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DTSTART;TZID=America/Los_Angeles:20260508T200000
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CREATED:20260403T191159Z
LAST-MODIFIED:20260403T191159Z
UID:10015121-1778270400-1778277600@seattledances.com
SUMMARY:Fauxnique: How Do I Look?
DESCRIPTION:Fauxnique wields a provocative\, wry framework of drag\, dance\, and philosophy to confront identity\, femininity\, and self-image.\nHow Do I Look? is the latest work from Monique Jenkinson/Fauxnique\, the multifaceted artist\, choreographer\, writer\, and performer best known as the first cisgender woman anywhere\, ever to be crowned as a pageant-winning drag queen. With her rigorous ballet training buried in the bottom of her artistic toolbox\, Jenkinson emerged out of a feminist\, postmodern\, improvisational dance lineage and into the nightclub scene. There\, she fashioned Fauxnique in a laboratory of liberatory radical queer performance\, reclaiming ballet and learning to use drag and theory as modes of inquiry and entertainment. Jenkinson brings this fluency to this latest work. \nNow she dons her drag queen guise and wields her unique combination of precise physicality\, irreverent humor\, and gutsy vulnerability to ask the most vain\, mundane\, and loaded question: How Do I Look? With it\, she digs past glossy platitudes and flattering exaggerations into the hot mess of perception\, subjectivity\, identity\, and taste. How Do I Look? throws itself into the space—sometimes a chasm—between how we see ourselves and how the world sees us. As always\, Jenkinson’s work resists dogmatic answers and leans into philosophical modes of questioning\, considering the methodology of looking: by what means do we see the world and each other? By what means other than looking might we perceive each other\, art (especially works of art like this one)\, and the world? \nPart roast\, part dance\, part drag\, part stand-up\, part performance art\, this piece delves into an extreme close-up of the self. How Do I Look? poses a question that generates more questions—can I train myself to look without flinching\, without cringing? Can self-knowledge help me to know others? If I roast myself\, will you like me more? Is it even possible to roast myself? Do I really want to know?
URL:https://seattledances.com/event/fauxnique-how-do-i-look/2026-05-08/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2026/04/Faux_HDIL_RobbieSweeny_closelookupjewellframe.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260507T200000
DTEND;TZID=America/Los_Angeles:20260507T220000
DTSTAMP:20260403T191159Z
CREATED:20260403T191159Z
LAST-MODIFIED:20260403T191159Z
UID:10015120-1778184000-1778191200@seattledances.com
SUMMARY:Fauxnique: How Do I Look?
DESCRIPTION:Fauxnique wields a provocative\, wry framework of drag\, dance\, and philosophy to confront identity\, femininity\, and self-image.\nHow Do I Look? is the latest work from Monique Jenkinson/Fauxnique\, the multifaceted artist\, choreographer\, writer\, and performer best known as the first cisgender woman anywhere\, ever to be crowned as a pageant-winning drag queen. With her rigorous ballet training buried in the bottom of her artistic toolbox\, Jenkinson emerged out of a feminist\, postmodern\, improvisational dance lineage and into the nightclub scene. There\, she fashioned Fauxnique in a laboratory of liberatory radical queer performance\, reclaiming ballet and learning to use drag and theory as modes of inquiry and entertainment. Jenkinson brings this fluency to this latest work. \nNow she dons her drag queen guise and wields her unique combination of precise physicality\, irreverent humor\, and gutsy vulnerability to ask the most vain\, mundane\, and loaded question: How Do I Look? With it\, she digs past glossy platitudes and flattering exaggerations into the hot mess of perception\, subjectivity\, identity\, and taste. How Do I Look? throws itself into the space—sometimes a chasm—between how we see ourselves and how the world sees us. As always\, Jenkinson’s work resists dogmatic answers and leans into philosophical modes of questioning\, considering the methodology of looking: by what means do we see the world and each other? By what means other than looking might we perceive each other\, art (especially works of art like this one)\, and the world? \nPart roast\, part dance\, part drag\, part stand-up\, part performance art\, this piece delves into an extreme close-up of the self. How Do I Look? poses a question that generates more questions—can I train myself to look without flinching\, without cringing? Can self-knowledge help me to know others? If I roast myself\, will you like me more? Is it even possible to roast myself? Do I really want to know?
URL:https://seattledances.com/event/fauxnique-how-do-i-look/2026-05-07/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2026/04/Faux_HDIL_RobbieSweeny_closelookupjewellframe.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260328T200000
DTEND;TZID=America/Los_Angeles:20260328T220000
DTSTAMP:20250929T173838Z
CREATED:20250929T173838Z
LAST-MODIFIED:20250929T173838Z
UID:10014452-1774728000-1774735200@seattledances.com
SUMMARY:Amy O'Neal: Again\, There Is No Other (The Remix)
DESCRIPTION:A ritual of femme power and connection rooted in two decades of research and participation in street and contemporary dance cultures.\nAgain\, There Is No Other (The Remix) is a dark and joyful ritual merging street dance forms and contemporary dance. The work interrogates fear of the Feminine in patriarchal culture\, asking: If perceptions of race and gender are inseparable\, can we be a post-gender society when we are far from a post-race society? \nThrough hybridizing the nightclub\, the cypher (the circle)\, and the theater\, five physically multilingual\, femme-identified dancers explore touch\, support\, the imperative of connection\, the tensions of identity\, and the embrace of difference.
