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Kaitlin McCarthy

DRIVE WOLVES MAD

“This work dances with doubt: who is predator and who is prey, who is friend and who is enemy, who is subject and who is object?” Fox Whitney analyzes Jenny Peterson and Kaitlin McCarthy’s latest work.

REMEMBERING MARISSA QUIMBY

Beloved dancer Marissa Quimby is honored in this collective post from the Seattle dance community, including an introduction and biography by friend and colleague, Mariko Smithashima.

GENDER REVEAL PARTY

Kaitlin McCarthy’s Gender Reveal Party ruthlessly interrogates what it means to be pregnant, reclaiming agency as human and parent, and challenging gendered expectations.

TWO TAKES AT RESET

Cameo Lethem and Kaitlin McCarthy make new works for the set of Washington Ensemble Theatre’s “B”

LIVING OBJECTS

Alice Gosti’s latest takes us on an imaginative, intimate journey with stuff.

BORN TO BE WILD

Kaitlin McCarthy’s Crucible-inspired Eight Abigails takes on emancipating the outrageous self.

NWNW ROUNDUP

NWNW 2017: Two weekends, sixteen pieces, lots of dance, and a whole lotta stuff.