GIRL IN LATE AUGUST
Coriolis’ Girl in Late August, choreographed by Madeleine Gregor, resists oppressive expectations for cis women through embodied collectivity.
Coriolis’ Girl in Late August, choreographed by Madeleine Gregor, resists oppressive expectations for cis women through embodied collectivity.
Kaitlin McCarthy meditates on four performances through the lens of “who’s in the room.” Includes Black Collectivity’s To Gather, Velocity’s Hybrid Lab, Four on the… Read More »WHO’S IN THE ROOM
Beloved dancer Marissa Quimby is honored in this collective post from the Seattle dance community, including an introduction and biography by friend and colleague, Mariko… Read More »REMEMBERING MARISSA QUIMBY
“I work in a highly collaborative process. I care very much about the perspectives that dancers and performers share and try to create dialogue around… Read More »SPOTLIGHT: NICOLE CARDONA
Note-worthy items and hot takes from a busy June: Lynn Tofil, Cameo, NWNW, new companies, and more.
Coriolis presents Natascha Greenwalt’s Danses des Cygnes – a utopic swan society handles sexual assault.
A dancer raises her steepled hands to her ear as if listening to distant echoes within a seashell. In a slow-motion trance, another dancer reaches… Read More »CORIOLIS BLURS LINES BETWEEN ABSTRACTION AND NARRATIVE
How many elements of the performance have to change before ballet becomes burlesque? And when you’re Lily Verlaine, are those really the only two options?… Read More »Sexy New Ballets at House of Verlaine
A combination of exquisite ballet technique and science fiction makes Coriolis Dance’s Unfixed Arias a not-to-be-missed show for fans of either. Directors Christin Call and… Read More »Coriolis Sets Phasers to Stunning
SeattleDances caught up with Christin Call, Co-Artistic Director of Coriolis Dance (alongside Natascha Greenwalt), as the group prepares to debut Unfixed Arias. The evening-length work… Read More »Coriolis Prepares to Blast Off