URL:https://seattledances.com/event/amy-oneal-again-there-is-no-other-the-remix/2026-03-28/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/09/77CAmyO27Neil1byErinO27Reilly.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260327T200000
DTEND;TZID=America/Los_Angeles:20260327T220000
DTSTAMP:20250929T173838Z
CREATED:20250929T173838Z
LAST-MODIFIED:20250929T173838Z
UID:10014451-1774641600-1774648800@seattledances.com
SUMMARY:Amy O'Neal: Again\, There Is No Other (The Remix)
DESCRIPTION:A ritual of femme power and connection rooted in two decades of research and participation in street and contemporary dance cultures.\nAgain\, There Is No Other (The Remix) is a dark and joyful ritual merging street dance forms and contemporary dance. The work interrogates fear of the Feminine in patriarchal culture\, asking: If perceptions of race and gender are inseparable\, can we be a post-gender society when we are far from a post-race society? \nThrough hybridizing the nightclub\, the cypher (the circle)\, and the theater\, five physically multilingual\, femme-identified dancers explore touch\, support\, the imperative of connection\, the tensions of identity\, and the embrace of difference.
URL:https://seattledances.com/event/amy-oneal-again-there-is-no-other-the-remix/2026-03-27/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/09/77CAmyO27Neil1byErinO27Reilly.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260326T200000
DTEND;TZID=America/Los_Angeles:20260326T220000
DTSTAMP:20250929T173838Z
CREATED:20250929T173838Z
LAST-MODIFIED:20250929T173838Z
UID:10014450-1774555200-1774562400@seattledances.com
SUMMARY:Amy O'Neal: Again\, There Is No Other (The Remix)
DESCRIPTION:A ritual of femme power and connection rooted in two decades of research and participation in street and contemporary dance cultures.\nAgain\, There Is No Other (The Remix) is a dark and joyful ritual merging street dance forms and contemporary dance. The work interrogates fear of the Feminine in patriarchal culture\, asking: If perceptions of race and gender are inseparable\, can we be a post-gender society when we are far from a post-race society? \nThrough hybridizing the nightclub\, the cypher (the circle)\, and the theater\, five physically multilingual\, femme-identified dancers explore touch\, support\, the imperative of connection\, the tensions of identity\, and the embrace of difference.
URL:https://seattledances.com/event/amy-oneal-again-there-is-no-other-the-remix/2026-03-26/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/09/77CAmyO27Neil1byErinO27Reilly.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260221T200000
DTEND;TZID=America/Los_Angeles:20260221T213000
DTSTAMP:20260207T014402Z
CREATED:20260207T014402Z
LAST-MODIFIED:20260207T014402Z
UID:10015010-1771704000-1771709400@seattledances.com
SUMMARY:Rose: You Are What You Eat
DESCRIPTION:A genre-defying musical shrine to queer identity and transformation invites us into an irreverent feast of gender\, memory\, and grief.\nOnce upon a vine\, Rose Jarboe’s aunt revealed that Rose not only had a twin sister in the womb\, but that she consumed her: “You ate her. That’s why you are the way you are.” This was a lot for Rose to swallow! In this musical shrine to the consumed twin\, Rose welcomes you into a feast of gender through song\, storytelling\, and a full plate of wordplay. \nCreated in partnership with the Bearded Ladies Cabaret. Featuring all original music written in collaboration with Emily Bate\, Rose Jarboe\, and Pax Ressler. \n“As queer folx\, however we identify\, we are always in dynamic tension between being who we are authentically and the tyranny of respectability: fitting in by making ourselves more palatable\, more recognizable to a cis-het society in order to get through the day\, escape harassment\, and for some of us\, just to survive. I don’t pass. I don’t fit into a clean\, commercialized narrative of transition. What I love about the story of Rose is that it is unmistakably disrespectful\, pretty tasteless\, and entirely me.”\n– Rose Jarboe \nContent Transparency\nThis performance includes themes of fetal mortality and growing up queer in Michigan in the 90s\, some graphic eating imagery\, and cannibal humor.
URL:https://seattledances.com/event/rose-you-are-what-you-eat/2026-02-21/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2026/02/67CRose_LM_StevenPisano.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260220T200000
DTEND;TZID=America/Los_Angeles:20260220T213000
DTSTAMP:20260207T014402Z
CREATED:20260207T014402Z
LAST-MODIFIED:20260207T014402Z
UID:10015009-1771617600-1771623000@seattledances.com
SUMMARY:Rose: You Are What You Eat
DESCRIPTION:A genre-defying musical shrine to queer identity and transformation invites us into an irreverent feast of gender\, memory\, and grief.\nOnce upon a vine\, Rose Jarboe’s aunt revealed that Rose not only had a twin sister in the womb\, but that she consumed her: “You ate her. That’s why you are the way you are.” This was a lot for Rose to swallow! In this musical shrine to the consumed twin\, Rose welcomes you into a feast of gender through song\, storytelling\, and a full plate of wordplay. \nCreated in partnership with the Bearded Ladies Cabaret. Featuring all original music written in collaboration with Emily Bate\, Rose Jarboe\, and Pax Ressler. \n“As queer folx\, however we identify\, we are always in dynamic tension between being who we are authentically and the tyranny of respectability: fitting in by making ourselves more palatable\, more recognizable to a cis-het society in order to get through the day\, escape harassment\, and for some of us\, just to survive. I don’t pass. I don’t fit into a clean\, commercialized narrative of transition. What I love about the story of Rose is that it is unmistakably disrespectful\, pretty tasteless\, and entirely me.”\n– Rose Jarboe \nContent Transparency\nThis performance includes themes of fetal mortality and growing up queer in Michigan in the 90s\, some graphic eating imagery\, and cannibal humor.
