Fauxnique wields a provocative, wry framework of drag, dance, and philosophy to confront identity, femininity, and self-image. How Do I Look? is the latest work from Monique Jenkinson/Fauxnique, the multifaceted artist, choreographer, writer, and performer best known as the first cisgender woman anywhere, ever to be crowned as a pageant-winning drag queen. With her rigorous… Read More »Fauxnique: How Do I Look?
Since 1983, NW New Works has been a vibrant celebration of artists from all performance disciplines, showcasing the dynamic arts community of the Pacific Northwest. NWNW has an extensive history of presenting emerging works, with past festivals featuring renowned artists and groundbreaking performances that have left an indelible mark on the arts community, including:, Degenerate… Read More »NW New Works 2026
Since 1983, NW New Works has been a vibrant celebration of artists from all performance disciplines, showcasing the dynamic arts community of the Pacific Northwest. NWNW has an extensive history of presenting emerging works, with past festivals featuring renowned artists and groundbreaking performances that have left an indelible mark on the arts community, including:, Degenerate… Read More »NW New Works 2026
Since 1983, NW New Works has been a vibrant celebration of artists from all performance disciplines, showcasing the dynamic arts community of the Pacific Northwest. NWNW has an extensive history of presenting emerging works, with past festivals featuring renowned artists and groundbreaking performances that have left an indelible mark on the arts community, including:, Degenerate… Read More »NW New Works 2026
In The Goldberg Variations, Canadian performance artist Clayton Lee freely references and entangles queer diasporic sexuality and aesthetics with classical music (Johann Sebastian Bach) and professional wrestling (Bill Goldberg). Using deadpan humor, generosity, and a low-vibrating mischievousness to facilitate and indulge the “what-ifs” of the live encounter, Clayton guides the audience through his sexual history… Read More »The Goldberg Variations by Clayton Lee
In The Goldberg Variations, Canadian performance artist Clayton Lee freely references and entangles queer diasporic sexuality and aesthetics with classical music (Johann Sebastian Bach) and professional wrestling (Bill Goldberg). Using deadpan humor, generosity, and a low-vibrating mischievousness to facilitate and indulge the “what-ifs” of the live encounter, Clayton guides the audience through his sexual history… Read More »The Goldberg Variations by Clayton Lee
In The Goldberg Variations, Canadian performance artist Clayton Lee freely references and entangles queer diasporic sexuality and aesthetics with classical music (Johann Sebastian Bach) and professional wrestling (Bill Goldberg). Using deadpan humor, generosity, and a low-vibrating mischievousness to facilitate and indulge the “what-ifs” of the live encounter, Clayton guides the audience through his sexual history… Read More »The Goldberg Variations by Clayton Lee
Using an improvised language of disintegration, How does it feel to look at nothing is an embodied pre-origin story of a Deity of Nothingness. An opera of the elemental, of pre-deities, and illusions of containment, this interdisciplinary performance emerges through a story of transitional states. Composer-performers, multi-instrumentalists, and vocalists Holland Andrews and yuniya edi kwon… Read More »Holland Andrews & yuniya edi kwon: How does it feel to look at nothing
Using an improvised language of disintegration, How does it feel to look at nothing is an embodied pre-origin story of a Deity of Nothingness. An opera of the elemental, of pre-deities, and illusions of containment, this interdisciplinary performance emerges through a story of transitional states. Composer-performers, multi-instrumentalists, and vocalists Holland Andrews and yuniya edi kwon… Read More »Holland Andrews & yuniya edi kwon: How does it feel to look at nothing
Using an improvised language of disintegration, How does it feel to look at nothing is an embodied pre-origin story of a Deity of Nothingness. An opera of the elemental, of pre-deities, and illusions of containment, this interdisciplinary performance emerges through a story of transitional states. Composer-performers, multi-instrumentalists, and vocalists Holland Andrews and yuniya edi kwon… Read More »Holland Andrews & yuniya edi kwon: How does it feel to look at nothing