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DTSTART;TZID=America/Los_Angeles:20260412T183000
DTEND;TZID=America/Los_Angeles:20260412T203000
DTSTAMP:20260316T195610Z
CREATED:20260316T192642Z
LAST-MODIFIED:20260316T195610Z
UID:10015076-1776018600-1776025800@seattledances.com
SUMMARY:Full Tilt 2026
DESCRIPTION:Join Evoke Productions for their nineteenth annual production of Full Tilt\, an evening of\nnew independent dance works. Evoke Productions produces new works from five local\nchoreographers; Olivia Evans\, Diana Kim\, Marlo Martin\, Heather Smith & Samantha\nWeissbach\, and dani tirrell. This year we are pleased to produce Washington DC based\nchoreographer Madeline Maxine Roman. Dancers were selected from an open casting\naudition. There will be three performances at Seattle’s NOD Theater. \n“It’s clear that this well-oiled machine is a vital part of the Seattle dance performance\ncalendar; it not only successfully identifies choreographers on-the-rise but provides an\noutlet for more established dance-makers\, as well.  Evoke Productions has created an\ninvaluable opportunity for Seattle dance artists that’s worth getting involved with in any\ncapacity—as a performer\, choreographer\, or audience member.” – SeattleDances \nAdvance Tickets: $30 general / $25 seniors\, students\, and working artists\,\nAt the Door Tickets:  $35 general/ $30 seniors and students\nMore information:  www.evokeproductions.org\nTickets: http://universe.com/FullTilt2026 \nHeather Smith & Samantha Weissbach (Equipoise Dance) create a new work\ncentered on the concept of a human tapestry. Each dancer’s life experiences inform the\nmovement\, shaping unique textures and patterns within the choreography. Using\nguided meditation as a starting point\, the dancers generate material rooted in personal\nhistory\, which is then reshaped and reimagined to explore change\, resilience\, and\ncollective storytelling. \nMadeline Maxine Roman’s Blink of an Eye blends inspiration from time travel\, stop-\nmotion animation\, and paper textures to confront how life only moves forward.\nFeaturing an original live score by her wife and artistic collaborator\, Valentina Roman\,\nthe dancers move through moments that stretch endlessly\, collapse instantly\, and blur\ninto one another\, with time slipping through their bodies as it does our own. \nDiana Kim’s latest work asks if we are able to ever truly break free from the cycles of\nour trauma. Inspired by the phrase “I am not a violent dog\, I don't know why I bite” the\npiece flows through a journey of introspection becoming more nightmarish as layers are\nstripped away. The 10 dancer ensemble explores repetition\, time\, uniformity\, and\ncontrol to show that even in the act of attempting to break free from our past we may\nstill bring others down with us. “I bite because it is all I have ever known.” \nAs always\, Marlo Martin\, is most interested in the artists in the room and molds the\nwork around the specific individuals in the cast. She spends time witnessing and is\ngenuinely interested in each dancer’s energy\, their preferences as a mover\, and their\nwillingness to dive into work with vulnerability. Based on the human experience as she\nhas experienced Marlo weaves a wild tapestry of patterns\, highly physical movement\,\nand brave hearts. Martin’s “lingering” playfully and poetically examines patterns of\ninterpersonal and social dynamics within humankind. More specifically it is based on\nperception and the practices of assumption\, form identification\, and desensitization. \nOlivia Evans‘ latest work embodies the feeling of anticipation. This urge to imagine\nsomething over and over again\, trying to play out every possible scenario of how it\nmight go. And then\, when this imagined thing occurs\, it often turns out that feeling the\npre-emptive anticipation was far more effortful than the experience it built up to. What\nwas thought to be the climax ends up being anti-climactic. Repetition is a largely used\ntool in this piece\, and Olivia has challenged herself to devise a plethora of unique ways\nin which to utilize it. The piece will ebb and flow\, building up towards potential climaxes\nand then faltering short. Still in development\, an original score by local musician Paul\nStovall will enhance the movement ideas generated collaboratively between Olivia and\nher cast. \ndani tirrell’s work creates a world grounded in spiritual practice and draws from Black\nAmerican life and Black American movement practice\, using a sound and movement\nscore that includes gospel\, house\, and instrumental music. \nEvoke Productions is an Associated Program of Shunpike.
