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SUMMARY:Eiko Otake & Wen Hui: What Is War
DESCRIPTION:Dance luminaries Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war.\nWen Hui (b.1960) is Chinese and currently working in Europe. She grew up in China during the Cultural Revolution. Eiko Otake (b.1952) is Japanese and lives in New York. She grew up in post-war Japan. Both are female performers/choreographers\, and filmmakers. \nIn January 2020\, Eiko visited Wen Hui in China for a month. It was where the artists began examining the personal memories they hold in their bodies. The pandemic obliged the artists to continue their dialogue at a distance. The process of co-editing a feature-length documentary film\, No Rule Is Our Rule\, that documented their time together in China\, led them to work together physically in the U.S. to co-create this new performance work. During creative residencies at Duke University\, Colorado College\, and Mass MOCA\, the collaborators also uncovered and learned new knowledge about war that continues to affect them deeply. \nIn this project\, Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war. As they move together\, their bodies intimately support and absorb each other’s stories\, inviting the audience to consider their own relationship to war on both a historic and personal scale.
URL:https://seattledances.com/event/eiko-otake-wen-hui-what-is-war/2025-10-10/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/08/2_259A0632PhotobyZhouHuiyinbrighter-2.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251009T200000
DTEND;TZID=America/Los_Angeles:20251009T220000
DTSTAMP:20250815T225436Z
CREATED:20250815T225436Z
LAST-MODIFIED:20250815T225436Z
UID:10014013-1760040000-1760047200@seattledances.com
SUMMARY:Eiko Otake & Wen Hui: What Is War
DESCRIPTION:Dance luminaries Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war.\nWen Hui (b.1960) is Chinese and currently working in Europe. She grew up in China during the Cultural Revolution. Eiko Otake (b.1952) is Japanese and lives in New York. She grew up in post-war Japan. Both are female performers/choreographers\, and filmmakers. \nIn January 2020\, Eiko visited Wen Hui in China for a month. It was where the artists began examining the personal memories they hold in their bodies. The pandemic obliged the artists to continue their dialogue at a distance. The process of co-editing a feature-length documentary film\, No Rule Is Our Rule\, that documented their time together in China\, led them to work together physically in the U.S. to co-create this new performance work. During creative residencies at Duke University\, Colorado College\, and Mass MOCA\, the collaborators also uncovered and learned new knowledge about war that continues to affect them deeply. \nIn this project\, Wen Hui and Eiko Otake create a complex tapestry of language\, movement\, and video to share their personal memories related to war. As they move together\, their bodies intimately support and absorb each other’s stories\, inviting the audience to consider their own relationship to war on both a historic and personal scale.
URL:https://seattledances.com/event/eiko-otake-wen-hui-what-is-war/2025-10-09/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/08/2_259A0632PhotobyZhouHuiyinbrighter-2.webp
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250808T193000
DTEND;TZID=America/Los_Angeles:20250808T213000
DTSTAMP:20250806T234617Z
CREATED:20250806T234617Z
LAST-MODIFIED:20250806T234617Z
UID:10013945-1754681400-1754688600@seattledances.com
SUMMARY:SFD+I: ALL THE WAY AROUND
DESCRIPTION:ALL THE WAY AROUND\nBy \nMEG STUART + Doug Weiss\nWith \nMariana Carvalho\nPresented through the Seattle Festival of Dance + Improvisation \nInternationally acclaimed Meg Stuart makes her long awaited return to Seattle with this tour de force evening of music\, dance\, and the thrilling logic of improvisation.\nAll the way around | meg Stuart + Doug Weiss\nIn an intimate concert setting\, choreographer and dancer Meg Stuart meets jazz bassist Doug Weiss and pianist Mariana Carvalho. Together\, they go on an uncharted journey into movement and sound. The light design by Emese Csornai becomes a fourth player\, adapting to unpredictable elements in each new venue. All the Way Around starts with the ballad\, a song of longing and defiance\, and breaks it down into small but meaningful gestures. Tracing and unfurling spirals of memory\, All the Way Around takes a deep dive into what was\, riding the waves between the almost-remembered and the unknown. \nInterested in working with this stellar artist?  Sign up for the SFD+I Research Week and get in the action!
