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DTSTART;TZID=America/Los_Angeles:20260124T200000
DTEND;TZID=America/Los_Angeles:20260124T220000
DTSTAMP:20251226T211531Z
CREATED:20251226T211531Z
LAST-MODIFIED:20251226T211531Z
UID:10014946-1769284800-1769292000@seattledances.com
SUMMARY:Whim W'Him: Winter '26 (Seattle)
DESCRIPTION:Whim W’Him opens the new year with a powerful winter program that reaffirms its place at the forefront of contemporary dance on the global stage. This program brings back three acclaimed choreographers who continue to help define the company’s artistic identity while expanding the reach of dance as a language of humanity. \nFLOCK\, the creative duo of Alice Klock and Florian Lochner\, reunites with Whim W’Him following their memorable pandemic-era dance film “NOVA”\, created for the company’s digital WHIM-IN platform. Their collaborative process\, rooted in trust\, empathy\, and intuition\, creates work known for its emotional clarity and fluid almost hypnotizing form. \nEmilie Leriche’s first piece for Whim W’Him\, “and if not\, not”\, offered a meditation on change that unfolded inward rather than forward. As she described\, “Sometimes a piece can represent a crossing… not in a from-here-to-there sort of way. But rather in its depth\, in its deconstruction… everything (even ourselves) is entirely changed.” Her new creation continues that journey\, an inward unfolding shaped by her quiet force and introspective power. \nOlivier Wevers\, founder and artistic director of Whim W’Him\, contributes a new creation rooted in his ongoing pursuit of connection\, truth\, and vulnerability. Known for his emotionally honest and visually striking choreography\, his work continues to offer a distinct vision of what dance can uncover in us and between us.
URL:https://seattledances.com/event/whim-whim-winter-26-seattle/2026-01-24/
LOCATION:Cornish Playhouse\, 201 Mercer St\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2025/12/ClientFile581598.png
ORGANIZER;CN="Whim W'Him":MAILTO:info@whimwhim.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260125T140000
DTEND;TZID=America/Los_Angeles:20260125T160000
DTSTAMP:20251216T055856Z
CREATED:20251216T055856Z
LAST-MODIFIED:20251216T055856Z
UID:10014924-1769349600-1769356800@seattledances.com
SUMMARY:UW Dance Presents / Grad Lab Concert
DESCRIPTION:The inaugural Grad Lab Concert debuts an evening-length work co-created and performed by UW MFA candidates Jake Bone\, marco farroni leonardo\, Alice Gosti\, Jillian Roberts\, and Tracey Wong. Through five distinct artistic perspectives\, the piece weaves a vibrant tapestry of movement—exploring lineage\, experimentation\, and care. \n  \nAbout the Choreographers: \nJake Bone\, originally from Dallas\, Texas\, is a dance artist\, choreographer\, educator\, and arts administrator. He earned a BFA in Dance with honors from the University of North Texas\, where he performed works by Bebe Miller and Kihyoung Choi. Jake performed and taught nationally and abroad as a company member with Doug Varone and Dancers from 2015–2025. He also served as company manager and tour manager and has set Varone’s repertory at universities across the country. As a freelance artist\, he has worked with Bulareyaung Pagarlava\, the Metropolitan Opera\, among others. He is currently pursuing his MFA at the University of Washington. \nmarco farroni leonardo is a Dominican interdisciplinary artist based in Seattle\, Washington. Grounded in embodied research and community-based stories\, marco’s work explores themes of home\, the body as an archive\, the Black diaspora\, and memory. Their work has been presented at numerous cultural and performance venues across Seattle\, including Velocity Dance Center\, Wa Na Wari\, Base Arts Space\, 10 Degrees Arts\, Spectrum Dance Theater\, The AIDS Memorial Pathway\, River\, and 12th Ave Arts. marco is a member of Black Collectivity\, Wa Na Wari’s Seattle Black Spatial History Institute\, and is currently a MFA in Dance Candidate at The University of Washington. \nAlice Gosti is a transnational immigrant choreographer\, curator\, and hybrid performance artist who creates site-responsive rituals and live art installations exploring how history\, politics\, architecture\, and place shape the body. She often makes work under the name of MALACARNE. Born in Perugia\, Italy and raised by artist duo SANDFORD&GOSTI\, she has worked between Italy and occupied Duwamish and Coast Salish land (Seattle) since 2008. Alice is currently pursuing her Master’s degree. Her work views the body as a site of resistance\, a vessel for memory\, and a portal for transmutation—inviting audiences into spaces of poetic resistance\, collective dreaming\, and radical care. \nJillian Amadi Roberts is a certified dance educator\, choreographer\, and performing artist from Washington\, DC\, with a decade of experience teaching\, creating\, and performing in New York City. She holds a BA from Wesleyan University\, an MS from Touro College Graduate School of Education\, and is currently an MFA candidate and pre-doctoral instructor in the University of Washington’s Dance Department. Jillian has taught technique\, choreography\, and cultural foundations of Black American street and club dance forms at Mark Morris Dance Center\, Modega\, NXGN West New York\, House of Movement\, PMT\, and Peridance\, and created commissioned work for Applause Dance Theater\, Lakeside Academy of Dance\, RAW Artists\, Our Canvas\, and MOPTOP Crew’s 35th Anniversary Showcase. She served as Managing Director of Mint Dance Company for seven years and Foundations Judge for Prelude New York’s Junior and Adult Divisions in 2025. Jillian has conducted workshops and lectures at Dartmouth College\, Cornell University\, Princeton University\, Northeastern University\, University of Colorado Boulder\, University of California Riverside\, Prelude Dance Competition\, Billie\, and Netflix. \nTracey Wong is a Teochew-American interdisciplinary dance artist that lights up and inspires spaces through her art. She was born and raised in Seattle\, WA\, in the Beacon Hill neighborhood. Tracey’s global presence in the dance world is marked by her multiple hats as a competitor\, judge\, teacher\, choreographer\, and performer. Throughout the past decade\, she has won numerous national and international titles in competitions for Wh/aacking\, Open Styles\, and various categories in Ballroom\, such as Performance and Hands. She would not be here today without the support of her loved ones and elders that have paved the way.
