program of Shunpike.
URL:https://seattledances.com/event/full-tilt-2026/2026-04-12/1/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/Screenshot-2026-03-16-at-12.23.25-PM.jpg
ORGANIZER;CN="Evoke Productions":MAILTO:evokeproductions@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260412T183000
DTEND;TZID=America/Los_Angeles:20260412T203000
DTSTAMP:20260316T195610Z
CREATED:20260316T192642Z
LAST-MODIFIED:20260316T195610Z
UID:10015076-1776018600-1776025800@seattledances.com
SUMMARY:Full Tilt 2026
DESCRIPTION:Join Evoke Productions for their nineteenth annual production of Full Tilt\, an evening of\nnew independent dance works. Evoke Productions produces new works from five local\nchoreographers; Olivia Evans\, Diana Kim\, Marlo Martin\, Heather Smith & Samantha\nWeissbach\, and dani tirrell. This year we are pleased to produce Washington DC based\nchoreographer Madeline Maxine Roman. Dancers were selected from an open casting\naudition. There will be three performances at Seattle’s NOD Theater. \n“It’s clear that this well-oiled machine is a vital part of the Seattle dance performance\ncalendar; it not only successfully identifies choreographers on-the-rise but provides an\noutlet for more established dance-makers\, as well.  Evoke Productions has created an\ninvaluable opportunity for Seattle dance artists that’s worth getting involved with in any\ncapacity—as a performer\, choreographer\, or audience member.” – SeattleDances \nAdvance Tickets: $30 general / $25 seniors\, students\, and working artists\,\nAt the Door Tickets:  $35 general/ $30 seniors and students\nMore information:  www.evokeproductions.org\nTickets: http://universe.com/FullTilt2026 \nHeather Smith & Samantha Weissbach (Equipoise Dance) create a new work\ncentered on the concept of a human tapestry. Each dancer’s life experiences inform the\nmovement\, shaping unique textures and patterns within the choreography. Using\nguided meditation as a starting point\, the dancers generate material rooted in personal\nhistory\, which is then reshaped and reimagined to explore change\, resilience\, and\ncollective storytelling. \nMadeline Maxine Roman’s Blink of an Eye blends inspiration from time travel\, stop-\nmotion animation\, and paper textures to confront how life only moves forward.\nFeaturing an original live score by her wife and artistic collaborator\, Valentina Roman\,\nthe dancers move through moments that stretch endlessly\, collapse instantly\, and blur\ninto one another\, with time slipping through their bodies as it does our own. \nDiana Kim’s latest work asks if we are able to ever truly break free from the cycles of\nour trauma. Inspired by the phrase “I am not a violent dog\, I don't know why I bite” the\npiece flows through a journey of introspection becoming more nightmarish as layers are\nstripped away. The 10 dancer ensemble explores repetition\, time\, uniformity\, and\ncontrol to show that even in the act of attempting to break free from our past we may\nstill bring others down with us. “I bite because it is all I have ever known.” \nAs always\, Marlo Martin\, is most interested in the artists in the room and molds the\nwork around the specific individuals in the cast. She spends time witnessing and is\ngenuinely interested in each dancer’s energy\, their preferences as a mover\, and their\nwillingness to dive into work with vulnerability. Based on the human experience as she\nhas experienced Marlo weaves a wild tapestry of patterns\, highly physical movement\,\nand brave hearts. Martin’s “lingering” playfully and poetically examines patterns of\ninterpersonal and social dynamics within humankind. More specifically it is based on\nperception and the practices of assumption\, form identification\, and desensitization. \nOlivia Evans‘ latest work embodies the feeling of anticipation. This urge to imagine\nsomething over and over again\, trying to play out every possible scenario of how it\nmight go. And then\, when this imagined thing occurs\, it often turns out that feeling the\npre-emptive anticipation was far more effortful than the experience it built up to. What\nwas thought to be the climax ends up being anti-climactic. Repetition is a largely used\ntool in this piece\, and Olivia has challenged herself to devise a plethora of unique ways\nin which to utilize it. The piece will ebb and flow\, building up towards potential climaxes\nand then faltering short. Still in development\, an original score by local musician Paul\nStovall will enhance the movement ideas generated collaboratively between Olivia and\nher cast. \ndani tirrell’s work creates a world grounded in spiritual practice and draws from Black\nAmerican life and Black American movement practice\, using a sound and movement\nscore that includes gospel\, house\, and instrumental music. \nEvoke Productions is an Associated Program of Shunpike.