URL:https://seattledances.com/event/rose-you-are-what-you-eat/2026-02-20/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2026/02/67CRose_LM_StevenPisano.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260219T200000
DTEND;TZID=America/Los_Angeles:20260219T213000
DTSTAMP:20260207T014402Z
CREATED:20260207T014402Z
LAST-MODIFIED:20260207T014402Z
UID:10015008-1771531200-1771536600@seattledances.com
SUMMARY:Rose: You Are What You Eat
DESCRIPTION:A genre-defying musical shrine to queer identity and transformation invites us into an irreverent feast of gender\, memory\, and grief.\nOnce upon a vine\, Rose Jarboe’s aunt revealed that Rose not only had a twin sister in the womb\, but that she consumed her: “You ate her. That’s why you are the way you are.” This was a lot for Rose to swallow! In this musical shrine to the consumed twin\, Rose welcomes you into a feast of gender through song\, storytelling\, and a full plate of wordplay. \nCreated in partnership with the Bearded Ladies Cabaret. Featuring all original music written in collaboration with Emily Bate\, Rose Jarboe\, and Pax Ressler. \n“As queer folx\, however we identify\, we are always in dynamic tension between being who we are authentically and the tyranny of respectability: fitting in by making ourselves more palatable\, more recognizable to a cis-het society in order to get through the day\, escape harassment\, and for some of us\, just to survive. I don’t pass. I don’t fit into a clean\, commercialized narrative of transition. What I love about the story of Rose is that it is unmistakably disrespectful\, pretty tasteless\, and entirely me.”\n– Rose Jarboe \nContent Transparency\nThis performance includes themes of fetal mortality and growing up queer in Michigan in the 90s\, some graphic eating imagery\, and cannibal humor.
URL:https://seattledances.com/event/rose-you-are-what-you-eat/2026-02-19/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2026/02/67CRose_LM_StevenPisano.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260131T200000
DTEND;TZID=America/Los_Angeles:20260131T220000
DTSTAMP:20250929T173407Z
CREATED:20250929T173407Z
LAST-MODIFIED:20250929T173407Z
UID:10014449-1769889600-1769896800@seattledances.com
SUMMARY:Ogemdi Ude: MAJOR
DESCRIPTION:Rooted in deep cultural memory and archival research\, six Black femmes channel the power and poetry of majorette dance in a fierce investigation of memory\, sensuality\, and pride.\nMAJOR is a dance theater project exploring the physicality\, history\, sociopolitics\, and interiority of majorette dance\, a form that originated in the American South within Historically Black Colleges and Universities in the 1960s. These Black femme teams\, accompanied by marching bands\, created a movement style that requires master showmanship with allegiance to count\, undulation\, groove\, and sensual yet strong performativity. \nIn MAJOR\, six Black femmes embrace majorette form—a fundamental relic of Black girlhood—to pursue the intimate journey of returning to bodies they thought lost. Experiments in improvised and verbatim language intertwine with a music score that integrates Southern rap\, horns\, drumlines\, and melodic R&B and soul by Lambkin. \nThe Chord Archive is showcased alongside performances\, a physical and digital documentation of the creative process\, and personal historical accounts from former majorette dancers. \nA fierce investigation of physical memory\, sexuality\, sensuality\, and community\, MAJOR is a nuanced love letter to the folks who taught the team how to be proudly Black and proudly femme.
URL:https://seattledances.com/event/ogemdi-ude-major/2026-01-31/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/09/NYLA_LA25_Ogemdi_Ude_Baranova-0361copy.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260130T200000
DTEND;TZID=America/Los_Angeles:20260130T220000
DTSTAMP:20250929T173407Z
CREATED:20250929T173407Z
LAST-MODIFIED:20250929T173407Z
UID:10014448-1769803200-1769810400@seattledances.com
SUMMARY:Ogemdi Ude: MAJOR
DESCRIPTION:Rooted in deep cultural memory and archival research\, six Black femmes channel the power and poetry of majorette dance in a fierce investigation of memory\, sensuality\, and pride.\nMAJOR is a dance theater project exploring the physicality\, history\, sociopolitics\, and interiority of majorette dance\, a form that originated in the American South within Historically Black Colleges and Universities in the 1960s. These Black femme teams\, accompanied by marching bands\, created a movement style that requires master showmanship with allegiance to count\, undulation\, groove\, and sensual yet strong performativity. \nIn MAJOR\, six Black femmes embrace majorette form—a fundamental relic of Black girlhood—to pursue the intimate journey of returning to bodies they thought lost. Experiments in improvised and verbatim language intertwine with a music score that integrates Southern rap\, horns\, drumlines\, and melodic R&B and soul by Lambkin. \nThe Chord Archive is showcased alongside performances\, a physical and digital documentation of the creative process\, and personal historical accounts from former majorette dancers. \nA fierce investigation of physical memory\, sexuality\, sensuality\, and community\, MAJOR is a nuanced love letter to the folks who taught the team how to be proudly Black and proudly femme.