URL:https://seattledances.com/event/sfdi-all-the-way-around/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2025/08/Megeventcard-scaled.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250612
DTEND;VALUE=DATE:20250616
DTSTAMP:20250412T193425Z
CREATED:20241204T173039Z
LAST-MODIFIED:20250412T193425Z
UID:10009823-1749686400-1750031999@seattledances.com
SUMMARY:Northwest New Works 2025
DESCRIPTION:NW New Works returns by popular demand to showcase the most daring\, cutting-edge performances in our region once again!\nSince 1983\, this festival has been a touchstone for contemporary artists across performance disciplines\, providing a vital platform for experimentation and cross-pollination and celebrating the dynamic arts community of the Pacific Northwest. \n\n\n\n\n\n\n\n\nStudio Theater\nSoeine Bac: Me Entiendes (Vancouver\, BC)\nBLUE SCREEN: full of it (Seattle\, WA)\nLaura Luna Castillo: Walls to Bounce Glances (Seattle\, WA)\nSonam Tshedzom Tingkhye: Returning (Seattle\, WA) \n\n\n\n\n\n\n\n\nMerrill Wright Theater\nAkoiya Harris: Diary of Us (Seattle\, WA)\nmaximiliano: KATABASIS (Portland\, OR)\nilvs strauss: ñ (enye) (Vancouver\, BC)\nAmaya Zhané: Obsidian (Seattle\, WA) \n\n\n\n\n\n\n\n\nCurated by Kemi Adeyemi\, Roya Amirsoleymani\, and Fox Whitney\, these eight artists were selected from more than 85 highly competitive proposals we received in Fall 2024. The curators focused on artists with compelling visions and innovative creative practices that enrich the fabric of Northwest performance. We owe them immense gratitude for their time\, vision\, and dedication to this process. \nThe return of NWNW is made possible through generous support by the Raynier Foundation\, John C. Robinson\, and Norie Sato & Ralph Berry.
URL:https://seattledances.com/event/northwest-new-works-2025/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.28.46-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250503T200000
DTEND;TZID=America/Los_Angeles:20250503T213000
DTSTAMP:20241204T172231Z
CREATED:20241204T172231Z
LAST-MODIFIED:20241204T172231Z
UID:10009821-1746302400-1746307800@seattledances.com
SUMMARY:Miguel Gutierrez: Super Nothing
DESCRIPTION:Super Nothing is a new dance performance by Miguel Gutierrez that works with archive to see how our past can provide a blueprint for a more rigorous honesty in the present. The piece is danced by performers from New York and Los Angeles. How do the dynamics of an art-making process reflect or deny the dynamics of life outside the studio? How is choreography a reflection of the desires\, insecurities\, and personal investments of the people in the room? How can a dance speak to the overwhelming and constant grief that undergirds our lives? \nbell hooks writes that\, “Moving\, we confront the realities of choice and location.” Thinking about movement in both the dance and geographic sense of the word\, this piece engages with our ideas about place/home\, time\, history\, and the strength and failings of “community.”