URL:https://seattledances.com/event/full-tilt-2026/2026-04-12/2/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/Screenshot-2026-03-16-at-12.23.25-PM.jpg
ORGANIZER;CN="Evoke Productions":MAILTO:evokeproductions@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260412T143000
DTEND;TZID=America/Los_Angeles:20260412T163000
DTSTAMP:20260316T195610Z
CREATED:20260316T192642Z
LAST-MODIFIED:20260316T195610Z
UID:10015075-1776004200-1776011400@seattledances.com
SUMMARY:Full Tilt 2026
DESCRIPTION:Join Evoke Productions for their nineteenth annual production of Full Tilt\, an evening of\nnew independent dance works. Evoke Productions produces new works from five local\nchoreographers; Olivia Evans\, Diana Kim\, Marlo Martin\, Heather Smith & Samantha\nWeissbach\, and dani tirrell. This year we are pleased to produce Washington DC based\nchoreographer Madeline Maxine Roman. Dancers were selected from an open casting\naudition. There will be three performances at Seattle’s NOD Theater. \n“It’s clear that this well-oiled machine is a vital part of the Seattle dance performance\ncalendar; it not only successfully identifies choreographers on-the-rise but provides an\noutlet for more established dance-makers\, as well.  Evoke Productions has created an\ninvaluable opportunity for Seattle dance artists that’s worth getting involved with in any\ncapacity—as a performer\, choreographer\, or audience member.” – SeattleDances \nAdvance Tickets: $30 general / $25 seniors\, students\, and working artists\,\nAt the Door Tickets:  $35 general/ $30 seniors and students\nMore information:  www.evokeproductions.org\nTickets: http://universe.com/FullTilt2026 \nHeather Smith & Samantha Weissbach (Equipoise Dance) create a new work\ncentered on the concept of a human tapestry. Each dancer’s life experiences inform the\nmovement\, shaping unique textures and patterns within the choreography. Using\nguided meditation as a starting point\, the dancers generate material rooted in personal\nhistory\, which is then reshaped and reimagined to explore change\, resilience\, and\ncollective storytelling. \nMadeline Maxine Roman’s Blink of an Eye blends inspiration from time travel\, stop-\nmotion animation\, and paper textures to confront how life only moves forward.\nFeaturing an original live score by her wife and artistic collaborator\, Valentina Roman\,\nthe dancers move through moments that stretch endlessly\, collapse instantly\, and blur\ninto one another\, with time slipping through their bodies as it does our own. \nDiana Kim’s latest work asks if we are able to ever truly break free from the cycles of\nour trauma. Inspired by the phrase “I am not a violent dog\, I don't know why I bite” the\npiece flows through a journey of introspection becoming more nightmarish as layers are\nstripped away. The 10 dancer ensemble explores repetition\, time\, uniformity\, and\ncontrol to show that even in the act of attempting to break free from our past we may\nstill bring others down with us. “I bite because it is all I have ever known.” \nAs always\, Marlo Martin\, is most interested in the artists in the room and molds the\nwork around the specific individuals in the cast. She spends time witnessing and is\ngenuinely interested in each dancer’s energy\, their preferences as a mover\, and their\nwillingness to dive into work with vulnerability. Based on the human experience as she\nhas experienced Marlo weaves a wild tapestry of patterns\, highly physical movement\,\nand brave hearts. Martin’s “lingering” playfully and poetically examines patterns of\ninterpersonal and social dynamics within humankind. More specifically it is based on\nperception and the practices of assumption\, form identification\, and desensitization. \nOlivia Evans‘ latest work embodies the feeling of anticipation. This urge to imagine\nsomething over and over again\, trying to play out every possible scenario of how it\nmight go. And then\, when this imagined thing occurs\, it often turns out that feeling the\npre-emptive anticipation was far more effortful than the experience it built up to. What\nwas thought to be the climax ends up being anti-climactic. Repetition is a largely used\ntool in this piece\, and Olivia has challenged herself to devise a plethora of unique ways\nin which to utilize it. The piece will ebb and flow\, building up towards potential climaxes\nand then faltering short. Still in development\, an original score by local musician Paul\nStovall will enhance the movement ideas generated collaboratively between Olivia and\nher cast. \ndani tirrell’s work creates a world grounded in spiritual practice and draws from Black\nAmerican life and Black American movement practice\, using a sound and movement\nscore that includes gospel\, house\, and instrumental music. \nEvoke Productions is an Associated Program of Shunpike.