URL:https://seattledances.com/event/uw-dance-presents-grad-lab-concert/2026-01-25/
LOCATION:Meany Hall Studio Theater
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2025/12/GradLab2026Poster.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260129T183000
DTEND;TZID=America/Los_Angeles:20260129T200000
DTSTAMP:20251218T023809Z
CREATED:20251218T023809Z
LAST-MODIFIED:20251218T023809Z
UID:10014932-1769711400-1769716800@seattledances.com
SUMMARY:Imaginary Observable
DESCRIPTION:Imaginary Observable is a split-bill performance featuring Leah Crosby’s piece The Marine Iguana\, and Alyza DelPan-Monley’s piece It’s About Time hosted at Mini Mart City Park in Georgetown\, Seattle (on unceded ancestral lands of the Coast Salish people.)\nThe Marine Iguana is a 30-minute performance that uses overhead projectors\, analogue image-making tools\, and experimental audio storytelling. It uses the adaptive and maladaptive traits of the marine iguana as a lens to explore misfit bodies\, social behavior\, and persistent friendly ghosts. \nIt’s About Time is a 30-minute performance that invites us into Alyza’s research with the concept of time: systemic measurement\, cultural significance\, permanence\, a lifetime\, watches\, rhythms and more. What will we discover? Only time will tell… In the same vein as their one-person show That’s a Handful!\, It’s About Time is formatted like a cross between a topical podcast and a children’s show. Audience members will have opportunities to participate\, tapping into the joy and grief of time when it flies.
URL:https://seattledances.com/event/imaginary-observable/2026-01-29/
LOCATION:Mini Mart City Park\, 6525 Ellis Ave S\, Seattle\, WA\, 98108\, United States
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/12/DSCF8989-scaled.jpg
ORGANIZER;CN="CO-":MAILTO:emma@coseattle.dance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260129T193000
DTEND;TZID=America/Los_Angeles:20260129T230000
DTSTAMP:20260112T164518Z
CREATED:20260112T164518Z
LAST-MODIFIED:20260112T164518Z
UID:10014974-1769715000-1769727600@seattledances.com
SUMMARY:The Round - Argentine Tango Interactive Concert
DESCRIPTION:Practica Puntazo is curating The Round for a special evening of Argentine Tango! \nThursday\, January 29th 7-11pm will be a night to celebrate Argentine Tango at the Abbey! \nThe Round 7:30 – 8:45pm (doors open at 7): Four rounds featuring live music by Ben Thomas (bandoneon) and Gabe Hall-Rodrigues (piano)\, poetry through tango lyrics read by Cristian Santesteban and sung by Carlos Moreno\, film screening from Juliet McMains’s series of short films “Faces of Contemporary Tango”\, live painting on stage throughout the night by Sylvia Kurin\, and a mini-lesson for the general public at the end\, taught by Greg Rolnick and Blair Kaufer from Reverie Ballroom. \n9:00 – 11/11:30pm: After party milonga (dance social) with DJ Andrew Brown and a live set with Ben and Gabe. \nThe Round: fremontabbey.org/events/theround\nBen Thomas Tango Project: originarts.com/recordings/recording.php…\nFaces of Contemporary Tango: www.facesoftango.art \nHighlighted painter for the evening\, Sylvia Kurin: sylviakurin.wixsite.com/mysite \n@ Fremont Abbey Arts Center \n7p doors\, 7:30p show \nAll ages\, PG-13 (some content may not be suitable for young audiences) \nSome seating available\, bar w/ID \nNo one turned away for lack of funds
URL:https://seattledances.com/event/the-round-argentine-tango-interactive-concert/
LOCATION:Fremont Abbey
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/Screenshot-2026-01-12-at-8.43.32-AM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260129T200000
DTEND;TZID=America/Los_Angeles:20260129T220000
DTSTAMP:20260103T194015Z
CREATED:20250627T180825Z
LAST-MODIFIED:20260103T194015Z
UID:10013867-1769716800-1769724000@seattledances.com
SUMMARY:Ephrat Asherie Dance with Arturo O’Farrill
DESCRIPTION:Ephrat Asherie’s exhilarating choreography remixes street and club dance styles with the live Latin jazz sound of Grammy-winner Arturo O’Farrill. Shadow Cities asks how and why we can feel our most enlivened selves when we are halfway between disparate extremes in time\, space and state. With an amalgam of cultures\, our identities are fixed and infinitely fluid\, our movements malleable and explosive.
URL:https://seattledances.com/event/ephrat-asherie-dance-with-arturo-ofarrill/2026-01-29/
LOCATION:Meany Center for the Performing Arts\, 4040 George Washington Lane Northeast\, Seattle\, 98195
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/06/fy26-ephrat-asherie-hero_updated-1.jpg
ORGANIZER;CN="Meany Center for the Performing Arts":MAILTO:ticket@uw.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260129T200000
DTEND;TZID=America/Los_Angeles:20260129T220000
DTSTAMP:20250929T173407Z
CREATED:20250929T173407Z
LAST-MODIFIED:20250929T173407Z
UID:10014447-1769716800-1769724000@seattledances.com
SUMMARY:Ogemdi Ude: MAJOR
DESCRIPTION:Rooted in deep cultural memory and archival research\, six Black femmes channel the power and poetry of majorette dance in a fierce investigation of memory\, sensuality\, and pride.\nMAJOR is a dance theater project exploring the physicality\, history\, sociopolitics\, and interiority of majorette dance\, a form that originated in the American South within Historically Black Colleges and Universities in the 1960s. These Black femme teams\, accompanied by marching bands\, created a movement style that requires master showmanship with allegiance to count\, undulation\, groove\, and sensual yet strong performativity. \nIn MAJOR\, six Black femmes embrace majorette form—a fundamental relic of Black girlhood—to pursue the intimate journey of returning to bodies they thought lost. Experiments in improvised and verbatim language intertwine with a music score that integrates Southern rap\, horns\, drumlines\, and melodic R&B and soul by Lambkin. \nThe Chord Archive is showcased alongside performances\, a physical and digital documentation of the creative process\, and personal historical accounts from former majorette dancers. \nA fierce investigation of physical memory\, sexuality\, sensuality\, and community\, MAJOR is a nuanced love letter to the folks who taught the team how to be proudly Black and proudly femme.
