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DTSTART;TZID=America/Los_Angeles:20261030T193000
DTEND;TZID=America/Los_Angeles:20261030T213000
DTSTAMP:20260826T181217Z
CREATED:20260826T181217Z
LAST-MODIFIED:20260826T181217Z
UID:10015836-1793388600-1793395800@seattledances.com
SUMMARY:Dance Theatre of Harlem
DESCRIPTION:Dance Theatre of Harlem is a leading dance institution of unparalleled global acclaim\, encompassing a world-class company\, a professional studio school\, a leading arts education program-Dancing Through Barriers®\, and community engagement activities. Each component of Dance Theatre of Harlem carries deep commitment towards enriching the lives of young people and adults around the world through the arts. \nThe Seattle program will include the following performances: \nPassage of Being\nChoreography by Jodie Gates\nPassage of Being premiered as part of the DTH’s 2025 New York Season. A circular\, and physical work\, Passageof Being unfolds in three cinematic movements set to the evocative music of Oscar-nominated composer Ryan Lott (“Everything Everywhere All at Once”). Shifting perspectives and the bittersweet beauty of time’s swift journey are brought to life through Gates’ expressive choreography and inventive lighting by Michael Korsch with elegant costumes by Martha Chamberlain. At its heart of this elliptic ballet is the majestic and haunting Son Lux song\, “Don’t Say It’s Too Late.” Gates weaves these elements into a poignant reflection on love\, connection\, and the power of the present. \nReturn\nChoreography by Robert Garland\nReturn is a soulful\, high-octane celebration to the timeless sounds of James Brown and Aretha Franklin.  Return was choreographed for Dance Theatre of Harlem’s 30th anniversary by DTH Artistic Director Robert Garland. Garland calls the ballet’s style “post-modern urban neoclassicism – an attempt to fuse an urban physical sensibility and a neoclassical one.” Staged for 12 dancers to songs performed by James Brown and Aretha Franklin\, Return is “… a witty fusion of ballet technique and street gait whose irony toward rhythm-and- blues had the audience in stitches.” (The New York Times) \nFirebird\nChoreography by John Taras\n“Firebird\,” where a Russian folk tale about the triumph of love over evil is reimagined in a luscious Caribbean setting. John Taras’ choreography\, paired with Stravinsky’s iconic score\, comes to life through the inimitable multihyphenated Geoffrey Holder’s vibrant sets and costumes. This production\, a DTH signature classic\, was first created in 1982 and captivated audiences when it toured across the world. “…it does one thing other versions do not – send its audience into a whooping spell of delirium.” – The New York Times
URL:https://seattledances.com/event/dance-theatre-of-harlem-2/2026-10-30/
LOCATION:The Paramount Theatre\, 911 Pine St\, Seattle\, WA\, 98101
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/08/Screenshot-2026-08-26-at-11.10.16-AM.jpg
ORGANIZER;CN="Seattle Theatre Group":MAILTO:maryk@stgpresents.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261031T130000
DTEND;TZID=America/Los_Angeles:20261031T150000
DTSTAMP:20260826T181217Z
CREATED:20260826T181217Z
LAST-MODIFIED:20260826T181217Z
UID:10015837-1793451600-1793458800@seattledances.com
SUMMARY:Dance Theatre of Harlem
DESCRIPTION:Dance Theatre of Harlem is a leading dance institution of unparalleled global acclaim\, encompassing a world-class company\, a professional studio school\, a leading arts education program-Dancing Through Barriers®\, and community engagement activities. Each component of Dance Theatre of Harlem carries deep commitment towards enriching the lives of young people and adults around the world through the arts. \nThe Seattle program will include the following performances: \nPassage of Being\nChoreography by Jodie Gates\nPassage of Being premiered as part of the DTH’s 2025 New York Season. A circular\, and physical work\, Passageof Being unfolds in three cinematic movements set to the evocative music of Oscar-nominated composer Ryan Lott (“Everything Everywhere All at Once”). Shifting perspectives and the bittersweet beauty of time’s swift journey are brought to life through Gates’ expressive choreography and inventive lighting by Michael Korsch with elegant costumes by Martha Chamberlain. At its heart of this elliptic ballet is the majestic and haunting Son Lux song\, “Don’t Say It’s Too Late.” Gates weaves these elements into a poignant reflection on love\, connection\, and the power of the present. \nReturn\nChoreography by Robert Garland\nReturn is a soulful\, high-octane celebration to the timeless sounds of James Brown and Aretha Franklin.  Return was choreographed for Dance Theatre of Harlem’s 30th anniversary by DTH Artistic Director Robert Garland. Garland calls the ballet’s style “post-modern urban neoclassicism – an attempt to fuse an urban physical sensibility and a neoclassical one.” Staged for 12 dancers to songs performed by James Brown and Aretha Franklin\, Return is “… a witty fusion of ballet technique and street gait whose irony toward rhythm-and- blues had the audience in stitches.” (The New York Times) \nFirebird\nChoreography by John Taras\n“Firebird\,” where a Russian folk tale about the triumph of love over evil is reimagined in a luscious Caribbean setting. John Taras’ choreography\, paired with Stravinsky’s iconic score\, comes to life through the inimitable multihyphenated Geoffrey Holder’s vibrant sets and costumes. This production\, a DTH signature classic\, was first created in 1982 and captivated audiences when it toured across the world. “…it does one thing other versions do not – send its audience into a whooping spell of delirium.” – The New York Times
URL:https://seattledances.com/event/dance-theatre-of-harlem-2/2026-10-31/
LOCATION:The Paramount Theatre\, 911 Pine St\, Seattle\, WA\, 98101
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/08/Screenshot-2026-08-26-at-11.10.16-AM.jpg
ORGANIZER;CN="Seattle Theatre Group":MAILTO:maryk@stgpresents.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20261117T193000
DTEND;TZID=America/Los_Angeles:20261117T213000
DTSTAMP:20260827T044016Z
CREATED:20260827T044016Z
LAST-MODIFIED:20260827T044016Z
UID:10015838-1794943800-1794951000@seattledances.com
SUMMARY:Sankai Juku “KOSA”
DESCRIPTION:For more than five decades\, Sankai Juku has stood at the forefront of butoh\, creating works of extraordinary visual beauty\, meditative power\, and emotional resonance. Founded in Tokyo by legendary choreographer Ushio Amagatsu\, the company has captivated audiences in more than 700 cities worldwide with its singular approach to movement and theatrical imagery. \nIn KOSA – Between Two Mirrors\, Amagatsu invites audiences into a space suspended between reflection and reality. Through meticulously crafted movement\, striking stage compositions\, and an evocative score\, seven dancers traverse a landscape of transformation\, memory\, and human connection. Premiered in 2022\, the work unfolds as a poetic meditation on the fleeting nature of existence and the invisible forces that bind us across time and space.\nAt once intimate and monumental\, KOSA embodies the hallmarks that have made Sankai Juku one of the world’s most revered dance companies: exquisite precision\, profound stillness\, and imagery that lingers long after the final bow. For longtime admirers and newcomers alike\, this is an opportunity to experience the transcendent artistry of a company that continues to redefine the possibilities of contemporary dance.
URL:https://seattledances.com/event/sankai-juku-kosa/
LOCATION:The Moore Theatre\, 1932 Second Avenue\, Seattle\, WA\, 98101
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2026/08/KOSA-Between-Two-Mirrors-sceneIII-scaled.jpeg
ORGANIZER;CN="Seattle Theatre Group":MAILTO:maryk@stgpresents.org
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