sdp: continues this friday and saturday
Seattle Dance Project in Edwaard Liang’s “To Converse Too” (photo by Zebravisual) Seattle Dance Project’s “P3” —as in Project 3—finishes up its run at ACT… Read More »sdp: continues this friday and saturday
SeattleDances Editors
lingo: want a solo created and danced just for you? deadline is 2/14
Kevin Kauer photo By Rosie Gaynor Lingo’s three-month-long performance project starts March 1, but you can be a part of the action earlier… Thirty folks,… Read More »lingo: want a solo created and danced just for you? deadline is 2/14
chal
Here is the beginning of my post. And here is the rest of it. http://www.pointemagazine.com/issues/februarymarch-2010/show-and-tell-inside-chalnessa-eames-dance-bag
pnb: sneak peek at 2010–2011 season
Ariana Lallone in Lambarena (Angela Sterling photo) By Rosie Gaynor It’s hard to think about 2010–2011, with still so much good stuff in store for… Read More »pnb: sneak peek at 2010–2011 season
gogocamel awakens!
GoGoCamel is opening its long-lashed lids after a few years’ sleep and is gearing up to walk again. This is good news. It’s Joshua Windsor’s… Read More »gogocamel awakens!
ticktock: no. 1—a review
ticktock No. 1The Experiment: Deconstructed Circus Meets Post-Modern Dance By Joshua Windsor “No. 1” is the appropriately-named, first performance to come from the newly-formed dance/aerialist… Read More »ticktock: no. 1—a review
obt: 2010–2011 season announced
OBT’s Artur Sultanov and Daniela Deloe in “Left Unsaid”(photo © Blaine Truitt Covert) By Rosie Gaynor Oregon Ballet Theatre sent out an announcement of their… Read More »obt: 2010–2011 season announced
ww: promo video
Matthew Brown has made a beautiful video using excerpts of Whim Whim’s recent performance, etc. It’s really another piece of art entirely…one that respects the… Read More »ww: promo video
otb: bruno beltrão/grupo de rua’s h3—a review
Members of Grupo de Rua (photo by Anns V. Koiij) By Jean Lenihan I have been waiting all fall for the Seattle debut of Bruno… Read More »otb: bruno beltrão/grupo de rua’s h3—a review