URL:https://seattledances.com/event/ogemdi-ude-major/2026-01-29/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/09/NYLA_LA25_Ogemdi_Ude_Baranova-0361copy.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260130T183000
DTEND;TZID=America/Los_Angeles:20260130T200000
DTSTAMP:20251218T023809Z
CREATED:20251218T023809Z
LAST-MODIFIED:20251218T023809Z
UID:10014933-1769797800-1769803200@seattledances.com
SUMMARY:Imaginary Observable
DESCRIPTION:Imaginary Observable is a split-bill performance featuring Leah Crosby’s piece The Marine Iguana\, and Alyza DelPan-Monley’s piece It’s About Time hosted at Mini Mart City Park in Georgetown\, Seattle (on unceded ancestral lands of the Coast Salish people.)\nThe Marine Iguana is a 30-minute performance that uses overhead projectors\, analogue image-making tools\, and experimental audio storytelling. It uses the adaptive and maladaptive traits of the marine iguana as a lens to explore misfit bodies\, social behavior\, and persistent friendly ghosts. \nIt’s About Time is a 30-minute performance that invites us into Alyza’s research with the concept of time: systemic measurement\, cultural significance\, permanence\, a lifetime\, watches\, rhythms and more. What will we discover? Only time will tell… In the same vein as their one-person show That’s a Handful!\, It’s About Time is formatted like a cross between a topical podcast and a children’s show. Audience members will have opportunities to participate\, tapping into the joy and grief of time when it flies.
URL:https://seattledances.com/event/imaginary-observable/2026-01-30/1/
LOCATION:Mini Mart City Park\, 6525 Ellis Ave S\, Seattle\, WA\, 98108\, United States
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/12/DSCF8989-scaled.jpg
ORGANIZER;CN="CO-":MAILTO:emma@coseattle.dance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260130T193000
DTEND;TZID=America/Los_Angeles:20260130T210000
DTSTAMP:20251224T003147Z
CREATED:20251224T003147Z
LAST-MODIFIED:20251224T003147Z
UID:10014939-1769801400-1769806800@seattledances.com
SUMMARY:takePAUSE | winter edition
DESCRIPTION:A long-standing favorite\, takePAUSE is eXit SPACE’s biannual performance showcase featuring dancers of all levels in Jazz\, Modern\, Ballet\, and Hip Hop pieces. We have 85 performers slated to take the stage – some of whom have been dancing with us for decades\, and others who are excited to be performing in their very first show! \nPerformances for takePAUSE will sell out\, and a limited number of tickets will be available at the door. We encourage friends and family to purchase tickets early so they don’t miss the fun. \nChoreographers: Miranda Chantelois\, Nicole Flores\, Hayley Keller\, Tyra Rose\, Annie St. Marie\, Roni Witbeck\, Marlo Martin \nexit SPACE’s mission is to cultivate a supportive and enriching environment where dancers can discover or rediscover the power of dance. takePAUSE expands upon this mission through the cultivation of community\, artistic expression\, and performance.
URL:https://seattledances.com/event/takepause-winter-edition/2026-01-30/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260130T193000
DTEND;TZID=America/Los_Angeles:20260130T213000
DTSTAMP:20250815T223842Z
CREATED:20250815T223842Z
LAST-MODIFIED:20250815T223842Z
UID:10013996-1769801400-1769808600@seattledances.com
SUMMARY:Cinderella
DESCRIPTION:The Seattle Times calls Kent Stowell’s Cinderella “warm and joyous and deeply moving.” This ballet combines the story you know and love with spectacular choreography\, Prokofiev’s familiar score\, and superb design. Travel with Cinderella from her wistful fireside\, through a magical fairyland\, to a dazzling palace ball. Let yourself be swept away by this fairytale packed with romance\, humor\, and beauty.
URL:https://seattledances.com/event/cinderella/2026-01-30/
LOCATION:Marion Oliver McCaw Hall\, 321 Mercer Street\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/08/Cinderella2020-0492_web1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260130T200000
DTEND;TZID=America/Los_Angeles:20260130T220000
DTSTAMP:20260103T194015Z
CREATED:20250627T180825Z
LAST-MODIFIED:20260103T194015Z
UID:10013869-1769803200-1769810400@seattledances.com
SUMMARY:Ephrat Asherie Dance with Arturo O’Farrill
DESCRIPTION:Ephrat Asherie’s exhilarating choreography remixes street and club dance styles with the live Latin jazz sound of Grammy-winner Arturo O’Farrill. Shadow Cities asks how and why we can feel our most enlivened selves when we are halfway between disparate extremes in time\, space and state. With an amalgam of cultures\, our identities are fixed and infinitely fluid\, our movements malleable and explosive.