URL:https://seattledances.com/event/miguel-gutierrez-super-nothing/2025-05-03/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.19.44-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250503T150000
DTEND;TZID=America/Los_Angeles:20250503T163000
DTSTAMP:20250327T175733Z
CREATED:20250327T175733Z
LAST-MODIFIED:20250327T175733Z
UID:10013327-1746284400-1746289800@seattledances.com
SUMMARY:Making Moves: Seattle
DESCRIPTION:Join NCCAkron for Making Moves: Seattle\, a panel discussion and book launch event for Artists on Creative Administration (AOCA). The conversation features regional arts leaders and national book contributors exploring themes of the choreography of care\, self-advocacy\, and navigating changing times. \n\nCopies of Artists on Creative Administration will be available through local bookseller Elliott Bay Book Company. \n \nByron Au Yong\, Composer and Director of Arts Leadership at Seattle University \nChristy Bolingbroke\, Executive/Artistic Director of NCCAkron and Artists on Creative Administration (AOCA) Contributing Author \nJody Kuehner AKA Cherdonna\, Performance Artist and Instructor at Cornish College of the Arts \nMiguel Gutierrez\, Choreographer and AOCA Contributing Author \nTonya Lockyer\, Cultural Strategist and AOCA Editor/Contributing Author \nFox Whitney\, Multi-disciplinary Artist \n**in process\, additional panelists TBA \n \nArtists on Creative Administration: A Workbook from the National Center for Choreography was published September 24\, 2024\, by The University of Akron Press as part of their NCCAkron Series in Dance. Edited by artist/cultural strategist Tonya Lockyer this book features essays from and interviews with 30 artists and advocates from the dance and performing arts worlds\, sharing first-hand stories of creative administration in action through case studies\, interviews\, life tools\, and experiments. \n \nAbout the Panelists \nByron Au Yong (Seattle\, WA) creates events Variety calls “intimate and existential\, personal and political all at once.” He was born to Chinese immigrants in Pittsburgh and raised in the Pacific Northwest. His upbringing informs an attention to the ways people gather to listen and connect with the places they call home. Honors include a Creative Capital Award and Sundance Institute/Time Warner Foundation Fellowship. Au Yong holds degrees in theater\, dance\, and music from NYU\, UCLA\, and the University of Washington. He is an Associate Professor and Director of Arts Leadership at Seattle University. \nChristy Bolingbroke (Akron\, OH) is the Founding Executive/Artistic Director for the National Center for Choreography – Akron (NCCAkron). As such\, she is responsible for setting the curatorial vision and business model to foster research and development opportunities in dance. Previously\, she served as the Deputy Director for Advancement at ODC in San Francisco\, overseeing curation\, performance programming\, marketing\, and development organization-wide. Prior to ODC\, she was the Director of Marketing at the Mark Morris Dance Group in Brooklyn\, NY. She earned a BA in Dance from the University of California\, Los Angeles\, and an MA. in Performance Curation from Wesleyan University.  \nMiguel Gutierrez (Brooklyn. NY / Los Angeles\, CA) is multi-disciplinary artist based in Lenapehoking/Brooklyn\, NY and Tovaangar/Los Angeles. He creates empathetic and irreverent spaces for himself and other QTPOC folx to dream. His work has been presented nationally and internationally in venues such as Festival d’Automne/Paris\, the Walker Art Center\, and in the 2014 Whitney Biennial. He is a recipient of a Guggenheim Fellowship\, United States Artists Fellowship\, Foundation for Contemporary Arts Award\, four New York Dance and Performance “Bessie” Awards\, and a 2016 Doris Duke Artist Award. He is an Associate Professor of Choreography at UCLA in the department of World Arts and Cultures/Dance. \nJody Kuehner AKA Cherdonna (Seattle\, WA) uses dance\, drag\, theater\, camp\, feminist traditions\, absurdity and subversive commentary to make art. Twenty years ago\, she landed in Seattle and fell in love with its rowdy\, postmodern dance culture. Over the last 20 years Jody has created and performed a wide array of evening-length works and performance installations described as “uncategorizable spectacles” (The Stranger) for theaters\, museums\, clubs\, parking lots\, and abandoned buildings. She is a 2020 and 2023 NEFA’s National Dance Project finalist\, 2017 Artist Trust Fellowship recipient\, 2016 NEFA’s National Dance Project awardee\, and 2015 Stranger Genius Award winner. She has been presented nationally at the USF in Tampa FL\, Go Drag! Festival\, Berlin\, Germany; University of Michigan\, Ann Arbor\, MI; Centro de las Artes\, Monterrey\, Mexico; The Yard at Martha’s Vineyard; American Dance Festival\, Durham\, NC; and FringeArts in Philadelphia\, PA. Her exhibition DITCH was presented at