BLUE SCREEN: GOOD BOY, Tomorrow Belongs To Me

BLUE SCREEN will take over 12th ave Arts for something they’ve been dreaming about for a long time.  Good Boy is an anti-fascist performance directed by Joseph Hernandez with Barret Anspach and Coral Grief.  This contemporary dance event is a show that leans in.  What does it mean to meet the moment? Is it possible? How can we avoid capitulating to cynics, capitalism, virtue signaling, consumption, platitudes, and emptiness.  The show is queer, angry, tender, and is trying its best to be brave.

BLUE SCREEN is the latest iteration of the work of artist Joseph Hernandez.  Hernandez has acted as a choreographer  dancer,  writer, curator, educator, and persona non grata in some of the world’s most famoust institutions and least famous internet circles.  He comes from Germany but now lives in Seattle, WA – where he hopes to  adopt a dog and find some meaning in creation again. He took a break from making dance (or making art of any kind for that matter) because he got tired.  (He got tired of making work for dance companies that treat their employees like cattle and who cling to the past because they are greedy and scared.).  Art is one of his biggest loves and he is excited to be making it on his terms.  BLUE SCREEN is where you will find collaborations, events, essays, and baseball caps with pithy slogans.  BLUE SCREEN is amorphously organised public forum where he intends to enlist a lot of people he loves to display their grief, growth and resilience alongsinde his own.