URL:https://seattledances.com/event/ephrat-asherie-dance-with-arturo-ofarrill/2026-01-30/
LOCATION:Meany Center for the Performing Arts\, 4040 George Washington Lane Northeast\, Seattle\, 98195
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/06/fy26-ephrat-asherie-hero_updated-1.jpg
ORGANIZER;CN="Meany Center for the Performing Arts":MAILTO:ticket@uw.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260130T200000
DTEND;TZID=America/Los_Angeles:20260130T220000
DTSTAMP:20250929T173407Z
CREATED:20250929T173407Z
LAST-MODIFIED:20250929T173407Z
UID:10014448-1769803200-1769810400@seattledances.com
SUMMARY:Ogemdi Ude: MAJOR
DESCRIPTION:Rooted in deep cultural memory and archival research\, six Black femmes channel the power and poetry of majorette dance in a fierce investigation of memory\, sensuality\, and pride.\nMAJOR is a dance theater project exploring the physicality\, history\, sociopolitics\, and interiority of majorette dance\, a form that originated in the American South within Historically Black Colleges and Universities in the 1960s. These Black femme teams\, accompanied by marching bands\, created a movement style that requires master showmanship with allegiance to count\, undulation\, groove\, and sensual yet strong performativity. \nIn MAJOR\, six Black femmes embrace majorette form—a fundamental relic of Black girlhood—to pursue the intimate journey of returning to bodies they thought lost. Experiments in improvised and verbatim language intertwine with a music score that integrates Southern rap\, horns\, drumlines\, and melodic R&B and soul by Lambkin. \nThe Chord Archive is showcased alongside performances\, a physical and digital documentation of the creative process\, and personal historical accounts from former majorette dancers. \nA fierce investigation of physical memory\, sexuality\, sensuality\, and community\, MAJOR is a nuanced love letter to the folks who taught the team how to be proudly Black and proudly femme.
URL:https://seattledances.com/event/ogemdi-ude-major/2026-01-30/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/09/NYLA_LA25_Ogemdi_Ude_Baranova-0361copy.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260130T203000
DTEND;TZID=America/Los_Angeles:20260130T220000
DTSTAMP:20251218T023809Z
CREATED:20251218T023809Z
LAST-MODIFIED:20251218T023809Z
UID:10014934-1769805000-1769810400@seattledances.com
SUMMARY:Imaginary Observable
DESCRIPTION:Imaginary Observable is a split-bill performance featuring Leah Crosby’s piece The Marine Iguana\, and Alyza DelPan-Monley’s piece It’s About Time hosted at Mini Mart City Park in Georgetown\, Seattle (on unceded ancestral lands of the Coast Salish people.)\nThe Marine Iguana is a 30-minute performance that uses overhead projectors\, analogue image-making tools\, and experimental audio storytelling. It uses the adaptive and maladaptive traits of the marine iguana as a lens to explore misfit bodies\, social behavior\, and persistent friendly ghosts. \nIt’s About Time is a 30-minute performance that invites us into Alyza’s research with the concept of time: systemic measurement\, cultural significance\, permanence\, a lifetime\, watches\, rhythms and more. What will we discover? Only time will tell… In the same vein as their one-person show That’s a Handful!\, It’s About Time is formatted like a cross between a topical podcast and a children’s show. Audience members will have opportunities to participate\, tapping into the joy and grief of time when it flies.
URL:https://seattledances.com/event/imaginary-observable/2026-01-30/2/
LOCATION:Mini Mart City Park\, 6525 Ellis Ave S\, Seattle\, WA\, 98108\, United States
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/12/DSCF8989-scaled.jpg
ORGANIZER;CN="CO-":MAILTO:emma@coseattle.dance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T130000
DTEND;TZID=America/Los_Angeles:20260131T150000
DTSTAMP:20250815T223842Z
CREATED:20250815T223842Z
LAST-MODIFIED:20250815T223842Z
UID:10013997-1769864400-1769871600@seattledances.com
SUMMARY:Cinderella
DESCRIPTION:The Seattle Times calls Kent Stowell’s Cinderella “warm and joyous and deeply moving.” This ballet combines the story you know and love with spectacular choreography\, Prokofiev’s familiar score\, and superb design. Travel with Cinderella from her wistful fireside\, through a magical fairyland\, to a dazzling palace ball. Let yourself be swept away by this fairytale packed with romance\, humor\, and beauty.
URL:https://seattledances.com/event/cinderella/2026-01-31/1/
LOCATION:Marion Oliver McCaw Hall\, 321 Mercer Street\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/08/Cinderella2020-0492_web1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T160000
DTEND;TZID=America/Los_Angeles:20260131T180000
DTSTAMP:20260124T023151Z
CREATED:20260124T023151Z
LAST-MODIFIED:20260124T023151Z
UID:10014982-1769875200-1769882400@seattledances.com
SUMMARY:Base Residency Entry Point with The Bonnies
DESCRIPTION:A one-time opportunity to dance with Kaitlin McCarthy and Jenny Peterson at Base\, January 31 4 PM – 6 PM. The workshop is accessible to all!\nCome join us at Base with our first Residency artists of the 25-26 season with a unique movement workshop! \nEntry Point | Saturday\, January 31 | 4 PM – 6 PM \nMovement Workshop w/ The Bonnies \nAccessible to people of all physicalities\, this 2-hour process workshop alternates verbal and somatic space with imagination work\, embodied meditations\, partner exercises\, and gently held risk taking in play and processing. Can we loosen our grip on reality long enough to let the body lead us into imagining new possibilities? The Bonnies will lead the group through practices used in the creation of their latest piece (I’m on Fire\, You’re on Fire\, We’re on Fire)\, exploring joy\, fantasy\, afterlife\, and other possible selves in a container of agenda-free community research. Absolutely no dance/movement experience required\, this is a space where you can show up as you are and respond to prompts through multiple mediums\, including writing\, drawing\, movement\, and speaking. Touch-free options will be provided for all exercises involving touch. Masks welcome. Please bring a notebook and pen and wear comfortable clothes. Workshop recommended for adults or mature teenagers. \nThe Bonnies (twin flames Kaitlin McCarthy and Jenny Peterson) have been making strange performance works together in Seattle\, WA\, since 2013. Gravitating to the grotesque/off-kilter/marvelous\, their work rides the edges of humor and horror to find transformation and intimacy.
