Northwest New Works 2025
NW New Works returns by popular demand to showcase the most daring, cutting-edge performances in our region once again! Since 1983, this festival has been… Read More »Northwest New Works 2025
On the Boards
Juni One Set (Degenerate Art Ensemble with Senga Nengudi and yuniya edi kwon): Boy mother / faceless bloom
Threading mythology and autobiography, while drawing from the diverse lineages of queer, anti-colonial, and care-based artistic practices, Boy mother / faceless bloom tells a story… Read More »Juni One Set (Degenerate Art Ensemble with Senga Nengudi and yuniya edi kwon): Boy mother / faceless bloom
Timothy White Eagle – Indian School
Timothy White Eagle, a Seattle-based visual and performance artist, returns to OtB with a deeply personal performance exploring displacement and the regenerative power of mythic… Read More »Timothy White Eagle – Indian School
Mutant Pop Opera Meditates on Time
All Time Stops Now “experiments with the liminal space between the virtual, in person, and a third unknown and perhaps spiritual thing.”
WHO’S IN THE ROOM
Kaitlin McCarthy meditates on four performances through the lens of “who’s in the room.” Includes Black Collectivity’s To Gather, Velocity’s Hybrid Lab, Four on the… Read More »WHO’S IN THE ROOM
TO GATHER WITH PURPOSE
“Here in Seattle many of us have the freedom to come together…To do so is a gauge of our own personal freedoms. How we show… Read More »TO GATHER WITH PURPOSE
THE CAMERA IS AN ANIMAL
In Will Rawl’s [siccer], layers of Black and queer cultural context reflect the complexities of language, representation, and narrative control.
DANCECRUSH SPOTLIGHT: PEGGY PIACENZA
With 30 years experience making dance work in Seattle, Peggy Piacenza talks process, history, working slowly, and the beginnings of something new.
DANCECRUSH SPOTLIGHT: MARKEITH WILEY
A conversation with Markeith Wiley—on their many roles, their remarkable career in art-making, and their hopes for the future.
ABOUT TIME FOR 12 SECONDS MAX
The COVID-19 pandemic has disrupted time itself. In response, Alyza DelPan-Monley curated an online rendition of 12 Minutes Max: The 12 Second Edition.