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DTSTART;TZID=America/Los_Angeles:20260326T193000
DTEND;TZID=America/Los_Angeles:20260326T203000
DTSTAMP:20260107T053816Z
CREATED:20260107T053816Z
LAST-MODIFIED:20260107T053816Z
UID:10014964-1774553400-1774557000@seattledances.com
SUMMARY:Heather Kravas: RoCoCoCoCo
DESCRIPTION:RoCoCoCoCo — A Situation for Dancing\, in Four Movements\n\nI. March 26\, 7:30 PM · one hour | First Movement: Allegro Symone Sanz & Julia Sloane\nII. March 27\, 7:30 PM · one hour | Second Movement: Adagio Carlin Kramer & Amanda Morgan\nIII. March 28\, 7:30 PM · one hour | Third Movement: Andante Allie Hankins & Sylvia Schatz-Allison\nIV. April 2\, 7:30 PM · one hour | Finale & Coda | The Cast\nV. April 3\, 7:30 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast\nVI. April 4\, 2 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast \nSince 1995\, Heather Kravas has investigated choreographic\, somatic\, and collaborative practices in contemporary dance to explore the edges of performance. For Made in Seattle\, she offers RoCoCoCoCo—an evolving cycle of four dances\, shared across four evenings and culminating in two full-length presentations of the complete work. \nImagined as a DIY folk dance that turns into a snowflake\, fractals into a vortex\, veers into a grocery list\, emanates like an aura\, aligns like a pinball machine\, and collaborates like an ant colony\, RoCoCoCoCo slips beyond classification. \nInstead\, it proposes a new structure for performance—one that holds dancers and audiences alike in states of heightened attention\, curiosity\, and desire. Guided by the somatic dramaturgy of longtime collaborator Rebecca Brooks\, RoCoCoCoCo is created for Allie Hankins\, Carlin Kramer\, Amanda Morgan\, Symone Sanz\, Sylvia Schatz-Allison\, and Julia Sloane. The work traces the layered effort of dancing together—energetic\, rhythmic\, precise\, and tender. It invites us to sense how intimacy scales\, how perception expands\, and how dancing itself becomes a site for both clarity and complexity—a space of shared and essential presence. \nRoCoCoCoCo takes place in the black box of 12th Avenue Arts\, with spectators seated on three sides of the stage. The dancers share the space with two pianists performing Terry Riley’s Keyboard Study No. 1 on upright pianos bound back-to-back. The live sounds of the theater—breath\, footsteps\, resonance—are at times amplified\, at times overtaken by electric music. Lighting\, designed by longtime collaborator Madeline Best\, shifts\, echoing the slow transformations of daylight in nature. \nAudiences are invited to experience RoCoCoCoCo in many ways: as singular performances that stand on their own; as a sequence unfolding across several days; or as the complete work\, gathered in the final two evenings.
URL:https://seattledances.com/event/heather-kravas-rococococo/2026-03-26/
LOCATION:12th Avenue Arts\, 1620 12th Ave\, Seattle\, WA\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/heather_featuredimages-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260327T193000
DTEND;TZID=America/Los_Angeles:20260327T203000
DTSTAMP:20260107T053816Z
CREATED:20260107T053816Z
LAST-MODIFIED:20260107T053816Z
UID:10014965-1774639800-1774643400@seattledances.com
SUMMARY:Heather Kravas: RoCoCoCoCo
DESCRIPTION:RoCoCoCoCo — A Situation for Dancing\, in Four Movements\n\nI. March 26\, 7:30 PM · one hour | First Movement: Allegro Symone Sanz & Julia Sloane\nII. March 27\, 7:30 PM · one hour | Second Movement: Adagio Carlin Kramer & Amanda Morgan\nIII. March 28\, 7:30 PM · one hour | Third Movement: Andante Allie Hankins & Sylvia Schatz-Allison\nIV. April 2\, 7:30 PM · one hour | Finale & Coda | The Cast\nV. April 3\, 7:30 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast\nVI. April 4\, 2 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast \nSince 1995\, Heather Kravas has investigated choreographic\, somatic\, and collaborative practices in contemporary dance to explore the edges of performance. For Made in Seattle\, she offers RoCoCoCoCo—an evolving cycle of four dances\, shared across four evenings and culminating in two full-length presentations of the complete work. \nImagined as a DIY folk dance that turns into a snowflake\, fractals into a vortex\, veers into a grocery list\, emanates like an aura\, aligns like a pinball machine\, and collaborates like an ant colony\, RoCoCoCoCo slips beyond classification. \nInstead\, it proposes a new structure for performance—one that holds dancers and audiences alike in states of heightened attention\, curiosity\, and desire. Guided by the somatic dramaturgy of longtime collaborator Rebecca Brooks\, RoCoCoCoCo is created for Allie Hankins\, Carlin Kramer\, Amanda Morgan\, Symone Sanz\, Sylvia Schatz-Allison\, and Julia Sloane. The work traces the layered effort of dancing together—energetic\, rhythmic\, precise\, and tender. It invites us to sense how intimacy scales\, how perception expands\, and how dancing itself becomes a site for both clarity and complexity—a space of shared and essential presence. \nRoCoCoCoCo takes place in the black box of 12th Avenue Arts\, with spectators seated on three sides of the stage. The dancers share the space with two pianists performing Terry Riley’s Keyboard Study No. 1 on upright pianos bound back-to-back. The live sounds of the theater—breath\, footsteps\, resonance—are at times amplified\, at times overtaken by electric music. Lighting\, designed by longtime collaborator Madeline Best\, shifts\, echoing the slow transformations of daylight in nature. \nAudiences are invited to experience RoCoCoCoCo in many ways: as singular performances that stand on their own; as a sequence unfolding across several days; or as the complete work\, gathered in the final two evenings.