URL:https://seattledances.com/event/base-residency-entry-point-with-the-bonnies/
LOCATION:Base Art Space\, 6520 5th Ave S #122\, Seattle\, WA\, 98108
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/01/3.png
ORGANIZER;CN="Base":MAILTO:akoiya@thisisbase.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T163000
DTEND;TZID=America/Los_Angeles:20260131T180000
DTSTAMP:20251218T023809Z
CREATED:20251218T023809Z
LAST-MODIFIED:20251218T023809Z
UID:10014935-1769877000-1769882400@seattledances.com
SUMMARY:Imaginary Observable
DESCRIPTION:Imaginary Observable is a split-bill performance featuring Leah Crosby’s piece The Marine Iguana\, and Alyza DelPan-Monley’s piece It’s About Time hosted at Mini Mart City Park in Georgetown\, Seattle (on unceded ancestral lands of the Coast Salish people.)\nThe Marine Iguana is a 30-minute performance that uses overhead projectors\, analogue image-making tools\, and experimental audio storytelling. It uses the adaptive and maladaptive traits of the marine iguana as a lens to explore misfit bodies\, social behavior\, and persistent friendly ghosts. \nIt’s About Time is a 30-minute performance that invites us into Alyza’s research with the concept of time: systemic measurement\, cultural significance\, permanence\, a lifetime\, watches\, rhythms and more. What will we discover? Only time will tell… In the same vein as their one-person show That’s a Handful!\, It’s About Time is formatted like a cross between a topical podcast and a children’s show. Audience members will have opportunities to participate\, tapping into the joy and grief of time when it flies.
URL:https://seattledances.com/event/imaginary-observable/2026-01-31/1/
LOCATION:Mini Mart City Park\, 6525 Ellis Ave S\, Seattle\, WA\, 98108\, United States
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/12/DSCF8989-scaled.jpg
ORGANIZER;CN="CO-":MAILTO:emma@coseattle.dance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T170000
DTEND;TZID=America/Los_Angeles:20260131T183000
DTSTAMP:20251224T003147Z
CREATED:20251224T003147Z
LAST-MODIFIED:20251224T003147Z
UID:10014940-1769878800-1769884200@seattledances.com
SUMMARY:takePAUSE | winter edition
DESCRIPTION:A long-standing favorite\, takePAUSE is eXit SPACE’s biannual performance showcase featuring dancers of all levels in Jazz\, Modern\, Ballet\, and Hip Hop pieces. We have 85 performers slated to take the stage – some of whom have been dancing with us for decades\, and others who are excited to be performing in their very first show! \nPerformances for takePAUSE will sell out\, and a limited number of tickets will be available at the door. We encourage friends and family to purchase tickets early so they don’t miss the fun. \nChoreographers: Miranda Chantelois\, Nicole Flores\, Hayley Keller\, Tyra Rose\, Annie St. Marie\, Roni Witbeck\, Marlo Martin \nexit SPACE’s mission is to cultivate a supportive and enriching environment where dancers can discover or rediscover the power of dance. takePAUSE expands upon this mission through the cultivation of community\, artistic expression\, and performance.
URL:https://seattledances.com/event/takepause-winter-edition/2026-01-31/1/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T183000
DTEND;TZID=America/Los_Angeles:20260131T200000
DTSTAMP:20251218T023809Z
CREATED:20251218T023809Z
LAST-MODIFIED:20251218T023809Z
UID:10014936-1769884200-1769889600@seattledances.com
SUMMARY:Imaginary Observable
DESCRIPTION:Imaginary Observable is a split-bill performance featuring Leah Crosby’s piece The Marine Iguana\, and Alyza DelPan-Monley’s piece It’s About Time hosted at Mini Mart City Park in Georgetown\, Seattle (on unceded ancestral lands of the Coast Salish people.)\nThe Marine Iguana is a 30-minute performance that uses overhead projectors\, analogue image-making tools\, and experimental audio storytelling. It uses the adaptive and maladaptive traits of the marine iguana as a lens to explore misfit bodies\, social behavior\, and persistent friendly ghosts. \nIt’s About Time is a 30-minute performance that invites us into Alyza’s research with the concept of time: systemic measurement\, cultural significance\, permanence\, a lifetime\, watches\, rhythms and more. What will we discover? Only time will tell… In the same vein as their one-person show That’s a Handful!\, It’s About Time is formatted like a cross between a topical podcast and a children’s show. Audience members will have opportunities to participate\, tapping into the joy and grief of time when it flies.
URL:https://seattledances.com/event/imaginary-observable/2026-01-31/2/
LOCATION:Mini Mart City Park\, 6525 Ellis Ave S\, Seattle\, WA\, 98108\, United States
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/12/DSCF8989-scaled.jpg
ORGANIZER;CN="CO-":MAILTO:emma@coseattle.dance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T193000
DTEND;TZID=America/Los_Angeles:20260131T210000
DTSTAMP:20251224T003147Z
CREATED:20251224T003147Z
LAST-MODIFIED:20251224T003147Z
UID:10014941-1769887800-1769893200@seattledances.com
SUMMARY:takePAUSE | winter edition
DESCRIPTION:A long-standing favorite\, takePAUSE is eXit SPACE’s biannual performance showcase featuring dancers of all levels in Jazz\, Modern\, Ballet\, and Hip Hop pieces. We have 85 performers slated to take the stage – some of whom have been dancing with us for decades\, and others who are excited to be performing in their very first show! \nPerformances for takePAUSE will sell out\, and a limited number of tickets will be available at the door. We encourage friends and family to purchase tickets early so they don’t miss the fun. \nChoreographers: Miranda Chantelois\, Nicole Flores\, Hayley Keller\, Tyra Rose\, Annie St. Marie\, Roni Witbeck\, Marlo Martin \nexit SPACE’s mission is to cultivate a supportive and enriching environment where dancers can discover or rediscover the power of dance. takePAUSE expands upon this mission through the cultivation of community\, artistic expression\, and performance.
