ON CONTEXT
Leah Crosby reflects on Blue Screen’s KEEPING: a meditation on context, connection, and the slippery language of dance.
Leah Crosby reflects on Blue Screen’s KEEPING: a meditation on context, connection, and the slippery language of dance.
An assortment of superstars from across Seattle’s dance, burlesque, and drag scenes take the stage at The Cuff.
A residency for queer performers makes room for a wide array of queer expression, giving dance and drag artists the resources and support to pursue… Read More »OFF THE LEAD
BLUE SCREEN’s spiraling collaboration with band Coral Grief “hovers like an unanswered question.” Fox Whitney’s analysis brings historical context– and more questions– to the abstract… Read More »THE QUIET QUEERNESS OF GOOD BOY
Dance Church goes national. Velocity’s Artistic Director Fox Whitney steps down. UW dance program overhauls their curriculum. Two Seattle dancers named in Dance Magazine’s 25… Read More »JANUARY NEWS ROUNDUP
It’s hard to use terms like “event of the season” without sounding cliché, but if you want to be on the pulse of what’s happening… Read More »Boys! Boys! Boys!
Seattle dancers/administrators Maris Antolin and Liz Houlton on their podcast, Dancers Did That?, and why history matters now.
Drama Tops: This is for You examines a journey of gender transition with nuance and generosity.
Drama Tops and AVID bring a hilarious and intimate show to Washington Ensemble Theatre’s Dance Nation set.
West Liberty talks with Elby Brosch about gender, creative process, and his latest project Drama Tops, This Is For You.