the Frye Art Museum\, Seattle\, WA; The Momentary at Crystal Bridges Museum of American Art\, Bentonville\, AK; Sarasota Art Museum\, FL; and Akron Art Museum\, OH. DITCH was featured in ARTnews\, i-D Magazine and NBC’s 12 must-see LGBTQ art shows around the world. \nTonya Lockyer (Suquamish\, WA)\, widely praised as “a key cultural changemaker” (Seattle Times)\, is an award-winning artist and cultural strategist. Her work as a groundbreaking artist\, arts leader\, and curator has been recognized by the National Endowment for the Arts\, Arts International\, Princeton University\, NPR\, The Banff Center\, Canada Council\, TEDx\, and the City of Seattle. As an artist and curator\, Lockyer has collaborated with some of the most innovative artistic experimentalists of our time. Lockyer was the founding co-director of the collective VIA\, the transformative director of Seattle’s Velocity Dance Center (2011-2018)\, and the inaugural chair of Seattle’s first arts district. She is an adjunct professor in Arts Leadership (MFA/BA) at Seattle University. \nFox Whitney (Seattle\, WA) is a multi-disciplinary artist working at the intersection of dance\, film\, music\, writing\, and visual art. He is obsessed with the surreal nature of transformation. His projects center his mixed Black\, queer\, and transgender point-of-view. In 2012\, he founded Gender Tender\, an ongoing  QT interdisciplinary performance project. Light Aloud\, a trans-futurist psych band he started  in 2023 is named after a GT performance score that begins by meditating on a photo of police pushing a protester to the ground during the 1969 Stonewall Riots. His process is informed by his experience as a gigging drummer\, experimental dancer\, actor\, and past life as a drag king. Fox’s work has been commissioned and produced by the Henry Art Gallery\, On the Boards\, Velocity Dance Center\, Seattle International Dance Festival\, Yellow Fish Epic Durational Performance Festival  and Seattle’s Gay City Arts.. His visual art and short films have been exhibited nationally. Light Aloud has performed at Trans Pride Seattle\, Capitol Hill Block Party\, and Seattle Art Fair. He holds an MFA in Studio Art from the School of the Art Institute of Chicago. Fox is also a yoga + meditation + movement teacher and an arts journalist currently writing for SeattleDances.com.
URL:https://seattledances.com/event/making-moves-seattle/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/webp:https://seattledances.com/wp-content/uploads/2025/03/ad7034_fc395b30faaf4055947d8c4b3e4442a9mv2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250502T200000
DTEND;TZID=America/Los_Angeles:20250502T213000
DTSTAMP:20241204T172231Z
CREATED:20241204T172231Z
LAST-MODIFIED:20241204T172231Z
UID:10009820-1746216000-1746221400@seattledances.com
SUMMARY:Miguel Gutierrez: Super Nothing
DESCRIPTION:Super Nothing is a new dance performance by Miguel Gutierrez that works with archive to see how our past can provide a blueprint for a more rigorous honesty in the present. The piece is danced by performers from New York and Los Angeles. How do the dynamics of an art-making process reflect or deny the dynamics of life outside the studio? How is choreography a reflection of the desires\, insecurities\, and personal investments of the people in the room? How can a dance speak to the overwhelming and constant grief that undergirds our lives? \nbell hooks writes that\, “Moving\, we confront the realities of choice and location.” Thinking about movement in both the dance and geographic sense of the word\, this piece engages with our ideas about place/home\, time\, history\, and the strength and failings of “community.”
URL:https://seattledances.com/event/miguel-gutierrez-super-nothing/2025-05-02/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.19.44-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250501T200000
DTEND;TZID=America/Los_Angeles:20250501T213000
DTSTAMP:20241204T172231Z
CREATED:20241204T172231Z
LAST-MODIFIED:20241204T172231Z
UID:10009819-1746129600-1746135000@seattledances.com
SUMMARY:Miguel Gutierrez: Super Nothing
DESCRIPTION:Super Nothing is a new dance performance by Miguel Gutierrez that works with archive to see how our past can provide a blueprint for a more rigorous honesty in the present. The piece is danced by performers from New York and Los Angeles. How do the dynamics of an art-making process reflect or deny the dynamics of life outside the studio? How is choreography a reflection of the desires\, insecurities\, and personal investments of the people in the room? How can a dance speak to the overwhelming and constant grief that undergirds our lives? \nbell hooks writes that\, “Moving\, we confront the realities of choice and location.” Thinking about movement in both the dance and geographic sense of the word\, this piece engages with our ideas about place/home\, time\, history\, and the strength and failings of “community.”