URL:https://seattledances.com/event/ogemdi-ude-major/2026-01-30/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/09/NYLA_LA25_Ogemdi_Ude_Baranova-0361copy.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260129T200000
DTEND;TZID=America/Los_Angeles:20260129T220000
DTSTAMP:20250929T173407Z
CREATED:20250929T173407Z
LAST-MODIFIED:20250929T173407Z
UID:10014447-1769716800-1769724000@seattledances.com
SUMMARY:Ogemdi Ude: MAJOR
DESCRIPTION:Rooted in deep cultural memory and archival research\, six Black femmes channel the power and poetry of majorette dance in a fierce investigation of memory\, sensuality\, and pride.\nMAJOR is a dance theater project exploring the physicality\, history\, sociopolitics\, and interiority of majorette dance\, a form that originated in the American South within Historically Black Colleges and Universities in the 1960s. These Black femme teams\, accompanied by marching bands\, created a movement style that requires master showmanship with allegiance to count\, undulation\, groove\, and sensual yet strong performativity. \nIn MAJOR\, six Black femmes embrace majorette form—a fundamental relic of Black girlhood—to pursue the intimate journey of returning to bodies they thought lost. Experiments in improvised and verbatim language intertwine with a music score that integrates Southern rap\, horns\, drumlines\, and melodic R&B and soul by Lambkin. \nThe Chord Archive is showcased alongside performances\, a physical and digital documentation of the creative process\, and personal historical accounts from former majorette dancers. \nA fierce investigation of physical memory\, sexuality\, sensuality\, and community\, MAJOR is a nuanced love letter to the folks who taught the team how to be proudly Black and proudly femme.
URL:https://seattledances.com/event/ogemdi-ude-major/2026-01-29/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/09/NYLA_LA25_Ogemdi_Ude_Baranova-0361copy.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251220T200000
DTEND;TZID=America/Los_Angeles:20251220T220000
DTSTAMP:20250815T225711Z
CREATED:20250815T225711Z
LAST-MODIFIED:20250815T225711Z
UID:10014018-1766260800-1766268000@seattledances.com
SUMMARY:In Tandem: A Trio of Duets
DESCRIPTION:featuring:\nBebe Miller with Angie Hauser & Darrell Jones\nMaurya Kerr/tinypistol\nRachael Lincoln & Leslie Seiters\nAn evening of three duets by visionary artists\, built on long-term creative partnerships.\nFrom improvisation and playful experiments\, to a soft collision with movement\, each work has a distinct choreographic style. The evening asks us to consider different modes of relation: between artists\, across decades\, in conversation with lineage\, and with embodied inquiry.
URL:https://seattledances.com/event/in-tandem-a-trio-of-duets/2025-12-20/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/08/47CBebeMiller.DanspaceProject.IndifferentForest_2024.0byRachelKeane.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251219T200000
DTEND;TZID=America/Los_Angeles:20251219T220000
DTSTAMP:20250815T225711Z
CREATED:20250815T225711Z
LAST-MODIFIED:20250815T225711Z
UID:10014017-1766174400-1766181600@seattledances.com
SUMMARY:In Tandem: A Trio of Duets
DESCRIPTION:featuring:\nBebe Miller with Angie Hauser & Darrell Jones\nMaurya Kerr/tinypistol\nRachael Lincoln & Leslie Seiters\nAn evening of three duets by visionary artists\, built on long-term creative partnerships.\nFrom improvisation and playful experiments\, to a soft collision with movement\, each work has a distinct choreographic style. The evening asks us to consider different modes of relation: between artists\, across decades\, in conversation with lineage\, and with embodied inquiry.
URL:https://seattledances.com/event/in-tandem-a-trio-of-duets/2025-12-19/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/08/47CBebeMiller.DanspaceProject.IndifferentForest_2024.0byRachelKeane.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251218T200000
DTEND;TZID=America/Los_Angeles:20251218T220000
DTSTAMP:20250815T225711Z
CREATED:20250815T225711Z
LAST-MODIFIED:20250815T225711Z
UID:10014016-1766088000-1766095200@seattledances.com
SUMMARY:In Tandem: A Trio of Duets
DESCRIPTION:featuring:\nBebe Miller with Angie Hauser & Darrell Jones\nMaurya Kerr/tinypistol\nRachael Lincoln & Leslie Seiters\nAn evening of three duets by visionary artists\, built on long-term creative partnerships.\nFrom improvisation and playful experiments\, to a soft collision with movement\, each work has a distinct choreographic style. The evening asks us to consider different modes of relation: between artists\, across decades\, in conversation with lineage\, and with embodied inquiry.