URL:https://seattledances.com/event/takepause-winter-edition/2026-01-31/2/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T193000
DTEND;TZID=America/Los_Angeles:20260131T210000
DTSTAMP:20260129T014507Z
CREATED:20260129T014507Z
LAST-MODIFIED:20260129T014507Z
UID:10014988-1769887800-1769893200@seattledances.com
SUMMARY:Song of the Summer
DESCRIPTION:Picture this: You are speeding down the highway with your best friends. You are on your way to karaoke or some dumb event that you wish you didn’t have to go to. Gazing out the car window\, you watch the world end. You question if your life amounted to anything or your art ever benefited anyone….you briefly wonder if you’re going to scream\, cry\, or throw up….instead\, you decide to quickly make art with your friends because you love each other or whatever. So from a completely shattered and kinda hot place\, you plan a one night only show that explores Robyn’s pop hit “Missing U.” \nThis story? It’s about us– kelly langeslay\, Drama Tops\, and Bluescreen\, making three different dances and showing you them. We will charge admission because it will be pretty cool. If you are thinking about not coming\, just remember that by attending you might just save the world. Yeah\, the stakes are high. If you don’t come\, the world will definitely end in a fabulous explosion of sulfur and fumes. Wow\, that’s on you
URL:https://seattledances.com/event/song-of-the-summer/
LOCATION:12th Avenue Arts\, 1620 12th Ave\, Seattle\, WA\, 98122
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2026/01/e355e011-0df3-4fed-91d8-a41ce310d6bc.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T193000
DTEND;TZID=America/Los_Angeles:20260131T213000
DTSTAMP:20250815T223842Z
CREATED:20250815T223842Z
LAST-MODIFIED:20250815T223842Z
UID:10013998-1769887800-1769895000@seattledances.com
SUMMARY:Cinderella
DESCRIPTION:The Seattle Times calls Kent Stowell’s Cinderella “warm and joyous and deeply moving.” This ballet combines the story you know and love with spectacular choreography\, Prokofiev’s familiar score\, and superb design. Travel with Cinderella from her wistful fireside\, through a magical fairyland\, to a dazzling palace ball. Let yourself be swept away by this fairytale packed with romance\, humor\, and beauty.
URL:https://seattledances.com/event/cinderella/2026-01-31/2/
LOCATION:Marion Oliver McCaw Hall\, 321 Mercer Street\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/08/Cinderella2020-0492_web1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T200000
DTEND;TZID=America/Los_Angeles:20260131T220000
DTSTAMP:20260103T194015Z
CREATED:20250627T180825Z
LAST-MODIFIED:20260103T194015Z
UID:10013870-1769889600-1769896800@seattledances.com
SUMMARY:Ephrat Asherie Dance with Arturo O’Farrill
DESCRIPTION:Ephrat Asherie’s exhilarating choreography remixes street and club dance styles with the live Latin jazz sound of Grammy-winner Arturo O’Farrill. Shadow Cities asks how and why we can feel our most enlivened selves when we are halfway between disparate extremes in time\, space and state. With an amalgam of cultures\, our identities are fixed and infinitely fluid\, our movements malleable and explosive.
URL:https://seattledances.com/event/ephrat-asherie-dance-with-arturo-ofarrill/2026-01-31/
LOCATION:Meany Center for the Performing Arts\, 4040 George Washington Lane Northeast\, Seattle\, 98195
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/06/fy26-ephrat-asherie-hero_updated-1.jpg
ORGANIZER;CN="Meany Center for the Performing Arts":MAILTO:ticket@uw.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T200000
DTEND;TZID=America/Los_Angeles:20260131T220000
DTSTAMP:20250929T173407Z
CREATED:20250929T173407Z
LAST-MODIFIED:20250929T173407Z
UID:10014449-1769889600-1769896800@seattledances.com
SUMMARY:Ogemdi Ude: MAJOR
DESCRIPTION:Rooted in deep cultural memory and archival research\, six Black femmes channel the power and poetry of majorette dance in a fierce investigation of memory\, sensuality\, and pride.\nMAJOR is a dance theater project exploring the physicality\, history\, sociopolitics\, and interiority of majorette dance\, a form that originated in the American South within Historically Black Colleges and Universities in the 1960s. These Black femme teams\, accompanied by marching bands\, created a movement style that requires master showmanship with allegiance to count\, undulation\, groove\, and sensual yet strong performativity. \nIn MAJOR\, six Black femmes embrace majorette form—a fundamental relic of Black girlhood—to pursue the intimate journey of returning to bodies they thought lost. Experiments in improvised and verbatim language intertwine with a music score that integrates Southern rap\, horns\, drumlines\, and melodic R&B and soul by Lambkin. \nThe Chord Archive is showcased alongside performances\, a physical and digital documentation of the creative process\, and personal historical accounts from former majorette dancers. \nA fierce investigation of physical memory\, sexuality\, sensuality\, and community\, MAJOR is a nuanced love letter to the folks who taught the team how to be proudly Black and proudly femme.
URL:https://seattledances.com/event/ogemdi-ude-major/2026-01-31/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/09/NYLA_LA25_Ogemdi_Ude_Baranova-0361copy.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260201T130000
DTEND;TZID=America/Los_Angeles:20260201T150000
DTSTAMP:20250815T223842Z
CREATED:20250815T223842Z
LAST-MODIFIED:20250815T223842Z
UID:10013999-1769950800-1769958000@seattledances.com
SUMMARY:Cinderella
DESCRIPTION:The Seattle Times calls Kent Stowell’s Cinderella “warm and joyous and deeply moving.” This ballet combines the story you know and love with spectacular choreography\, Prokofiev’s familiar score\, and superb design. Travel with Cinderella from her wistful fireside\, through a magical fairyland\, to a dazzling palace ball. Let yourself be swept away by this fairytale packed with romance\, humor\, and beauty.