URL:https://seattledances.com/event/full-tilt-2026/2026-04-12/1/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/Screenshot-2026-03-16-at-12.23.25-PM.jpg
ORGANIZER;CN="Evoke Productions":MAILTO:evokeproductions@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260411T193000
DTEND;TZID=America/Los_Angeles:20260411T213000
DTSTAMP:20260316T195610Z
CREATED:20260316T192642Z
LAST-MODIFIED:20260316T195610Z
UID:10015074-1775935800-1775943000@seattledances.com
SUMMARY:Full Tilt 2026
DESCRIPTION:Join Evoke Productions for their nineteenth annual production of Full Tilt\, an evening of\nnew independent dance works. Evoke Productions produces new works from five local\nchoreographers; Olivia Evans\, Diana Kim\, Marlo Martin\, Heather Smith & Samantha\nWeissbach\, and dani tirrell. This year we are pleased to produce Washington DC based\nchoreographer Madeline Maxine Roman. Dancers were selected from an open casting\naudition. There will be three performances at Seattle’s NOD Theater. \n“It’s clear that this well-oiled machine is a vital part of the Seattle dance performance\ncalendar; it not only successfully identifies choreographers on-the-rise but provides an\noutlet for more established dance-makers\, as well.  Evoke Productions has created an\ninvaluable opportunity for Seattle dance artists that’s worth getting involved with in any\ncapacity—as a performer\, choreographer\, or audience member.” – SeattleDances \nAdvance Tickets: $30 general / $25 seniors\, students\, and working artists\,\nAt the Door Tickets:  $35 general/ $30 seniors and students\nMore information:  www.evokeproductions.org\nTickets: http://universe.com/FullTilt2026 \nHeather Smith & Samantha Weissbach (Equipoise Dance) create a new work\ncentered on the concept of a human tapestry. Each dancer’s life experiences inform the\nmovement\, shaping unique textures and patterns within the choreography. Using\nguided meditation as a starting point\, the dancers generate material rooted in personal\nhistory\, which is then reshaped and reimagined to explore change\, resilience\, and\ncollective storytelling. \nMadeline Maxine Roman’s Blink of an Eye blends inspiration from time travel\, stop-\nmotion animation\, and paper textures to confront how life only moves forward.\nFeaturing an original live score by her wife and artistic collaborator\, Valentina Roman\,\nthe dancers move through moments that stretch endlessly\, collapse instantly\, and blur\ninto one another\, with time slipping through their bodies as it does our own. \nDiana Kim’s latest work asks if we are able to ever truly break free from the cycles of\nour trauma. Inspired by the phrase “I am not a violent dog\, I don't know why I bite” the\npiece flows through a journey of introspection becoming more nightmarish as layers are\nstripped away. The 10 dancer ensemble explores repetition\, time\, uniformity\, and\ncontrol to show that even in the act of attempting to break free from our past we may\nstill bring others down with us. “I bite because it is all I have ever known.” \nAs always\, Marlo Martin\, is most interested in the artists in the room and molds the\nwork around the specific individuals in the cast. She spends time witnessing and is\ngenuinely interested in each dancer’s energy\, their preferences as a mover\, and their\nwillingness to dive into work with vulnerability. Based on the human experience as she\nhas experienced Marlo weaves a wild tapestry of patterns\, highly