URL:https://seattledances.com/event/in-tandem-a-trio-of-duets/2025-12-18/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/08/47CBebeMiller.DanspaceProject.IndifferentForest_2024.0byRachelKeane.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251011T200000
DTEND;TZID=America/Los_Angeles:20251011T220000
DTSTAMP:20250815T225436Z
CREATED:20250815T225436Z
LAST-MODIFIED:20250815T225436Z
UID:10014015-1760212800-1760220000@seattledances.com
SUMMARY:Eiko Otake & Wen Hui: What Is War
DESCRIPTION:Dance luminaries Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war.\nWen Hui (b.1960) is Chinese and currently working in Europe. She grew up in China during the Cultural Revolution. Eiko Otake (b.1952) is Japanese and lives in New York. She grew up in post-war Japan. Both are female performers/choreographers\, and filmmakers. \nIn January 2020\, Eiko visited Wen Hui in China for a month. It was where the artists began examining the personal memories they hold in their bodies. The pandemic obliged the artists to continue their dialogue at a distance. The process of co-editing a feature-length documentary film\, No Rule Is Our Rule\, that documented their time together in China\, led them to work together physically in the U.S. to co-create this new performance work. During creative residencies at Duke University\, Colorado College\, and Mass MOCA\, the collaborators also uncovered and learned new knowledge about war that continues to affect them deeply. \nIn this project\, Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war. As they move together\, their bodies intimately support and absorb each other’s stories\, inviting the audience to consider their own relationship to war on both a historic and personal scale.
URL:https://seattledances.com/event/eiko-otake-wen-hui-what-is-war/2025-10-11/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/08/2_259A0632PhotobyZhouHuiyinbrighter-2.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251010T200000
DTEND;TZID=America/Los_Angeles:20251010T220000
DTSTAMP:20250815T225436Z
CREATED:20250815T225436Z
LAST-MODIFIED:20250815T225436Z
UID:10014014-1760126400-1760133600@seattledances.com
SUMMARY:Eiko Otake & Wen Hui: What Is War
DESCRIPTION:Dance luminaries Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war.\nWen Hui (b.1960) is Chinese and currently working in Europe. She grew up in China during the Cultural Revolution. Eiko Otake (b.1952) is Japanese and lives in New York. She grew up in post-war Japan. Both are female performers/choreographers\, and filmmakers. \nIn January 2020\, Eiko visited Wen Hui in China for a month. It was where the artists began examining the personal memories they hold in their bodies. The pandemic obliged the artists to continue their dialogue at a distance. The process of co-editing a feature-length documentary film\, No Rule Is Our Rule\, that documented their time together in China\, led them to work together physically in the U.S. to co-create this new performance work. During creative residencies at Duke University\, Colorado College\, and Mass MOCA\, the collaborators also uncovered and learned new knowledge about war that continues to affect them deeply. \nIn this project\, Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war. As they move together\, their bodies intimately support and absorb each other’s stories\, inviting the audience to consider their own relationship to war on both a historic and personal scale.
URL:https://seattledances.com/event/eiko-otake-wen-hui-what-is-war/2025-10-10/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/08/2_259A0632PhotobyZhouHuiyinbrighter-2.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251009T200000
DTEND;TZID=America/Los_Angeles:20251009T220000
DTSTAMP:20250815T225436Z
CREATED:20250815T225436Z
LAST-MODIFIED:20250815T225436Z
UID:10014013-1760040000-1760047200@seattledances.com
SUMMARY:Eiko Otake & Wen Hui: What Is War
DESCRIPTION:Dance luminaries Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war.\nWen Hui (b.1960) is Chinese and currently working in Europe. She grew up in China during the Cultural Revolution. Eiko Otake (b.1952) is Japanese and lives in New York. She grew up in post-war Japan. Both are female performers/choreographers\, and filmmakers. \nIn January 2020\, Eiko visited Wen Hui in China for a month. It was where the artists began examining the personal memories they hold in their bodies. The pandemic obliged the artists to continue their dialogue at a distance. The process of co-editing a feature-length documentary film\, No Rule Is Our Rule\, that documented their time together in China\, led them to work together physically in the U.S. to co-create this new performance work. During creative residencies at Duke University\, Colorado College\, and Mass MOCA\, the collaborators also uncovered and learned new knowledge about war that continues to affect them deeply. \nIn this project\, Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war. As they move together\, their bodies intimately support and absorb each other’s stories\, inviting the audience to consider their own relationship to war on both a historic and personal scale.
URL:https://seattledances.com/event/eiko-otake-wen-hui-what-is-war/2025-10-09/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/08/2_259A0632PhotobyZhouHuiyinbrighter-2.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250612
DTEND;VALUE=DATE:20250616
DTSTAMP:20250412T193425Z
CREATED:20241204T173039Z
LAST-MODIFIED:20250412T193425Z
UID:10009823-1749686400-1750031999@seattledances.com
SUMMARY:Northwest New Works 2025
DESCRIPTION:NW New Works returns by popular demand to showcase the most daring\, cutting-edge performances in our region once again!\nSince 1983\, this festival has been a touchstone for contemporary artists across performance disciplines\, providing a vital platform for experimentation and cross-pollination and celebrating the dynamic arts community of the Pacific Northwest. \n\n\n\n\n\n\n\n\nStudio Theater\nSoeine Bac: Me Entiendes (Vancouver\, BC)\nBLUE SCREEN: full of it (Seattle\, WA)\nLaura Luna Castillo: Walls to Bounce Glances (Seattle\, WA)\nSonam Tshedzom Tingkhye: Returning (Seattle\, WA) \n\n\n\n\n\n\n\n\nMerrill Wright Theater\nAkoiya Harris: Diary of Us (Seattle\, WA)\nmaximiliano: KATABASIS (Portland\, OR)\nilvs strauss: ñ (enye) (Vancouver\, BC)\nAmaya Zhané: Obsidian (Seattle\, WA) \n\n\n\n\n\n\n\n\nCurated by Kemi Adeyemi\, Roya Amirsoleymani\, and Fox Whitney\, these eight artists were selected from more than 85 highly competitive proposals we received in Fall 2024. The curators focused on artists with compelling visions and innovative creative practices that enrich the fabric of Northwest performance. We owe them immense gratitude for their time\, vision\, and dedication to this process. \nThe return of NWNW is made possible through generous support by the Raynier Foundation\, John C. Robinson\, and Norie Sato & Ralph Berry.