URL:https://seattledances.com/event/cinderella/2026-02-01/
LOCATION:Marion Oliver McCaw Hall\, 321 Mercer Street\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/08/Cinderella2020-0492_web1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260201T180000
DTEND;TZID=America/Los_Angeles:20260201T193000
DTSTAMP:20251224T003147Z
CREATED:20251224T003147Z
LAST-MODIFIED:20251224T003147Z
UID:10014942-1769968800-1769974200@seattledances.com
SUMMARY:takePAUSE | winter edition
DESCRIPTION:A long-standing favorite\, takePAUSE is eXit SPACE’s biannual performance showcase featuring dancers of all levels in Jazz\, Modern\, Ballet\, and Hip Hop pieces. We have 85 performers slated to take the stage – some of whom have been dancing with us for decades\, and others who are excited to be performing in their very first show! \nPerformances for takePAUSE will sell out\, and a limited number of tickets will be available at the door. We encourage friends and family to purchase tickets early so they don’t miss the fun. \nChoreographers: Miranda Chantelois\, Nicole Flores\, Hayley Keller\, Tyra Rose\, Annie St. Marie\, Roni Witbeck\, Marlo Martin \nexit SPACE’s mission is to cultivate a supportive and enriching environment where dancers can discover or rediscover the power of dance. takePAUSE expands upon this mission through the cultivation of community\, artistic expression\, and performance.
URL:https://seattledances.com/event/takepause-winter-edition/2026-02-01/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260205T193000
DTEND;TZID=America/Los_Angeles:20260205T213000
DTSTAMP:20250815T223842Z
CREATED:20250815T223842Z
LAST-MODIFIED:20250815T223842Z
UID:10014000-1770319800-1770327000@seattledances.com
SUMMARY:Cinderella
DESCRIPTION:The Seattle Times calls Kent Stowell’s Cinderella “warm and joyous and deeply moving.” This ballet combines the story you know and love with spectacular choreography\, Prokofiev’s familiar score\, and superb design. Travel with Cinderella from her wistful fireside\, through a magical fairyland\, to a dazzling palace ball. Let yourself be swept away by this fairytale packed with romance\, humor\, and beauty.
URL:https://seattledances.com/event/cinderella/2026-02-05/
LOCATION:Marion Oliver McCaw Hall\, 321 Mercer Street\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/08/Cinderella2020-0492_web1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260205T193000
DTEND;TZID=America/Los_Angeles:20260205T213000
DTSTAMP:20260107T053454Z
CREATED:20260107T051315Z
LAST-MODIFIED:20260107T053454Z
UID:10014959-1770319800-1770327000@seattledances.com
SUMMARY:Bridge Project 2026
DESCRIPTION:New works by Miguel Almario\, Olivia Anderson\, Jessica Jobaris & General Magic\nThree brand new works and fresh takes\nBridge Project is Velocity’s Emerging Creative Incubator\, a multigenerational\, intensive process aimed at connecting artists to each other and audiences to dance artists. This year’s Bridge Project features the work of Miguel Almaria\, Olivia Anderson\, Jessica Jobaris after an intensive 5-week rehearsal process at 12th Ave Arts. As an audience member\, you will be invited to engage in a written feedback process that provides the choreographers with valuable information to help with their artist development. \nMiguel Almario | Working TItle: Hard Feelings\nHard Feelings is about cost.  The toll of belonging to a community built on community and competition\, or pushing a body past what it can give\, of choosing an art form that never stops asking for more. \nThe work aims to honor the Black and Brown American roots of street dance while challenging the way these forms are seen\, consumed\, and contained. Hard Feelings carries the weight of both community and confrontation\, and showcases the body as an archive: tracking years of physical pursuit. Every step adds interest. Every injury compounds debt. Through the eyes of an aging mover\, Hard Feelings examines the balance between respect and rivalry\, devotion and decay. \n  \nJessica Jobaris | Fucking Mercy\nRelentless\, irreverent\, and oddly hopeful\, Fucking Mercy\, doesn’t ask for forgiveness; it just wants to see if we can still look each other in the eye after the world’s gone feral. A social autopsy of cruelty\, performed in motion\, this trio becomes a crucible where the urge to dominate collides with the ache to belong. Mercy here isn’t some soft-focus virtue; it’s weaponized\, withheld\, begged for\, and occasionally\, miraculously\, offered. The dancers\, and audience\, stagger between the wretched and the sacred\, testing how much humanity can survive in a body that’s fighting to stay alive. \n  \nOlivia Anderson | Untitled New Work\nThis dance is rooted in improvisation—an act of listening\, surrender\, and response. For me\, movement begins not with choreography\, but with a need: a physical and spiritual need to express what lives inside the body. Dance is first a form of prayer\, a way to connect to self and spirit\, before it becomes performance. As fascism casts a shadow on our horizon\, I wonder: What can art do now? I believe it can do what it has always done—offer a space for resistance\, for remembering\, for rehumanizing. In this piece\, my body becomes both question and answer. Through breath\, emotion\, and embodied storytelling\, I seek to communicate in a language that bypasses intellect and speaks directly to the nervous system. In moving\, I hope to move something in you.