URL:https://seattledances.com/event/miguel-gutierrez-super-nothing/2025-05-01/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.19.44-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250208T200000
DTEND;TZID=America/Los_Angeles:20250208T220000
DTSTAMP:20241204T171809Z
CREATED:20241204T171809Z
LAST-MODIFIED:20241204T171809Z
UID:10009818-1739044800-1739052000@seattledances.com
SUMMARY:Shamel Pitts | Tribe: BLACK HOLE – Trilogy And Triathlon
DESCRIPTION:Deeply inspired and infused by the spirit of Afrofuturism\, this contemporary\nGesamtkunstwerk combines dance\, original sound\, video projection\, and light design\nin a tale of vitality and tenderness\, darkness and light\, personal growth and collective\nempowerment. Co-created by the award-winning movement artist Shamel Pitts and\nhis Brooklyn-based arts collective TRIBE\, it marks the final installment in the BLACK\nSeries triptych.
URL:https://seattledances.com/event/shamel-pitts-tribe-black-hole-trilogy-and-triathlon/2025-02-08/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.17.46-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250207T200000
DTEND;TZID=America/Los_Angeles:20250207T220000
DTSTAMP:20241204T171809Z
CREATED:20241204T171809Z
LAST-MODIFIED:20241204T171809Z
UID:10009817-1738958400-1738965600@seattledances.com
SUMMARY:Shamel Pitts | Tribe: BLACK HOLE – Trilogy And Triathlon
DESCRIPTION:Deeply inspired and infused by the spirit of Afrofuturism\, this contemporary\nGesamtkunstwerk combines dance\, original sound\, video projection\, and light design\nin a tale of vitality and tenderness\, darkness and light\, personal growth and collective\nempowerment. Co-created by the award-winning movement artist Shamel Pitts and\nhis Brooklyn-based arts collective TRIBE\, it marks the final installment in the BLACK\nSeries triptych.
URL:https://seattledances.com/event/shamel-pitts-tribe-black-hole-trilogy-and-triathlon/2025-02-07/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.17.46-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250206T200000
DTEND;TZID=America/Los_Angeles:20250206T220000
DTSTAMP:20241204T171809Z
CREATED:20241204T171809Z
LAST-MODIFIED:20241204T171809Z
UID:10009816-1738872000-1738879200@seattledances.com
SUMMARY:Shamel Pitts | Tribe: BLACK HOLE – Trilogy And Triathlon
DESCRIPTION:Deeply inspired and infused by the spirit of Afrofuturism\, this contemporary\nGesamtkunstwerk combines dance\, original sound\, video projection\, and light design\nin a tale of vitality and tenderness\, darkness and light\, personal growth and collective\nempowerment. Co-created by the award-winning movement artist Shamel Pitts and\nhis Brooklyn-based arts collective TRIBE\, it marks the final installment in the BLACK\nSeries triptych.
URL:https://seattledances.com/event/shamel-pitts-tribe-black-hole-trilogy-and-triathlon/2025-02-06/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/png:https://seattledances.com/wp-content/uploads/2024/12/Screenshot-2024-12-04-at-9.17.46-AM.png
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241214T200000
DTEND;TZID=America/Los_Angeles:20241214T213000
DTSTAMP:20241021T145544Z
CREATED:20241021T145544Z
LAST-MODIFIED:20241021T145544Z
UID:10009771-1734206400-1734211800@seattledances.com
SUMMARY:Juni One Set (Degenerate Art Ensemble with Senga Nengudi and yuniya edi kwon): Boy mother / faceless bloom
DESCRIPTION:Threading mythology and autobiography\, while drawing from the diverse lineages of queer\, anti-colonial\, and care-based artistic practices\, Boy mother / faceless bloom tells a story of transformation\, transgression\, and the formation of new transcestral lines.\nDance\, music\, poetry\, ritual\, and sculptural installation converge in this work by Juni One Set – an international collaborative cohort including Seattle-based Degenerate Art Ensemble (​​Haruko Crow Nishimura & Joshua Kohl)\, visual artist Senga Nengudi\, and violinist/composer yuniya edi kwon.