URL:https://seattledances.com/event/northwest-new-works-2025/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.28.46-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250529
DTEND;VALUE=DATE:20250601
DTSTAMP:20241204T172559Z
CREATED:20241204T172559Z
LAST-MODIFIED:20241204T172559Z
UID:10009822-1748476800-1748735999@seattledances.com
SUMMARY:dani tirrell: Leviticus or Love and to walk amongst HUMANS! Book II
DESCRIPTION:Book II is a performance piece that combines live and recorded music. This offering centers around Black and brown bodies leaving this world and entering the “afterlife\,” Leviticus or Love and to walk amongst humans. Book II brings the club to heaven and imagines what heaven or utopia would look like if Black bodies were free to imagine. \nThe piece explores ideas around death\, the afterlife\, and the pageantry and parade of religious ceremony. It also examines what it means to bear witness in the streets and how to bring people to “God” outside of a traditional church setting. \nThe performance connects the pomp and circumstance of the church to the pomp and circumstance of the club. The club setting represents a place where God can live in a community that embraces “sin” and welcomes those who are not traditionally considered “worthy” of God’s grace. Although the club had rules\, there was a sense of freedom in that space that was indescribable.
URL:https://seattledances.com/event/dani-tirrell-leviticus-or-love-and-to-walk-amongst-humans-book-ii/
LOCATION:Kubota Garden\, 9817 55th Ave S\, Seattle\, 98118
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.25.36-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250503T200000
DTEND;TZID=America/Los_Angeles:20250503T213000
DTSTAMP:20241204T172231Z
CREATED:20241204T172231Z
LAST-MODIFIED:20241204T172231Z
UID:10009821-1746302400-1746307800@seattledances.com
SUMMARY:Miguel Gutierrez: Super Nothing
DESCRIPTION:Super Nothing is a new dance performance by Miguel Gutierrez that works with archive to see how our past can provide a blueprint for a more rigorous honesty in the present. The piece is danced by performers from New York and Los Angeles. How do the dynamics of an art-making process reflect or deny the dynamics of life outside the studio? How is choreography a reflection of the desires\, insecurities\, and personal investments of the people in the room? How can a dance speak to the overwhelming and constant grief that undergirds our lives? \nbell hooks writes that\, “Moving\, we confront the realities of choice and location.” Thinking about movement in both the dance and geographic sense of the word\, this piece engages with our ideas about place/home\, time\, history\, and the strength and failings of “community.”
URL:https://seattledances.com/event/miguel-gutierrez-super-nothing/2025-05-03/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.19.44-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250502T200000
DTEND;TZID=America/Los_Angeles:20250502T213000
DTSTAMP:20241204T172231Z
CREATED:20241204T172231Z
LAST-MODIFIED:20241204T172231Z
UID:10009820-1746216000-1746221400@seattledances.com
SUMMARY:Miguel Gutierrez: Super Nothing
DESCRIPTION:Super Nothing is a new dance performance by Miguel Gutierrez that works with archive to see how our past can provide a blueprint for a more rigorous honesty in the present. The piece is danced by performers from New York and Los Angeles. How do the dynamics of an art-making process reflect or deny the dynamics of life outside the studio? How is choreography a reflection of the desires\, insecurities\, and personal investments of the people in the room? How can a dance speak to the overwhelming and constant grief that undergirds our lives? \nbell hooks writes that\, “Moving\, we confront the realities of choice and location.” Thinking about movement in both the dance and geographic sense of the word\, this piece engages with our ideas about place/home\, time\, history\, and the strength and failings of “community.”
URL:https://seattledances.com/event/miguel-gutierrez-super-nothing/2025-05-02/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.19.44-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250501T200000
DTEND;TZID=America/Los_Angeles:20250501T213000
DTSTAMP:20241204T172231Z
CREATED:20241204T172231Z
LAST-MODIFIED:20241204T172231Z
UID:10009819-1746129600-1746135000@seattledances.com
SUMMARY:Miguel Gutierrez: Super Nothing
DESCRIPTION:Super Nothing is a new dance performance by Miguel Gutierrez that works with archive to see how our past can provide a blueprint for a more rigorous honesty in the present. The piece is danced by performers from New York and Los Angeles. How do the dynamics of an art-making process reflect or deny the dynamics of life outside the studio? How is choreography a reflection of the desires\, insecurities\, and personal investments of the people in the room? How can a dance speak to the overwhelming and constant grief that undergirds our lives? \nbell hooks writes that\, “Moving\, we confront the realities of choice and location.” Thinking about movement in both the dance and geographic sense of the word\, this piece engages with our ideas about place/home\, time\, history\, and the strength and failings of “community.”
