Rooted in deep cultural memory and archival research, six Black femmes channel the power and poetry of majorette dance in a fierce investigation of memory, sensuality, and pride. MAJOR is a dance theater project exploring the physicality, history, sociopolitics, and interiority of majorette dance, a form that originated in the American South within Historically Black… Read More »Ogemdi Ude: MAJOR
Rooted in deep cultural memory and archival research, six Black femmes channel the power and poetry of majorette dance in a fierce investigation of memory, sensuality, and pride. MAJOR is a dance theater project exploring the physicality, history, sociopolitics, and interiority of majorette dance, a form that originated in the American South within Historically Black… Read More »Ogemdi Ude: MAJOR
A genre-defying musical shrine to queer identity and transformation invites us into an irreverent feast of gender, memory, and grief. Once upon a vine, Rose Jarboe’s aunt revealed that Rose not only had a twin sister in the womb, but that she consumed her: “You ate her. That’s why you are the way you are.”… Read More »Rose: You Are What You Eat
A genre-defying musical shrine to queer identity and transformation invites us into an irreverent feast of gender, memory, and grief. Once upon a vine, Rose Jarboe’s aunt revealed that Rose not only had a twin sister in the womb, but that she consumed her: “You ate her. That’s why you are the way you are.”… Read More »Rose: You Are What You Eat
A genre-defying musical shrine to queer identity and transformation invites us into an irreverent feast of gender, memory, and grief. Once upon a vine, Rose Jarboe’s aunt revealed that Rose not only had a twin sister in the womb, but that she consumed her: “You ate her. That’s why you are the way you are.”… Read More »Rose: You Are What You Eat
A ritual of femme power and connection rooted in two decades of research and participation in street and contemporary dance cultures. Again, There Is No Other (The Remix) is a dark and joyful ritual merging street dance forms and contemporary dance. The work interrogates fear of the Feminine in patriarchal culture, asking: If perceptions of… Read More »Amy O’Neal: Again, There Is No Other (The Remix)
A ritual of femme power and connection rooted in two decades of research and participation in street and contemporary dance cultures. Again, There Is No Other (The Remix) is a dark and joyful ritual merging street dance forms and contemporary dance. The work interrogates fear of the Feminine in patriarchal culture, asking: If perceptions of… Read More »Amy O’Neal: Again, There Is No Other (The Remix)
A ritual of femme power and connection rooted in two decades of research and participation in street and contemporary dance cultures. Again, There Is No Other (The Remix) is a dark and joyful ritual merging street dance forms and contemporary dance. The work interrogates fear of the Feminine in patriarchal culture, asking: If perceptions of… Read More »Amy O’Neal: Again, There Is No Other (The Remix)
Fauxnique wields a provocative, wry framework of drag, dance, and philosophy to confront identity, femininity, and self-image. How Do I Look? is the latest work from Monique Jenkinson/Fauxnique, the multifaceted artist, choreographer, writer, and performer best known as the first cisgender woman anywhere, ever to be crowned as a pageant-winning drag queen. With her rigorous… Read More »Fauxnique: How Do I Look?
Fauxnique wields a provocative, wry framework of drag, dance, and philosophy to confront identity, femininity, and self-image. How Do I Look? is the latest work from Monique Jenkinson/Fauxnique, the multifaceted artist, choreographer, writer, and performer best known as the first cisgender woman anywhere, ever to be crowned as a pageant-winning drag queen. With her rigorous… Read More »Fauxnique: How Do I Look?