ON CONTEXT
Leah Crosby reflects on Blue Screen’s KEEPING: a meditation on context, connection, and the slippery language of dance.
Leah Crosby reflects on Blue Screen’s KEEPING: a meditation on context, connection, and the slippery language of dance.
In Heather Kravas’ RoCoCoCoCo, “each section is carefully crafted to constantly be tinkering with our expectations in ways that gratified, challenged, and stimulated the viewer.”
“Bridge Project 2026 made good on its incubator promise. These weren’t polished products; they were living arguments. Mercy without innocence. Prayer without purity. Belonging without… Read More »HARD FEELINGS, SOFT BODIES
This year’s NextFest invited artists to explore notions of cacophony, disorder, and mess, resulting in a collection of works that were both chaotic and deeply… Read More »TOTAL CHAOS
Kaitlin McCarthy meditates on four performances through the lens of “who’s in the room.” Includes Black Collectivity’s To Gather, Velocity’s Hybrid Lab, Four on the… Read More »WHO’S IN THE ROOM
Meredith Pellon reviews four offerings from Pacific Northwest artists at this year’s experimental dance festival from Velocity Dance.
Alyza DelPan-Monley’s That’s a Handful is a playful homage to how hands express and permeate our human experience
It’s hard to use terms like “event of the season” without sounding cliché, but if you want to be on the pulse of what’s happening… Read More »Boys! Boys! Boys!