URL:https://seattledances.com/event/miguel-gutierrez-super-nothing/2025-05-01/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.19.44-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250208T200000
DTEND;TZID=America/Los_Angeles:20250208T220000
DTSTAMP:20241204T171809Z
CREATED:20241204T171809Z
LAST-MODIFIED:20241204T171809Z
UID:10009818-1739044800-1739052000@seattledances.com
SUMMARY:Shamel Pitts | Tribe: BLACK HOLE – Trilogy And Triathlon
DESCRIPTION:Deeply inspired and infused by the spirit of Afrofuturism\, this contemporary\nGesamtkunstwerk combines dance\, original sound\, video projection\, and light design\nin a tale of vitality and tenderness\, darkness and light\, personal growth and collective\nempowerment. Co-created by the award-winning movement artist Shamel Pitts and\nhis Brooklyn-based arts collective TRIBE\, it marks the final installment in the BLACK\nSeries triptych.
URL:https://seattledances.com/event/shamel-pitts-tribe-black-hole-trilogy-and-triathlon/2025-02-08/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.17.46-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250207T200000
DTEND;TZID=America/Los_Angeles:20250207T220000
DTSTAMP:20241204T171809Z
CREATED:20241204T171809Z
LAST-MODIFIED:20241204T171809Z
UID:10009817-1738958400-1738965600@seattledances.com
SUMMARY:Shamel Pitts | Tribe: BLACK HOLE – Trilogy And Triathlon
DESCRIPTION:Deeply inspired and infused by the spirit of Afrofuturism\, this contemporary\nGesamtkunstwerk combines dance\, original sound\, video projection\, and light design\nin a tale of vitality and tenderness\, darkness and light\, personal growth and collective\nempowerment. Co-created by the award-winning movement artist Shamel Pitts and\nhis Brooklyn-based arts collective TRIBE\, it marks the final installment in the BLACK\nSeries triptych.
URL:https://seattledances.com/event/shamel-pitts-tribe-black-hole-trilogy-and-triathlon/2025-02-07/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.17.46-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250206T200000
DTEND;TZID=America/Los_Angeles:20250206T220000
DTSTAMP:20241204T171809Z
CREATED:20241204T171809Z
LAST-MODIFIED:20241204T171809Z
UID:10009816-1738872000-1738879200@seattledances.com
SUMMARY:Shamel Pitts | Tribe: BLACK HOLE – Trilogy And Triathlon
DESCRIPTION:Deeply inspired and infused by the spirit of Afrofuturism\, this contemporary\nGesamtkunstwerk combines dance\, original sound\, video projection\, and light design\nin a tale of vitality and tenderness\, darkness and light\, personal growth and collective\nempowerment. Co-created by the award-winning movement artist Shamel Pitts and\nhis Brooklyn-based arts collective TRIBE\, it marks the final installment in the BLACK\nSeries triptych.
URL:https://seattledances.com/event/shamel-pitts-tribe-black-hole-trilogy-and-triathlon/2025-02-06/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.17.46-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241214T200000
DTEND;TZID=America/Los_Angeles:20241214T213000
DTSTAMP:20241021T145544Z
CREATED:20241021T145544Z
LAST-MODIFIED:20241021T145544Z
UID:10009771-1734206400-1734211800@seattledances.com
SUMMARY:Juni One Set (Degenerate Art Ensemble with Senga Nengudi and yuniya edi kwon): Boy mother / faceless bloom
DESCRIPTION:Threading mythology and autobiography\, while drawing from the diverse lineages of queer\, anti-colonial\, and care-based artistic practices\, Boy mother / faceless bloom tells a story of transformation\, transgression\, and the formation of new transcestral lines.\nDance\, music\, poetry\, ritual\, and sculptural installation converge in this work by Juni One Set – an international collaborative cohort including Seattle-based Degenerate Art Ensemble (​​Haruko Crow Nishimura & Joshua Kohl)\, visual artist Senga Nengudi\, and violinist/composer yuniya edi kwon.
URL:https://seattledances.com/event/juni-one-set-degenerate-art-ensemble-with-senga-nengudi-and-yuniya-edi-kwon-boy-mother-faceless-bloom-2/2024-12-14/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/10/3-boy-mother-faceless-bloom-Bruce-Clayton-Tom_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241213T200000
DTEND;TZID=America/Los_Angeles:20241213T213000
DTSTAMP:20241021T145544Z
CREATED:20241021T145544Z
LAST-MODIFIED:20241021T145544Z
UID:10009770-1734120000-1734125400@seattledances.com
SUMMARY:Juni One Set (Degenerate Art Ensemble with Senga Nengudi and yuniya edi kwon): Boy mother / faceless bloom
DESCRIPTION:Threading mythology and autobiography\, while drawing from the diverse lineages of queer\, anti-colonial\, and care-based artistic practices\, Boy mother / faceless bloom tells a story of transformation\, transgression\, and the formation of new transcestral lines.\nDance\, music\, poetry\, ritual\, and sculptural installation converge in this work by Juni One Set – an international collaborative cohort including Seattle-based Degenerate Art Ensemble (​​Haruko Crow Nishimura & Joshua Kohl)\, visual artist Senga Nengudi\, and violinist/composer yuniya edi kwon.