URL:https://seattledances.com/event/juni-one-set-degenerate-art-ensemble-with-senga-nengudi-and-yuniya-edi-kwon-boy-mother-faceless-bloom-2/2024-12-14/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/10/3-boy-mother-faceless-bloom-Bruce-Clayton-Tom_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241213T200000
DTEND;TZID=America/Los_Angeles:20241213T213000
DTSTAMP:20241021T145544Z
CREATED:20241021T145544Z
LAST-MODIFIED:20241021T145544Z
UID:10009770-1734120000-1734125400@seattledances.com
SUMMARY:Juni One Set (Degenerate Art Ensemble with Senga Nengudi and yuniya edi kwon): Boy mother / faceless bloom
DESCRIPTION:Threading mythology and autobiography\, while drawing from the diverse lineages of queer\, anti-colonial\, and care-based artistic practices\, Boy mother / faceless bloom tells a story of transformation\, transgression\, and the formation of new transcestral lines.\nDance\, music\, poetry\, ritual\, and sculptural installation converge in this work by Juni One Set – an international collaborative cohort including Seattle-based Degenerate Art Ensemble (​​Haruko Crow Nishimura & Joshua Kohl)\, visual artist Senga Nengudi\, and violinist/composer yuniya edi kwon.
URL:https://seattledances.com/event/juni-one-set-degenerate-art-ensemble-with-senga-nengudi-and-yuniya-edi-kwon-boy-mother-faceless-bloom-2/2024-12-13/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/10/3-boy-mother-faceless-bloom-Bruce-Clayton-Tom_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241212T200000
DTEND;TZID=America/Los_Angeles:20241212T213000
DTSTAMP:20241021T145544Z
CREATED:20241021T145544Z
LAST-MODIFIED:20241021T145544Z
UID:10009769-1734033600-1734039000@seattledances.com
SUMMARY:Juni One Set (Degenerate Art Ensemble with Senga Nengudi and yuniya edi kwon): Boy mother / faceless bloom
DESCRIPTION:Threading mythology and autobiography\, while drawing from the diverse lineages of queer\, anti-colonial\, and care-based artistic practices\, Boy mother / faceless bloom tells a story of transformation\, transgression\, and the formation of new transcestral lines.\nDance\, music\, poetry\, ritual\, and sculptural installation converge in this work by Juni One Set – an international collaborative cohort including Seattle-based Degenerate Art Ensemble (​​Haruko Crow Nishimura & Joshua Kohl)\, visual artist Senga Nengudi\, and violinist/composer yuniya edi kwon.
URL:https://seattledances.com/event/juni-one-set-degenerate-art-ensemble-with-senga-nengudi-and-yuniya-edi-kwon-boy-mother-faceless-bloom-2/2024-12-12/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/10/3-boy-mother-faceless-bloom-Bruce-Clayton-Tom_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241116T200000
DTEND;TZID=America/Los_Angeles:20241116T220000
DTSTAMP:20240816T093112Z
CREATED:20240816T093112Z
LAST-MODIFIED:20240816T093112Z
UID:10008903-1731787200-1731794400@seattledances.com
SUMMARY:Timothy White Eagle – Indian School
DESCRIPTION:Timothy White Eagle\, a Seattle-based visual and performance artist\, returns to OtB with a deeply personal performance exploring displacement and the regenerative power of mythic storytelling. This work delves into the impact of North America’s history of cultural genocide\, addressing personal\, communal\, and national traumas. Through his performance\, White Eagle celebrates resilience and highlights the significance of reclaiming Indigenous experiences. \nNovember 14-16\, 2024 | 8pm\nAvant Premiere \nAbout the Artist:\nTimothy White Eagle is  an artist of Indigenous and European heritage. He creates ritual theater merging personal narrative and mythology while exploring contemporary issues and ancestral memory in search of ritualized healing. He tours internationally as a performance and visual artist\, most recently with The Indigo Room\, which premiered in NYC and Seattle\, then in the Public Theater’s Under the Radar festival. A 2019 Western Arts Alliance Native Launchpad recipient\, he has since been supported by residencies at Guild Hall\, On The Boards\, Town Hall\, PICA’s Creative Exchange Lab\, and La Mama Etc NYC. He has received grant support from the Public Theatre\, Seattle Office of Arts\, 4 Culture\, and the MAP Fund Award 2023\, among others.\nWebsite: whiteeagle.me | Instagram: @timothy.whiteeagle