URL:https://seattledances.com/event/heather-kravas-rococococo/2026-03-27/
LOCATION:12th Avenue Arts\, 1620 12th Ave\, Seattle\, WA\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/heather_featuredimages-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260328T193000
DTEND;TZID=America/Los_Angeles:20260328T203000
DTSTAMP:20260107T053816Z
CREATED:20260107T053816Z
LAST-MODIFIED:20260107T053816Z
UID:10014966-1774726200-1774729800@seattledances.com
SUMMARY:Heather Kravas: RoCoCoCoCo
DESCRIPTION:RoCoCoCoCo — A Situation for Dancing\, in Four Movements\n\nI. March 26\, 7:30 PM · one hour | First Movement: Allegro Symone Sanz & Julia Sloane\nII. March 27\, 7:30 PM · one hour | Second Movement: Adagio Carlin Kramer & Amanda Morgan\nIII. March 28\, 7:30 PM · one hour | Third Movement: Andante Allie Hankins & Sylvia Schatz-Allison\nIV. April 2\, 7:30 PM · one hour | Finale & Coda | The Cast\nV. April 3\, 7:30 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast\nVI. April 4\, 2 PM · four and a half hours (with intermission and shared refreshments) | The Symphony | The Cast \nSince 1995\, Heather Kravas has investigated choreographic\, somatic\, and collaborative practices in contemporary dance to explore the edges of performance. For Made in Seattle\, she offers RoCoCoCoCo—an evolving cycle of four dances\, shared across four evenings and culminating in two full-length presentations of the complete work. \nImagined as a DIY folk dance that turns into a snowflake\, fractals into a vortex\, veers into a grocery list\, emanates like an aura\, aligns like a pinball machine\, and collaborates like an ant colony\, RoCoCoCoCo slips beyond classification. \nInstead\, it proposes a new structure for performance—one that holds dancers and audiences alike in states of heightened attention\, curiosity\, and desire. Guided by the somatic dramaturgy of longtime collaborator Rebecca Brooks\, RoCoCoCoCo is created for Allie Hankins\, Carlin Kramer\, Amanda Morgan\, Symone Sanz\, Sylvia Schatz-Allison\, and Julia Sloane. The work traces the layered effort of dancing together—energetic\, rhythmic\, precise\, and tender. It invites us to sense how intimacy scales\, how perception expands\, and how dancing itself becomes a site for both clarity and complexity—a space of shared and essential presence. \nRoCoCoCoCo takes place in the black box of 12th Avenue Arts\, with spectators seated on three sides of the stage. The dancers share the space with two pianists performing Terry Riley’s Keyboard Study No. 1 on upright pianos bound back-to-back. The live sounds of the theater—breath\, footsteps\, resonance—are at times amplified\, at times overtaken by electric music. Lighting\, designed by longtime collaborator Madeline Best\, shifts\, echoing the slow transformations of daylight in nature. \nAudiences are invited to experience RoCoCoCoCo in many ways: as singular performances that stand on their own; as a sequence unfolding across several days; or as the complete work\, gathered in the final two evenings.
URL:https://seattledances.com/event/heather-kravas-rococococo/2026-03-28/
LOCATION:12th Avenue Arts\, 1620 12th Ave\, Seattle\, WA\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/01/heather_featuredimages-scaled.jpg
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