URL:https://seattledances.com/event/juni-one-set-degenerate-art-ensemble-with-senga-nengudi-and-yuniya-edi-kwon-boy-mother-faceless-bloom-2/2024-12-13/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/10/3-boy-mother-faceless-bloom-Bruce-Clayton-Tom_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241212T200000
DTEND;TZID=America/Los_Angeles:20241212T213000
DTSTAMP:20241021T145544Z
CREATED:20241021T145544Z
LAST-MODIFIED:20241021T145544Z
UID:10009769-1734033600-1734039000@seattledances.com
SUMMARY:Juni One Set (Degenerate Art Ensemble with Senga Nengudi and yuniya edi kwon): Boy mother / faceless bloom
DESCRIPTION:Threading mythology and autobiography\, while drawing from the diverse lineages of queer\, anti-colonial\, and care-based artistic practices\, Boy mother / faceless bloom tells a story of transformation\, transgression\, and the formation of new transcestral lines.\nDance\, music\, poetry\, ritual\, and sculptural installation converge in this work by Juni One Set – an international collaborative cohort including Seattle-based Degenerate Art Ensemble (​​Haruko Crow Nishimura & Joshua Kohl)\, visual artist Senga Nengudi\, and violinist/composer yuniya edi kwon.
URL:https://seattledances.com/event/juni-one-set-degenerate-art-ensemble-with-senga-nengudi-and-yuniya-edi-kwon-boy-mother-faceless-bloom-2/2024-12-12/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/10/3-boy-mother-faceless-bloom-Bruce-Clayton-Tom_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241116T200000
DTEND;TZID=America/Los_Angeles:20241116T220000
DTSTAMP:20240816T093112Z
CREATED:20240816T093112Z
LAST-MODIFIED:20240816T093112Z
UID:10008903-1731787200-1731794400@seattledances.com
SUMMARY:Timothy White Eagle – Indian School
DESCRIPTION:Timothy White Eagle\, a Seattle-based visual and performance artist\, returns to OtB with a deeply personal performance exploring displacement and the regenerative power of mythic storytelling. This work delves into the impact of North America’s history of cultural genocide\, addressing personal\, communal\, and national traumas. Through his performance\, White Eagle celebrates resilience and highlights the significance of reclaiming Indigenous experiences. \nNovember 14-16\, 2024 | 8pm\nAvant Premiere \nAbout the Artist:\nTimothy White Eagle is  an artist of Indigenous and European heritage. He creates ritual theater merging personal narrative and mythology while exploring contemporary issues and ancestral memory in search of ritualized healing. He tours internationally as a performance and visual artist\, most recently with The Indigo Room\, which premiered in NYC and Seattle\, then in the Public Theater’s Under the Radar festival. A 2019 Western Arts Alliance Native Launchpad recipient\, he has since been supported by residencies at Guild Hall\, On The Boards\, Town Hall\, PICA’s Creative Exchange Lab\, and La Mama Etc NYC. He has received grant support from the Public Theatre\, Seattle Office of Arts\, 4 Culture\, and the MAP Fund Award 2023\, among others.\nWebsite: whiteeagle.me | Instagram: @timothy.whiteeagle
URL:https://seattledances.com/event/timothy-white-eagle-indian-school/2024-11-16/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/08/2-Indian-School-Photo-by-Steven-Miller_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241115T200000
DTEND;TZID=America/Los_Angeles:20241115T220000
DTSTAMP:20240816T093112Z
CREATED:20240816T093112Z
LAST-MODIFIED:20240816T093112Z
UID:10008902-1731700800-1731708000@seattledances.com
SUMMARY:Timothy White Eagle – Indian School
DESCRIPTION:Timothy White Eagle\, a Seattle-based visual and performance artist\, returns to OtB with a deeply personal performance exploring displacement and the regenerative power of mythic storytelling. This work delves into the impact of North America’s history of cultural genocide\, addressing personal\, communal\, and national traumas. Through his performance\, White Eagle celebrates resilience and highlights the significance of reclaiming Indigenous experiences. \nNovember 14-16\, 2024 | 8pm\nAvant Premiere \nAbout the Artist:\nTimothy White Eagle is  an artist of Indigenous and European heritage. He creates ritual theater merging personal narrative and mythology while exploring contemporary issues and ancestral memory in search of ritualized healing. He tours internationally as a performance and visual artist\, most recently with The Indigo Room\, which premiered in NYC and Seattle\, then in the Public Theater’s Under the Radar festival. A 2019 Western Arts Alliance Native Launchpad recipient\, he has since been supported by residencies at Guild Hall\, On The Boards\, Town Hall\, PICA’s Creative Exchange Lab\, and La Mama Etc NYC. He has received grant support from the Public Theatre\, Seattle Office of Arts\, 4 Culture\, and the MAP Fund Award 2023\, among others.\nWebsite: whiteeagle.me | Instagram: @timothy.whiteeagle
URL:https://seattledances.com/event/timothy-white-eagle-indian-school/2024-11-15/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/08/2-Indian-School-Photo-by-Steven-Miller_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
END:VCALENDAR