URL:https://seattledances.com/event/timothy-white-eagle-indian-school/2024-11-16/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/08/2-Indian-School-Photo-by-Steven-Miller_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241115T200000
DTEND;TZID=America/Los_Angeles:20241115T220000
DTSTAMP:20240816T093112Z
CREATED:20240816T093112Z
LAST-MODIFIED:20240816T093112Z
UID:10008902-1731700800-1731708000@seattledances.com
SUMMARY:Timothy White Eagle – Indian School
DESCRIPTION:Timothy White Eagle\, a Seattle-based visual and performance artist\, returns to OtB with a deeply personal performance exploring displacement and the regenerative power of mythic storytelling. This work delves into the impact of North America’s history of cultural genocide\, addressing personal\, communal\, and national traumas. Through his performance\, White Eagle celebrates resilience and highlights the significance of reclaiming Indigenous experiences. \nNovember 14-16\, 2024 | 8pm\nAvant Premiere \nAbout the Artist:\nTimothy White Eagle is  an artist of Indigenous and European heritage. He creates ritual theater merging personal narrative and mythology while exploring contemporary issues and ancestral memory in search of ritualized healing. He tours internationally as a performance and visual artist\, most recently with The Indigo Room\, which premiered in NYC and Seattle\, then in the Public Theater’s Under the Radar festival. A 2019 Western Arts Alliance Native Launchpad recipient\, he has since been supported by residencies at Guild Hall\, On The Boards\, Town Hall\, PICA’s Creative Exchange Lab\, and La Mama Etc NYC. He has received grant support from the Public Theatre\, Seattle Office of Arts\, 4 Culture\, and the MAP Fund Award 2023\, among others.\nWebsite: whiteeagle.me | Instagram: @timothy.whiteeagle
URL:https://seattledances.com/event/timothy-white-eagle-indian-school/2024-11-15/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/08/2-Indian-School-Photo-by-Steven-Miller_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241114T200000
DTEND;TZID=America/Los_Angeles:20241114T220000
DTSTAMP:20240816T093112Z
CREATED:20240816T093112Z
LAST-MODIFIED:20240816T093112Z
UID:10008901-1731614400-1731621600@seattledances.com
SUMMARY:Timothy White Eagle – Indian School
DESCRIPTION:Timothy White Eagle\, a Seattle-based visual and performance artist\, returns to OtB with a deeply personal performance exploring displacement and the regenerative power of mythic storytelling. This work delves into the impact of North America’s history of cultural genocide\, addressing personal\, communal\, and national traumas. Through his performance\, White Eagle celebrates resilience and highlights the significance of reclaiming Indigenous experiences. \nNovember 14-16\, 2024 | 8pm\nAvant Premiere \nAbout the Artist:\nTimothy White Eagle is  an artist of Indigenous and European heritage. He creates ritual theater merging personal narrative and mythology while exploring contemporary issues and ancestral memory in search of ritualized healing. He tours internationally as a performance and visual artist\, most recently with The Indigo Room\, which premiered in NYC and Seattle\, then in the Public Theater’s Under the Radar festival. A 2019 Western Arts Alliance Native Launchpad recipient\, he has since been supported by residencies at Guild Hall\, On The Boards\, Town Hall\, PICA’s Creative Exchange Lab\, and La Mama Etc NYC. He has received grant support from the Public Theatre\, Seattle Office of Arts\, 4 Culture\, and the MAP Fund Award 2023\, among others.\nWebsite: whiteeagle.me | Instagram: @timothy.whiteeagle
URL:https://seattledances.com/event/timothy-white-eagle-indian-school/2024-11-14/
LOCATION:On the Boards\, 100 West Roy St\, Seattle\, WA\, 98119
ATTACH;FMTTYPE=image/jpeg:https://seattledances.com/wp-content/uploads/2024/08/2-Indian-School-Photo-by-Steven-Miller_16x9.jpg
ORGANIZER;CN="On the Boards":MAILTO:info@ontheboards.org
END:VEVENT
END:VCALENDAR