physical movement\,\nand brave hearts. Martin’s “lingering” playfully and poetically examines patterns of\ninterpersonal and social dynamics within humankind. More specifically it is based on\nperception and the practices of assumption\, form identification\, and desensitization. \nOlivia Evans‘ latest work embodies the feeling of anticipation. This urge to imagine\nsomething over and over again\, trying to play out every possible scenario of how it\nmight go. And then\, when this imagined thing occurs\, it often turns out that feeling the\npre-emptive anticipation was far more effortful than the experience it built up to. What\nwas thought to be the climax ends up being anti-climactic. Repetition is a largely used\ntool in this piece\, and Olivia has challenged herself to devise a plethora of unique ways\nin which to utilize it. The piece will ebb and flow\, building up towards potential climaxes\nand then faltering short. Still in development\, an original score by local musician Paul\nStovall will enhance the movement ideas generated collaboratively between Olivia and\nher cast. \ndani tirrell’s work creates a world grounded in spiritual practice and draws from Black\nAmerican life and Black American movement practice\, using a sound and movement\nscore that includes gospel\, house\, and instrumental music. \nEvoke Productions is an Associated Program of Shunpike.
URL:https://seattledances.com/event/full-tilt-2026/2026-04-11/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/03/Screenshot-2026-03-16-at-12.23.25-PM.jpg
ORGANIZER;CN="Evoke Productions":MAILTO:evokeproductions@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250406T193000
DTEND;TZID=America/Los_Angeles:20250406T213000
DTSTAMP:20250210T232850Z
CREATED:20250210T232850Z
LAST-MODIFIED:20250210T232850Z
UID:10010682-1743967800-1743975000@seattledances.com
SUMMARY:Full Tilt 2025
DESCRIPTION:The choreographers for Full Tilt 2025: \nAudrey Byrne\nJeremy Cline\nDavianna Griffin\nSally Holloman\nEvelyn Morrison\nArinze Okammor
URL:https://seattledances.com/event/full-tilt-2025/2025-04-06/2/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
ORGANIZER;CN="Evoke Productions":MAILTO:evokeproductions@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250406T153000
DTEND;TZID=America/Los_Angeles:20250406T173000
DTSTAMP:20250210T232850Z
CREATED:20250210T232850Z
LAST-MODIFIED:20250210T232850Z
UID:10010681-1743953400-1743960600@seattledances.com
SUMMARY:Full Tilt 2025
DESCRIPTION:The choreographers for Full Tilt 2025: \nAudrey Byrne\nJeremy Cline\nDavianna Griffin\nSally Holloman\nEvelyn Morrison\nArinze Okammor
URL:https://seattledances.com/event/full-tilt-2025/2025-04-06/1/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
ORGANIZER;CN="Evoke Productions":MAILTO:evokeproductions@yahoo.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250405T193000
DTEND;TZID=America/Los_Angeles:20250405T213000
DTSTAMP:20250210T232850Z
CREATED:20250210T232850Z
LAST-MODIFIED:20250210T232850Z
UID:10010680-1743881400-1743888600@seattledances.com
SUMMARY:Full Tilt 2025
DESCRIPTION:The choreographers for Full Tilt 2025: \nAudrey Byrne\nJeremy Cline\nDavianna Griffin\nSally Holloman\nEvelyn Morrison\nArinze Okammor
URL:https://seattledances.com/event/full-tilt-2025/2025-04-05/
LOCATION:NOD Theater\, 1621 12th Avenue\, Seattle\, 98122
ORGANIZER;CN="Evoke Productions":MAILTO:evokeproductions@yahoo.com
END:VEVENT
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