URL:https://seattledances.com/event/bridge-project-2026/2026-02-05/
LOCATION:12th Avenue Arts\, 1620 12th Ave\, Seattle\, WA\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/bridgeprojcet_mainimage-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260206T193000
DTEND;TZID=America/Los_Angeles:20260206T210000
DTSTAMP:20251211T021409Z
CREATED:20251211T021409Z
LAST-MODIFIED:20251211T021409Z
UID:10014538-1770406200-1770411600@seattledances.com
SUMMARY:(no) matter
DESCRIPTION:Art has the power to give life meaning\, especially amidst our modern stress. Jerboa Dance proudly presents “(no) matter”—a breathtaking performance that explores the full spectrum of human experience through our signature athletic style. From struggle to joy\, with moments of humor and playfulness along the way\, this production invites you on an unforgettable journey. Guided by our charismatic host\, Brenna Duffit\, and joined by spectacular guest performers alongside the Jerboa company\, you’ll be swept into worlds of imagination and emotion. Take a break from the everyday and let your mind wander through the landscapes we’ve created. This is more than a performance—it’s an experience you won’t want to miss.
URL:https://seattledances.com/event/no-matter/2026-02-06/
LOCATION:Yaw Theater\, 6520 5th Ave S\, Seattle\, WA\, 98108\, United States
ORGANIZER;CN="Jerboa Dance":MAILTO:info@jerboadance.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260206T193000
DTEND;TZID=America/Los_Angeles:20260206T213000
DTSTAMP:20250815T223842Z
CREATED:20250815T223842Z
LAST-MODIFIED:20250815T223842Z
UID:10014001-1770406200-1770413400@seattledances.com
SUMMARY:Cinderella
DESCRIPTION:The Seattle Times calls Kent Stowell’s Cinderella “warm and joyous and deeply moving.” This ballet combines the story you know and love with spectacular choreography\, Prokofiev’s familiar score\, and superb design. Travel with Cinderella from her wistful fireside\, through a magical fairyland\, to a dazzling palace ball. Let yourself be swept away by this fairytale packed with romance\, humor\, and beauty.
URL:https://seattledances.com/event/cinderella/2026-02-06/
LOCATION:Marion Oliver McCaw Hall\, 321 Mercer Street\, Seattle\, WA\, 98109
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2025/08/Cinderella2020-0492_web1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260206T193000
DTEND;TZID=America/Los_Angeles:20260206T213000
DTSTAMP:20260107T053454Z
CREATED:20260107T051315Z
LAST-MODIFIED:20260107T053454Z
UID:10014960-1770406200-1770413400@seattledances.com
SUMMARY:Bridge Project 2026
DESCRIPTION:New works by Miguel Almario\, Olivia Anderson\, Jessica Jobaris & General Magic\nThree brand new works and fresh takes\nBridge Project is Velocity’s Emerging Creative Incubator\, a multigenerational\, intensive process aimed at connecting artists to each other and audiences to dance artists. This year’s Bridge Project features the work of Miguel Almaria\, Olivia Anderson\, Jessica Jobaris after an intensive 5-week rehearsal process at 12th Ave Arts. As an audience member\, you will be invited to engage in a written feedback process that provides the choreographers with valuable information to help with their artist development. \nMiguel Almario | Working TItle: Hard Feelings\nHard Feelings is about cost.  The toll of belonging to a community built on community and competition\, or pushing a body past what it can give\, of choosing an art form that never stops asking for more. \nThe work aims to honor the Black and Brown American roots of street dance while challenging the way these forms are seen\, consumed\, and contained. Hard Feelings carries the weight of both community and confrontation\, and showcases the body as an archive: tracking years of physical pursuit. Every step adds interest. Every injury compounds debt. Through the eyes of an aging mover\, Hard Feelings examines the balance between respect and rivalry\, devotion and decay. \n  \nJessica Jobaris | Fucking Mercy\nRelentless\, irreverent\, and oddly hopeful\, Fucking Mercy\, doesn’t ask for forgiveness; it just wants to see if we can still look each other in the eye after the world’s gone feral. A social autopsy of cruelty\, performed in motion\, this trio becomes a crucible where the urge to dominate collides with the ache to belong. Mercy here isn’t some soft-focus virtue; it’s weaponized\, withheld\, begged for\, and occasionally\, miraculously\, offered. The dancers\, and audience\, stagger between the wretched and the sacred\, testing how much humanity can survive in a body that’s fighting to stay alive. \n  \nOlivia Anderson | Untitled New Work\nThis dance is rooted in improvisation—an act of listening\, surrender\, and response. For me\, movement begins not with choreography\, but with a need: a physical and spiritual need to express what lives inside the body. Dance is first a form of prayer\, a way to connect to self and spirit\, before it becomes performance. As fascism casts a shadow on our horizon\, I wonder: What can art do now? I believe it can do what it has always done—offer a space for resistance\, for remembering\, for rehumanizing. In this piece\, my body becomes both question and answer. Through breath\, emotion\, and embodied storytelling\, I seek to communicate in a language that bypasses intellect and speaks directly to the nervous system. In moving\, I hope to move something in you.
URL:https://seattledances.com/event/bridge-project-2026/2026-02-06/
LOCATION:12th Avenue Arts\, 1620 12th Ave\, Seattle\, WA\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/bridgeprojcet_mainimage-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260206T200000
DTEND;TZID=America/Los_Angeles:20260206T220000
DTSTAMP:20260116T022550Z
CREATED:20260116T022550Z
LAST-MODIFIED:20260116T022550Z
UID:10014977-1770408000-1770415200@seattledances.com
SUMMARY:Sign of the Times
DESCRIPTION:Sign of the Times is the annual dance showcase of Westlake Dance Center\, and it is a night filled with amazing dances of many different styles including ballet\, hip-hop\, jazz\, heels\, and more. With 33 years of experience under our belt Sign of the Times is always an amazing show.
URL:https://seattledances.com/event/sign-of-the-times/2026-02-06/
LOCATION:Shorecrest Performing Arts Center\, 15343 25th Ave NE\, Shoreline\, WA\, 98155
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/WDC-SOT26-1080x1350-optimized.jpg
ORGANIZER;CN="Westlake Dance Center":MAILTO:westlakedancecenter93@gmail.com
END:VEVENT
END:VCALENDAR