URL:https://seattledances.com/event/full-tilt-2026/2026-04-12/2/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/Screenshot-2026-03-16-at-12.23.25-PM.jpg
ORGANIZER;CN="Evoke Productions":MAILTO:evokeproductions@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260416T193000
DTEND;TZID=America/Los_Angeles:20260416T210000
DTSTAMP:20260331T044210Z
CREATED:20260331T044210Z
LAST-MODIFIED:20260331T044210Z
UID:10015113-1776367800-1776373200@seattledances.com
SUMMARY:Springshot: Bloom Week 3
DESCRIPTION:Celebrating a diverse garden of artists\, Springshot is a micro-festival of bold\, short performance over three weekends. From theater to movement\, burlesque to comedy\, solo storytelling to hybrid genre chaos\, one thing is for sure – you can expect the intimate\, the absurd\, and the audacious. Each weekend\, a new bouquet of performers bloom through pieces lasting 18 minutes or less.\n\n \nPRESENTING: \nAlina Rios\nLou Chow\nReverend Fowl\nSusanna Burney\nVida Catastrophe D’Ho \nPlease note: this show is 18+
URL:https://seattledances.com/event/springshot-bloom-week-3/2026-04-16/
LOCATION:Seattle Open Arts Place (Formerly 18th & Union)\, 1406 18th Ave\, Seattle\, 98122
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/bloom.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260416T200000
DTEND;TZID=America/Los_Angeles:20260416T213000
DTSTAMP:20260410T133144Z
CREATED:20260410T133144Z
LAST-MODIFIED:20260410T133144Z
UID:10015124-1776369600-1776375000@seattledances.com
SUMMARY:CICADA SYMPHONY
DESCRIPTION:spring: viscous energy moving low— all humid sweat dripped back down to soft earth. we have been here before— not just once or twice\, but thousands of times. every ending knows that everything will begin again. every time we began to be crushed out\, every cell in our bodies sing out & i we return over & over— an embodiment of joy that makes sense for us\, here & now\, in these bodies. \nbloodsugar presents: cicada symphony; the life cycle of the cicada experienced as an experimental performance of sound and movement. sonic sensory by seattle noise duo Till the Teeth; spring duet by the vibrant & unpredictable Alethea Alexander and maia melene d’urfé; & finally\, the ephemeral\, cicada cycle somatic composition brought to life by Birdy Adler\, Lydia Jewel Gerard\, Tshedzom\, Lou Chow\, sullivan forderhase\, and rawivati.
URL:https://seattledances.com/event/cicada-symphony/
LOCATION:The Chapel Performance Space\, 4649 Sunnyside Ave. N.\, Seattle\, WA
ORGANIZER;CN="BLOODSUGAR":MAILTO:aeforderhase@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260417T190000
DTEND;TZID=America/Los_Angeles:20260417T200000
DTSTAMP:20260219T040313Z
CREATED:20260219T035852Z
LAST-MODIFIED:20260219T040313Z
UID:10015029-1776452400-1776456000@seattledances.com
SUMMARY:CO-PRESENTS: TRICK | Carlin x PITH
DESCRIPTION:a split-bill evening of performance by Carlin Kramer & PITH (Alissa Pegram and Caroline Maxwell)\nCO-PRESENTS features artists you’ve seen previously in CO- programming\, giving our growing CO- family the opportunity to expand upon or deepen work they may have started while in our orbit. We’re proud to announce that the third iteration of CO-PRESENTS features Carlin Kramer of SHOW2 and PITH (Caroline Maxwell + Alissa Pegram) of SHOW10. \nThrough CO-PRESENTS\, two Seattle-based artists are granted a 40-hour residency with competitive hourly rehearsal wages and two fully produced\, split-bill performances. This has been a step up in CO-‘s programming that further fosters growth for independent Seattle-based dance artists. CO-PRESENTS is our answer to a community need for opportunities to present longer-form\, more fully supported work.
URL:https://seattledances.com/event/co-presents-trick-carlin-x-pith/2026-04-17/1/
LOCATION:West of Lenin\, 203 N 36th St in Fremont\, Seattle\, WA\, United States
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/02/IMG_1A8EB1737B1E-1.jpeg
ORGANIZER;CN="CO-":MAILTO:emma@coseattle.dance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260417T190000
DTEND;TZID=America/Los_Angeles:20260417T210000
DTSTAMP:20260318T153712Z
CREATED:20260318T153712Z
LAST-MODIFIED:20260318T153712Z
UID:10015082-1776452400-1776459600@seattledances.com
SUMMARY:Cadence Video Poetry Festival – you flew from my eyes
DESCRIPTION:Giving shape and voice to what’s felt but can’t always be seen\, touched\, or retrieved\, these video poems meditate on the marks we leave and with which we are left. Between earthly boundaries and open sky\, dances\, phone calls\, and a trampoline become buoys for self and other within the sea of time. \nThis showcase features “The Sky After Rain (Aseman Bad Az Baran)\,” a poetic screendance from Australia. Written after the arrest of his boyfriend during Iran’s 2009 Green Movement protests\, this soaring work is based on a poem by exiled Iranian poet\, Payam Feili. \nABOUT\nCadence Video Poetry is a literary media organization hosting year-round screenings\, an artist residency\, workshops\, and artist gatherings to nurture creative community through video poetry.
URL:https://seattledances.com/event/cadence-video-poetry-festival-you-flew-from-my-eyes/
LOCATION:Northwest Film Forum\, 1515 12th Ave\, Seattle\, WA\, 98122\, United States
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/cadence-26_the-sky-after-rain_01.jpg
ORGANIZER;CN="Cadence Video Poetry Festival":MAILTO:cadencevideopoetry@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260417T193000
DTEND;TZID=America/Los_Angeles:20260417T210000
DTSTAMP:20260331T044210Z
CREATED:20260331T044210Z
LAST-MODIFIED:20260331T044210Z
UID:10015114-1776454200-1776459600@seattledances.com
SUMMARY:Springshot: Bloom Week 3
DESCRIPTION:Celebrating a diverse garden of artists\, Springshot is a micro-festival of bold\, short performance over three weekends. From theater to movement\, burlesque to comedy\, solo storytelling to hybrid genre chaos\, one thing is for sure – you can expect the intimate\, the absurd\, and the audacious. Each weekend\, a new bouquet of performers bloom through pieces lasting 18 minutes or less.\n\n \nPRESENTING: \nAlina Rios\nLou Chow\nReverend Fowl\nSusanna Burney\nVida Catastrophe D’Ho \nPlease note: this show is 18+
URL:https://seattledances.com/event/springshot-bloom-week-3/2026-04-17/
LOCATION:Seattle Open Arts Place (Formerly 18th & Union)\, 1406 18th Ave\, Seattle\, 98122
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/03/bloom.png
END:VEVENT
END:VCALENDAR